Leonard Bernstein Edition: The Vocal Works

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

1▶CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (1)
2▶CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (2)
3▶CD: Beethoven: Missa Solemnis (Beginning)
4▶CD: Beethoven: Missa Solemnis (Conclusion); Fantasia in C Minor / Haydn: Mass in B-flat Major, Hob. XXII;12 "Theresia"
5▶CD: Berlioz: Requiem, op. 5 (Beginning)
6▶CD: Berlioz: Requiem, op. 5 (Conclusion) / Ravel: Shéhérazade / Berlioz: La mort de Cléopâtre
7▶CD: Bernstein: Trouble in Tahiti; Chichester Psalms; I Hate Music; La bonne cuisine (Four Recipes)
8▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (1)
9▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (2)
10▶CD: Bloch: Avodath Hakodesh
11▶CD: Copland: In the Beginning; The Second Hurricane
12▶CD: Debussy: Le martyre de Saint Sébastian (Sung in English)
13▶CD: Foss: Time Cycle & Song of Songs
14▶CD: Handel: Messiah, HWV 56 (Abridged) (I)
15▶CD: Handel: Messiah, HWV 56 (Abridged) (II)
16▶CD: Handel: Ode to St. Cecilia's Day
17▶CD: Haydn: Die Schöpfung (Parts I & II)
18▶CD: Haydn: Die Schöpfung (Part III); Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse"
19▶CD: Haydn: Missa in Tempore Belli
20▶CD: Haydn: Nelsonmesse / Bach: Magnificat
21▶CD: Janáček: Glagolitic Mass / Poulenc: Gloria
22▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Beginning)
23▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Finale)
24▶CD: Mahler: Das Lied von der Erde; Symphony No. 5 Adagietto (RFK Memorial Service)
25▶CD: Mahler: Kindertotenlieder (Janet Baker, Israel Philharmonic); Symphony No. 2 Finale (Israel Philharmonic)
26▶CD: Mahler: Das Knaben Wunderhorn (Orchestral Version)
27▶CD: Mahler: Kindertotenlieder; 4 Songs (Jennie Tourel, New York Philharmonic)
28▶CD: Mahler: Das Knaben Wunderhorn (Piano Version)
29▶CD: Mahler: Lieder (Dietrich Fischer-Dieskau)
30▶CD: Milhaud: Les Choéphores / Messiaen: 3 Petites Liturgies de la Présence Divine
31▶CD: Ravel: Shéhérazade (Jennie Tourel, Columbia Symphony) / Mussorgsky: Songs and Dances of Death / Poulenc: Hôtel; Voyage à Paris; C
32▶CD: Richard Strauss: Der Rosenkavalier (Act I)
33▶CD: Richard Strauss: Der Rosenkavalier (Act II)
34▶CD: Richard Strauss: Der Rosenkavalier (Act III)
35▶CD: Stravinsky: Oedipus Rex
36▶CD: Verdi: Falstaff (Acts I & II, Scene 1)
37▼CD: Verdi: Falstaff (Act II, Scene 2 & Act III)
#TitleArtistRatingLength
1Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:59
2Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:35
3Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:56
4Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:56
5Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Pistola, Falstaff's companion]:
Erich Kunz (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Bardolfo, Falstaff's companion]:
Murray Dickie (tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:49
6Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Pistola, Falstaff's companion]:
Erich Kunz (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
choir vocals [chorus]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Bardolfo, Falstaff's companion]:
Murray Dickie (tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
chorus master:
Roberto Benaglio (conductor) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:33
7Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:47
8Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:24
9Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi4:41
10Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:06
11Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:09
12Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus)
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
choir vocals [chorus]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
chorus master:
Roberto Benaglio (conductor) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:37
13Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Pistola, Falstaff's companion]:
Erich Kunz (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
