L’Histoire du jazz vocal – The Story of Vocal Jazz: 1911–1940

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Tracklist errors:
Track 10.24 is listed as "Delta Blues" by Son House in the booklet and on the cover. The actual song on the medium is "Love in Vain" by Robert Johnson however.

Anmerkung zuletzt geändert am 2024-01-06 12:20 UTC.

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Kassie Jones [1928‐08‐28]
Furry Lewis3:08
2Some Cold Rainy Day [1928‐10‐13]
Bertha “Chippie” Hill3:15
3Viola Lee Blues [1928]
recording of:
Viola Lee Blues
Verfasser(in):
Noah Lewis
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Noah Lewis3:09
4No More Woman Blues [1928]
recorded in:
San Antonio, Texas, Vereinigte Staaten (am 1928-03-09)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1928-03-09)
Sologesang:
Alger “Texas” Alexander (am 1928-03-09)
Alger “Texas” Alexander3:03
5Diga Diga Doo [1928‐11‐15]
Banjo:
Fred Guy (am 1928-11-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1928-11-15)
Kontrabass:
Wellman Braud (am 1928-11-15)
Posaune:
Joe "Tricky Sam" Nanton (am 1928-11-15)
Rohrblattinstrumente:
Barney Bigard (am 1928-11-15) und Johnny Hodges (am 1928-11-15)
Saxophon:
Otto Hardwick (am 1928-11-15)
Schlagzeug:
Sonny Greer (am 1928-11-15)
Trompete:
Freddie Jenkins (am 1928-11-15), Bubber Miley (am 1928-11-15) und Arthur Whetsel (am 1928-11-15)
vocals:
Irving Mills (am 1928-11-15) und Ozie Ware (am 1928-11-15)
recording of:
Diga Diga Doo (am 1928-11-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
Ozie Ware & Irving Mills2:56
6Basin Street Blues [1928‐12‐04]
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-04)
Banjo:
Mancy "Peck" Carr (am 1928-12-04)
Celesta [celeste]:
Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
Klarinette:
Jimmy Strong (am 1928-12-04)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-04)
Schlagzeug:
Zutty Singleton (am 1928-12-04)
Trompete und Sologesang:
Louis Armstrong (am 1928-12-04)
vocals:
Louis Armstrong (am 1928-12-04), Mancy "Peck" Carr (am 1928-12-04) und Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
recording of:
Basin Street Blues (am 1928-12-04)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:21
7Screamin’ and Hollerin’ the Blues [1929]
recorded in:
Richmond, Indiana, Vereinigte Staaten (am 1929-06-14)
Gitarre:
Charley Patton (American Delta blues musician) (am 1929-06-14)
vocals:
Charley Patton (American Delta blues musician) (am 1929-06-14)
Charley Patton3:05
8Bumble Bee [1929]
recorded in:
New York, New York, Vereinigte Staaten (am 1929-06-18)
Gitarre:
Kansas Joe McCoy (am 1929-06-18) und Memphis Minnie (am 1929-06-18)
vocals:
Memphis Minnie (am 1929-06-18)
recording of:
Bumble Bee (in 1929)
Komponist(in):
Memphis Minnie
Memphis Minnie2:49
9Georgia Bound [1929]
Blind Blake3:23
10Sloppy Joe [1929‐03‐07]
recording of:
Sloppy Joe (am 1929-03-07)
Verfasser(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader)
Sonny Greer3:17
11Decatur Street Tutti [1929‐04‐04]
alto saxophone:
Willard Brown (am 1929-04-04)
Banjo:
Ikey Robinson (am 1929-04-04)
Klavier:
Kenneth Anderson (1920s jazz piano) (am 1929-04-04)
Kornett und Trompete:
Jabbo Smith (am 1929-04-04)
Tuba [brass bass]:
Hayes Alvis (am 1929-04-04)
vocals:
Jabbo Smith (am 1929-04-04)
Jabbo Smith2:46
12Beadle‐Um‐Bum [1929‐04‐09]
recorded in:
New York, New York, Vereinigte Staaten (in 1929-04)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (in 1929-04) und Don Redman (in 1929-04)
Banjo:
Dave Wilborn (in 1929-04)
Klarinette:
Jimmy Dudley (American jazz saxophonist) (in 1929-04), Don Redman (in 1929-04), Prince Robinson (in 1929-04) und George Thomas (jazz saxophonist) (in 1929-04)
