Schumann: The Essentials

~ Release by Schumann (see all versions of this release, 1 available)

Tracklist

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1Kinderszenen, op. 15: VII. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:57
2Kinderszenen, op. 15: VIII. Am Kamin
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:57
3Carnaval, op. 9: XII. Chopin
piano:
Daniil Trifonov (pianist) (in 2016-04)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2016-04)
recording of:
Carnaval, op. 9: XII. Chopin (in 2016-04)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
part of:
Carnaval, op. 9 (for piano)
Robert Schumann1:36
43 Romanzen, op. 28 no. 2 in F‐sharp: Einfach
producer:
Sid McLauchlan (engineer/producer)
piano:
Jan Lisiecki (pianist) (in 2015-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 2015-09)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 2015-09)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann3:36
5Waldszenen, op. 82: VII. Vogel als Prophet
recording engineer:
Wolf‐Dieter Karwatky (in 1994-01)
producer:
Christian Gansch (conductor)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (in 1994-01)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:58
63 Romances, op. 94: II. Einfach, innig
oboe:
Douglas Boyd (oboist and conductor)
piano:
Maria João Pires (pianist)
recording of:
3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano)
composer:
Robert Schumann (German classical composer) (from 1849-12-07 until 1849-12-12)
part of:
3 Romanzen, op. 94 (for oboe and piano)
Robert Schumann4:11
7Märchenbilder, op. 113: I. Nicht schnell
executive producer:
Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 1999-12)
piano:
Martha Argerich (Argentine pianist) (in 1999-12)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Royal Conservatory (Music conservatory of the French community in Brussels, Belgium) in Brussels (Brussels-Capital Region), Belgium (in 1999-12)
recording of:
Märchenbilder, op. 113: Nr. 1. Nicht schnell (in 1999-12)
composer:
Robert Schumann (German classical composer)
part of:
Märchenbilder, op. 113
Robert Schumann4:15
8Fantasiestücke, op. 88: I. Romanze. Nicht schnell, mit innigem Ausdruck
co-producer:
Ewald Markl
executive producer:
Martin T:son Engstroem (producer)
producer:
Sid McLauchlan (engineer/producer)
editor:
Hans‐Ulrich Bastin
cello:
Mischa Maisky (cellist) (in 2002-02)
piano:
Martha Argerich (Argentine pianist) (in 2002-02)
violin:
Gidon Kremer (violinist) (in 2002-02)
balance engineer:
Rainer Maillard
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-02)
recording of:
Phantasiestücke, op. 88: I. Romanze (in 2002-02)
composer:
Robert Schumann (German classical composer) (in 1842)
part of:
Phantasiestücke, op. 88
Robert Schumann2:33
9Dichterliebe, op. 48: I. Im wunderschönen Monat Mai
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:32
10Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Ein Jüngling liebt ein Mädchen
part of:
Dichterliebe, op. 48
Robert Schumann1:03
11Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:35
12Davidsbündlertänze, op. 6: XIII. Wild und lustig
piano:
Anatol Ugorski (pianist)
recording of:
Davidsbündlertänze, op. 6: XIII. Wild und lustig
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann3:31
13Myrthen, op. 25: XXIV. Du bist wie eine Blume
producer:
Cord Garben (pianist and conductor)
piano:
Christoph Eschenbach (pianist and conductor) (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-01)
recording of:
Myrthen, op. 25: Nr. 24. Du bist wie eine Blume (in 1974-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Myrthen, op. 25
Robert Schumann1:50
14Piano Quintet in E‐flat, op. 44: III. Scherzo. Molto vivace
piano:
James Levine (US conductor and pianist) (in 1980-10)
string quartet:
LaSalle Quartet (in 1980-10)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1980-10)
recording of:
Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace (in 1980-10)
composer:
Robert Schumann (German classical composer) (in 1842)
part of:
Piano Quintet in E-flat major, op. 44
Robert Schumann4:19
15Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
James Levine (US conductor and pianist)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann9:48
16Piano Concerto in A minor, op. 54: III. Allegro vivace
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1997-09)
orchestra:
Chamber Orchestra of Europe (in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1997-09)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (in 1997-09)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann11:17
17Symphony no. 1 in B‐flat, op. 38: “Spring”: IV. Allegro animato e grazioso
producer:
Daniel Zalay
orchestra:
Chamber Orchestra of Europe (in 2012-11)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2012-11)
balance engineer:
Christian Lahondes (in 2012-11)
recorded at:
Cité de la musique in Paris, Île-de-France, France (in 2012-11)
live recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (in 2012-11)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:45
18Cello Concerto in A minor, op. 129: II. Langsam
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Dr. Marion Thiem and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 1997-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1997-03)
balance engineer:
Stephan Flock
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1997-03)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (in 1997-03)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann4:00
19Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Colla più grande energia
recording engineer:
Wolf‐Dieter Karwatky (from 1993-09 until 1993-10)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie (from 1993-09 until 1993-10)
composer:
Robert Schumann (German classical composer) (until 1839)
part of:
Faschingsschwank aus Wien, op. 26
Robert Schumann2:32
20Kreisleriana, op. 16: I. Äusserst bewegt
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: I. Äußerst bewegt (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann2:40
21Liederkreis, op. 39: V. Mondnacht
piano:
Malcolm Martineau (pianist)
vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Liederkreis, op. 39: Nr. 5. Mondnacht
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann4:06
22Toccata in C major, op. 7
recording engineer:
Wolfgang Mitlehner
producer:
Hanno Rinke
piano:
Ivo Pogorelich (pianist) (in 1981-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1981-09)
recording of:
Toccata in C major, op. 7 (in 1981-09)
composer:
Robert Schumann (German classical composer) (from 1829 until 1833)
dedicated to:
Ludwig Schunke
part of:
Works of Robert Schumann by opus number (number: op. 7)
revision of:
Exercice pour le Pianoforte (earlier version of op. 7)
Robert Schumann6:50
23Symphonic Studies, op. 13 (version 1852 with études from 1837 version): Variation II. Marcato il canto
piano:
Mikhail Pletnev (pianist & conductor) (on 2000-11-01)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2000-11-01)
live recording of:
Sonata in D minor, K 9, L 413: Allegro (on 2000-11-01)
composer:
Domenico Scarlatti (composer) (from 1738 until 1739)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 9) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 413)
part of:
Essercizi per gravicembalo
Robert Schumann3:05
24Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1984-02-05)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-02-05)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1984-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1984-02-05)
live recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (on 1984-02-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann5:19
25Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen. Im Legendenton – Erstes Tempo
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor)
piano:
Wilhelm Kempff (pianist) (in 1971-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1971-03)
recording of:
Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton (in 1971-03)
composer:
Robert Schumann (German classical composer) (in 1836)
part of:
Fantasy in C major, op. 17
Robert Schumann12:00

Credits

Release group

part of:The Essentials (Deutsche Grammophon) (order: 19)