The History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Berlioz: Symphonie fantastique / Overtures
2▶Digital Media: Chopin: Piano Concerto no. 1 / Préludes / Barcarolle / Scherzo no. 3
3▶Digital Media: Chopin: Nocturnes (selection)
4▶Digital Media: Chopin: Mazurkas / Waltzes / Études / Scherzi / Polonaise no. 6 / Ballade no. 1
5▶Digital Media: Liszt: Piano Concerto no. 1 / B minor Sonata / Hungarian Rhapsody no. 6
6▶Digital Media: Mendelssohn: Symphony no. 4 “Italian” / A Midsummer Night’s Dream (excerpts) / “Hebrids” Overture
7▶Digital Media: Schumann: Symphonies nos. 2 & 3 “Rhenish”
8▶Digital Media: Schumann: Piano Concerto / Kinderszenen / Carnaval
9▶Digital Media: Schumann: Dichterliebe / Frauenliebe und ‐lieben / Lieder
10▶Digital Media: Bizet: Carmen (highlights)
11▶Digital Media: Brahms: Symphonies nos. 1 & 4
12▶Digital Media: Brahms: Piano Concerto no. 2 / Fantasias
13▶Digital Media: Brahms: Violin Concerto / Violin Sonata no. 1
14▶Digital Media: Bruckner: Symphony / Psalm 150
15▶Digital Media: Strauss, J.: Waltzes & Polkas
16▶Digital Media: Smetana: My Fatherland / Dvořák: Symphony no.9 “From the New World”
17▶Digital Media: Dvořák: Celo Concerto / Symphony no.8
18▼Digital Media: Grieg: Piano Concerto / Peer Gynt (suites nos. 1 & 2)
#TitleArtistRatingLength
1Piano Concerto in A minor, op. 16: I. Allegro molto moderato
piano:
Géza Anda (Geza Anda, pianist) (in 1963-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-09)
conductor:
Rafael Kubelík (conductor) (in 1963-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-09)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (in 1963-09)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:10
2Piano Concerto in A minor, op. 16: II. Adagio
piano:
Géza Anda (Geza Anda, pianist) (in 1963-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-09)
conductor:
Rafael Kubelík (conductor) (in 1963-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-09)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1963-09)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg7:05
3Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso
piano:
Géza Anda (Geza Anda, pianist) (in 1963-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-09)
conductor:
Rafael Kubelík (conductor) (in 1963-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-09)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato (in 1963-09)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:44
4Peer Gynt, Suite no. 1, op. 46: I. Morning Mood
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:00
5Peer Gynt, Suite no. 1, op. 46: II. The Death of Aase
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:48
6Peer Gynt, Suite no. 1, op. 46: III. Anitra’s Dance
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:47
7Peer Gynt, Suite no. 1, op. 46: IV. In the Hall of the Mountain King
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:12
8Peer Gynt, Suite no. 2, op. 55: I. The Abduction (Ingrid’s Lament)
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:56
9Peer Gynt, Suite no. 2, op. 55: II. Arabian Dance
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:41
10Peer Gynt, Suite no. 2, op. 55: III. Peer Gynt’s Return
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:44
11Peer Gynt, Suite no. 2, op. 55: IV. Solveig’s Song
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg6:16
19▶Digital Media: Tchaikovsky: Symphony no. 6 “Pathétique” / The Nutcracker (suite)
20▶Digital Media: Tchaikovsky: Romeo and Juliet / “1812” Overture / Serenade for Strings

Credits

Release group

includes:Carmen (1977 studio cast) by Georges Bizet (French composer); Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Ileana Cotrubas (Romanian soprano), Sherrill Milnes (baritone), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
Cello Concerto / Symphony no. 8 by Dvořák (Antonín Dvořák, composer); Pierre Fournier (cellist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), George Szell (conductor, pianist, composer), Rafael Kubelík (conductor)
Frauenliebe und Leben / Dichterliebe / 10 Lieder by Robert Schumann (German classical composer); Dietrich Fischer‐Dieskau (baritone), Christoph Eschenbach (pianist and conductor), Brigitte Fassbaender (mezzo-soprano), Irwin Gage (pianist)
Klavierkonzert / Kinderszenen / Carnaval by Schumann (Robert Schumann, German classical composer); Wilhelm Kempff (pianist), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Rafael Kubelík (conductor)
Konzert für Klavier und Orchester / Peer Gynt Suite no. 1 / Peer Gynt Suite no. 2 by Grieg (composer); Géza Anda (Geza Anda, pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor), Rafael Kubelík (conductor)
Konzert und “Regenlied‐Sonate” für Violine by Brahms (Johannes Brahms, German composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor), Pinchas Zukerman (violinist/conductor)
Mazurkas / Waltzes / Scherzi / Polonaise no. 6 / Ballade no. 1 by Frédéric Chopin (composer); Tamás Vásáry (Hungarian pianist and conductor)
Nocturnes by Chopin (Frédéric Chopin, composer); Daniel Barenboim (pianist and conductor)
Ouvertüre “1812” / Romeo und Julia / Streicherserenade by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Giuseppe Sinopoli (conductor), Neeme Järvi (Estonian conductor), Orpheus Chamber Orchestra (US orchestra)
Piano Concerto no. 1 / Sonata in B minor / Hungarian Rhapsody no. 6 / Années de Pèlerinage (excerpts) by Liszt (Hungarian composer, pianist and conductor); Martha Argerich (Argentine pianist), Lazar Berman (pianist), Claudio Abbado (conductor)
Piano Concerto no. 2 / Fantasien by Johannes Brahms (German composer); Emil Gilels (pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Eugen Jochum (conductor)
Symphonie no. 4 “Italienische” / Ouverture “Die Hebriden” / Ein Sommernachtstraum (auszüge) by Mendelssohn (Felix Mendelssohn, composer); Leonard Bernstein (American conductor, composer, pianist), Rafael Kubelík (conductor)
Symphonie no. 4 / 150. Psalm by Bruckner (Austrian composer); Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Symphonien nr. 2 & 3 “Rheinische” by Robert Schumann (German classical composer); Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Symphony no. 6 by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Leningrad Philharmonic (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use), Yevgeny Mravinsky (conductor)
Waltzes & Polkas by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Wiener Philharmoniker (Vienna Philharmonic), Lorin Maazel (conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 3)