Klavier:
Todd Rhodes (in 1929-04)
Posaune:
Claude Jones (in 1929-04)
Schlagzeug:
Cuba Austin (in 1929-04)
Tenorsaxophon:
Prince Robinson (in 1929-04) und George Thomas (jazz saxophonist) (in 1929-04)
Trompete:
Langston Curl (in 1929-04) und John Nesbitt (in 1929-04)
Tuba:
Ralph Escudero (in 1929-04)
vocals:
Cuba Austin (in 1929-04), Don Redman (in 1929-04), George Thomas (jazz saxophonist) (in 1929-04) und Dave Wilborn (in 1929-04)
recording of:
Beedle-Um-Bum (am 1929-04-09)
Verfasser(in):
Tommy Dorsey (swing trombone player & band leader)
recording of:
Beedle-Um-Bum (in 1929-04)
Verfasser(in):
Tommy Dorsey (swing trombone player & band leader)
McKinney’s Cotton Pickers3:22
13Mosquito Man [1929]
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (am 1929-09-24)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (am 1929-09-24)
Blind Lemon Jefferson3:02
14Nobody Knows When You’re Down and Out [1929‐05‐15]
recording of:
Nobody Knows You When You’re Down and Out (am 1929-05-15)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Bessie Smith3:00
15Black and Blue [1929‐07‐22]
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong3:11
16Wichita Falls Blues [1929]
T‐Bone Walker3:12
17Camp Meeting Day [1929‐09‐10]
recording of:
Camp Meeting Day (am 1929-09-10)
Verfasser(in):
Noble Sissle
Noble Sissle3:01
18Nickel’s Worth of Liver Blues [1929‐09‐27]
Edith Johnson2:49
19Blue Spirit Blues [1929‐10‐11]
Bessie Smith2:56
20Come on Mama [1929]
Thomas A. Dorsey2:51
21After You’ve Gone [1929‐10‐18]
Banjo:
Mike Pingitore (am 1929-10-18)
Geige / Violine:
Otto Landau (Session Musician/Violin) (am 1929-10-18), Matty Malneck (am 1929-10-18) und Joe Venuti (am 1929-10-18)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1929-10-18)
Klavier:
Roy Bargy (pianist) (am 1929-10-18)
Kontrabass:
Mike Trafficante (am 1929-10-18)
Kornett:
Andy Secrest (American jazz trumpeter/cornetist) (am 1929-10-18)
Posaune:
Boyce Cullen (trombonist) (am 1929-10-18), Jack Fulton (US jazz trombonist, composer & vocalist) (am 1929-10-18), Wilbur Hall (am 1929-10-18) und Bill Rank (am 1929-10-18)
Rohrblattinstrumente:
Bernard Daly (am 1929-10-18), Irving Friedman (am 1929-10-18), Izzy Friedman (am 1929-10-18), Chester Hazlett (am 1929-10-18), Charles Strickfaden (am 1929-10-18) und Frankie Trumbauer (am 1929-10-18)
Schlagzeug:
George Marsh (drums) (am 1929-10-18)
Sopransaxophon:
Bernard Daly (am 1929-10-18)
Trompete:
Harry Goldfield (US jazz trumpeter) (am 1929-10-18), Charlie Margulis (am 1929-10-18) und Andy Secrest (American jazz trumpeter/cornetist) (am 1929-10-18)
Tuba und Tuba [brass bass]:
Min Leibrook (am 1929-10-18)
vocals:
Bing Crosby (am 1929-10-18)
recording of:
After You’ve Gone (am 1929-10-18)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Bing Crosby3:04
22Travelin’ Blues [1929‐10‐30]
Blind Willie McTell3:22
23St. Louis Blues [1929‐12‐13]
Louis Armstrong3:04
24Milk Cow Blues [1930]
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1930-05-13)
Gitarre:
Sleepy John Estes (am 1930-05-13)
Klavier:
Jab Jones (am 1930-05-13)
Mandoline:
Yank Rachell (am 1930-05-13)
vocals:
Sleepy John Estes (am 1930-05-13)
recording of:
Milk Cow Blues (John Estes' version, aka Leaving Trunk) (am 1930-05-13)
Texter und arranger:
Sleepy John Estes
Komponist(in):
[traditional] (special purpose artist)
publisher:
Peermusic (UK) Limited
Version von:
Milk Cow Blues
Sleepy John Estes3:04
25I Dreamed of the Judgment Morning [1930]
Dunham Jubilee Singers2:41
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