111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

111 Years of Deutsche Grammophon was released in 3 box sets:
*This is the 6 disc box set
*There is also another 6 disc box set
*There is also a 55 disc box set
*There is also a 13 DVD box set

Annotation last modified on 2011-05-17 18:35 UTC.

Tracklist

1▼CD: Abbado – Carreras
#TitleArtistRatingLength
1Hungarian Dance no. 5 in G minor
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (conductor) (from 1982-04 until 1982-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:23
2The Art of Fugue, BWV 1080: Contrapunctus 9. a 4 alla Duodecima
producer:
Christoph Classen (producer/engineer)
editor:
Christoph Wolff (liner notes)
piano:
Pierre‐Laurent Aimard (pianist) (in 2007-09)
balance engineer:
Tobias Lehmann (in 2007-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 2007-09)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 2007-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:22
3String Quartet no. 14 in C‐sharp minor, op. 131: II. Allegro molto vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-06)
string quartet:
Amadeus Quartet (in 1963-06)
viola:
Peter Schidlof (violist) (in 1963-06)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-06)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-06)
recording of:
String Quartet no. 14 in C‐sharp minor, op. 131: II. Allegro molto vivace (in 1963-06)
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 14 in C‐sharp minor, op. 131
Ludwig van Beethoven3:12
4Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:16
524 Préludes, op. 28 no. 24 in D minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
6Pavane pour une infante défunte
recording engineer:
Klaus Scheibe (editor/engineer)
miscellaneous support:
Werner Mayer (classical producer) (task: recording supervision)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Joachim Niss and Klaus Scheibe (editor/engineer)
solo horn:
Myron Bloom (hornist) (on 1981-04-30)
orchestra:
Orchestre de Paris (on 1981-04-30)
conductor:
Daniel Barenboim (pianist and conductor) (on 1981-04-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (on 1981-04-30)
recording of:
Pavane pour une infante défunte (orchestrated version) (on 1981-04-30)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:47
7Le nozze di Figaro, K. 492: Act II. “Voi che sapete”
recording engineer:
Christopher Alder (editor/engineer/producer)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (cellist) (from 1994-01 until 1994-02) and Robert Scheiwein (Austrian cellist) (from 1994-01 until 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1994-01 until 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte]:
Cecilia Bartoli (mezzo‐soprano) (from 1994-01 until 1994-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1994-01 until 1994-02)
conductor:
Claudio Abbado (conductor) (from 1994-01 until 1994-02)
chorus master:
Dietrich D. Gerpheide (from 1994-01 until 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1994-01 until 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:31
824 Préludes, op. 28 no. 3 in G major
recording engineer:
Arend Prohmann (producer / editor) and Mark Buecker (engineer of classical recordings) (in 2007-07)
executive producer:
Christian Leins
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 2007-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:03
9Suite no. 2 in B minor, BWV 1067: VII. “Badinerie”
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hans Ritter
flute:
Jean Soldan (in 1967-05)
strings:
Lucerne Festival Strings
orchestra:
Festival Strings Lucerne (in 1967-05)
conductor:
Rudolf Baumgartner (conductor) (in 1967-05)
balance engineer:
Günter Hermanns (producer/engineer) and Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Verkehrshaus in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 1967-05)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1967-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:31
10Requiem, op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
11Préludes, Book I: VII. “Ce qu’a vu le vent d’Ouest”
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:45
12Carmen: Act I. “L’amour est un oiseau rebelle” (Havanaise)
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) and Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:27
13Overture Candide
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Hanno Rinke
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
recording of:
Candide: Overture (on 1982-07-24)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:21
14Requiem in D minor, K. 626: III. Sequentia - Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart54:16
15Sechs Lieder, op. 17: II. Ständchen
recording engineer and producer:
Sid McLauchlan (engineer/producer)
executive producer:
Ute Fesquet
piano:
Justus Zeyen (pianist) (in 2009-03)
soprano vocals:
Measha Brueggergosman (soprano) (in 2009-03)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-03)
recording of:
Ständchen, op. 17 no. 2 (in 2009-03)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:36
16Le sacre du printemps, Part II: “Le sacrifice” VI. “Danse sacrale” - “L’élue”
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Alison Ames
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Игорь Фёдорович Стравинский4:49
17El amor brujo: Canción del amor dolido
recording engineer and producer:
Karl Faust (producer)
mezzo-soprano vocals:
Grace Bumbry (mezzo‐soprano) (in 1965-06)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: III. Canción del amor dolido (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:36
18L’Africaine, Act IV: “O Paradiso”
recorded in:
New York, New York, United States (on 1907-02-20)
tenor vocals:
Enrico Caruso (tenor) (on 1907-02-20)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
phonographic copyright (℗) by:
BMG Classics (read annotations before use) (in 1907)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (on 1907-02-20)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
live recording of:
L’Africaine
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
Giacomo Meyerbeer3:43
19Concerto for Violin, Strings and Harpsichord in G minor, R. 325: II. Largo
recording engineer:
Hans Bernhard Bätzing (engineer, producer) and Ingmar Haas (engineer) (in 2006-01)
executive producer:
Marita Prohmann
producer and editor:
Hans Bernhard Bätzing (engineer, producer)
violin:
Giuliano Carmignola (violinist) (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2006-01)
balance engineer:
Ulrich Vette (engineer) (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi2:02
20Tosca, Act III. “E lucevan le stelle”
recording engineer:
Michel Glotz
executive producer:
Günther Breest (producer for classical music)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1979-09)
conductor:
Herbert von Karajan (conductor) (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1979-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini53:24
2▶CD: Chung – Hahn
3▶CD: Hope – Ludwig
4▶CD: Leitner – Pogorelich
5▶CD: Pavarotti – Seefried
6▶CD: Segovia – Zimerman