choir vocals [chorus]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Bardolfo, Falstaff's companion]:
Murray Dickie (tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
chorus master:
Roberto Benaglio (conductor) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:15
14Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Pistola, Falstaff's companion]:
Erich Kunz (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
choir vocals [chorus]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Bardolfo, Falstaff's companion]:
Murray Dickie (tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
chorus master:
Roberto Benaglio (conductor) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi4:22
15Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alice, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus)
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Mrs. Meg Page]:
Hilde Rössel‐Majdan (Austrian contralto) (from 1966-03-18 until 1966-03-30)
baritone vocals [Ford, Alice's husband]:
Rolando Panerai (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Pistola, Falstaff's companion]:
Erich Kunz (baritone) (from 1966-03-18 until 1966-03-30)
baritone vocals [Sir John Falstaff]:
Dietrich Fischer‐Dieskau (baritone) (from 1966-03-18 until 1966-03-30)
choir vocals [chorus]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1966-03-18 until 1966-03-30)
mezzo-soprano vocals [Mrs. Quickly]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1966-03-18 until 1966-03-30)
soprano vocals [Mrs. Alice Ford]:
Ilva Ligabue (soprano) (from 1966-03-18 until 1966-03-30)
soprano vocals [Nannetta, Alice's daughter]:
Graziella Sciutti (soprano) (from 1966-03-18 until 1966-03-30)
tenor vocals [Bardolfo, Falstaff's companion]:
Murray Dickie (tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Doctor Cajus]:
Gerhard Stolze (German tenor) (from 1966-03-18 until 1966-03-30)
tenor vocals [Fenton]:
Juan Oncina (tenor) (from 1966-03-18 until 1966-03-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-03-18 until 1966-03-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-03-18 until 1966-03-30)
chorus master:
Roberto Benaglio (conductor) (from 1966-03-18 until 1966-03-30)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-03-18 until 1966-03-30)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) (from 1966-03-18 until 1966-03-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:57
38▶CD: Verdi: Messa da Requiem (Beginning)
39▶CD: Verdi: Messa da Requiem (Conclusion)
40▶CD: Wagner: Brünhilde's Immolation Scene; Wesendonck Lieder
41▶CD: Villa-Lobos: Bachianas brasileiras / Sibelius: Luonnotar / Ravel: Shéhérazade (Marilyn Horne) / Bernstein: To My Dear and Loving Husband & Take Care of This House
42▶CD: First Performance - Lincoln Center For The Performing Arts (I)
43▶CD: First Performance - Lincoln Center For The Performing Arts (II) / Tchaikovsky: Pater Noster / Handel: Hallelujah Chorus / HaTikvah
44▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (I)
45▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (II)
46▶CD: Brahms: Lieder
47▶CD: The Joy of Christmas
48▶CD: Berlioz: Symphonie Fantastique (1968 Recording) / Berlioz Takes a Trip
49▶CD: Prokofiev: Symphony No. 5 (Israel Philharmonic)
50▶CD: Shostakovich: Symphony No. 5 (Live in Japan)
51▶CD: Tchaikovsky: Symphony No. 5 (1958 Recording)
52▶CD: Schumann: String Quintet in E-flat Major / Mozart: Piano Quartet in G Minor
53▶CD: Ravel: Piano Concerto in G Major / Bernstein: 7 Anniversaries; Afterthought; I Hate Music! / Copland: Piano Sonata / Blitzstein: Dusty Sun
54▶CD: Blitzstein: Airborne Symphony (1946 Recording) / Bernstein: Facsimile (1947 Recording)
55▶CD: Bernstein: Symphony No. 1 "Jeremiah" (1945 Recording); On the Town Dances (1945 Recording) / Copland: Billy the Kid (1947 Recording); Statements for Orchestra: Jingo (1947 Recording) / Gershwin: An American in Paris (1947 Recording)
56▶CD: Stravinsky: L'Histoire du Soldat; Octet for Winds / Milhaud: La Création du Monde
57▶CD: Beethoven: Symphony No. 7 (1958 Recording)
58▶CD: Bernstein: On the Town (1960 Original Cast Recording)