La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
#TitleArtistRatingLength
1Lucia di Lammermoor: Act II, Scene 1. “Lucia fra poco a te verrà…Tremante l'aspetto” (Normanno, Enrico)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:14
2Lucia di Lammermoor: Act II, Scene 1. “Appressati, Lucia…Il pallor funesto, orrendo”
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti5:19
3Lucia di Lammermoor: Act II, Scene 1. “Soffriva nel pianto…Un foille t'accese” (Enrico, Lucia)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:39
4Lucia di Lammermoor: Act II, Scene 1. “Che fia?…Suonar di giubilo” (Enrico, Lucia)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:34
5Lucia di Lammermoor: Act II, Scene 1. “Se tradirmi tu potrai…Tu che vedi il pianto mio” (Enrico, Lucia)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:07
6Lucia di Lammermoor: Act II, Scene 2. “Per te d'immenso giubilo…Per poco fra le tenebre sparì la vostra stella” (Coro, Arturo)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:25
7Lucia di Lammermoor: Act II, Scene 2. “Dov'è Lucia?…Qui giungere or la vedrem” (Arturo, Enrico, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:42
8Lucia di Lammermoor: Act II, Scene 2. “Piange la madre estinta” (Enrico, Lucia, Arturo, Raimondo)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:20
9Lucia di Lammermoor: Act II, Scene 2. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Arturo, Alisa, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:36
10Lucia di Lammermoor: Act II, Scene 2. “T'allontana, sciagurato…Rispettate in me di Dio” (Arturo, Enrico, Coro, Raimondo)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:13
11Lucia di Lammermoor: Act II, Scene 2. “Sconsigliato! In queste porte chi ti guida?” (Enrico, Edgardo, Raimondo, Lucia, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1959-03-16)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:01
12Lucia di Lammermoor: Act II, Scene 2. “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:24
13Lucia di Lammermoor: Act III, Scene 1. “D'immenso giubilo s'innalzi un grido” (Coro, Raimondo)
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:24
14Lucia di Lammermoor: Act III, Scene 1. “Dalle stanze ove Lucia tratta avea col suo consorte” (Raimondo)
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:25
15Lucia di Lammermoor: Act III, Scene 1. “Oh! Qual funesto avvenimento!” (Coro, Raimondo)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:14
16Lucia di Lammermoor: Act III, Scene 1. “Il dolce suono mi colpì di sua voce!…Ardon gli incensi” (Lucia, Raimondo, Normanno, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti11:51
17Lucia di Lammermoor: Act III, Scene 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:08
18Lucia di Lammermoor: Act III, Scene 2. “Tombe degli avi miei” (Edgardo)
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:01
19Lucia di Lammermoor: Act III, Scene 2. “Fra poco a me ricovero darà negletto avello” (Edgardo)
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:05
20Lucia di Lammermoor: Act III, Scene 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:24
21Lucia di Lammermoor: Act III, Scene 2. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:07
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets