| # | Title | Artist | Rating | Length |
|---|
| 1 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:13 |
| 2 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:05 |
| 3 | Living Next Door to Alice | Smokie | 4.15 | 3:28 |
| 4 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:56 |
| 5 | Walk Right In | Dr. Hook | | 2:57 |
| 6 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:51 |
| 7 | Come Back Again | Daddy Cool | | 4:52 |
| 8 | California Girls | The Beach Boys | 4.5 | 2:43 |
| 9 | Howzat | Sherbet | 2 | 3:44 |
| 10 | Our House | Madness | | 3:21 |
| 11 | Red Red Wine | UB40 | 3.8 | 3:03 |
| 12 | Your Mama Don't Dance | Loggins & Messina | 4.5 | 2:48 |
| 13 | We've Gotta Get Out of This Place | The Animals | 3.8 | 3:13 |
| 14 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:12 |
| 15 | Because I Love You | The Masters Apprentices | | 4:33 |
| 16 | Mr. Bojangles | The Nitty Gritty Dirt Band | | 3:35 |
| 17 | Locomotive Breath | Jethro Tull | | 4:26 |
| 18 | The Weight | The Band | 4.1 | 4:34 |
| 19 | The Devil Went Down to Georgia | Charlie Daniels | 5 | 3:36 |
| 20 | Lucille | Kenny Rogers | 4 | 3:40 |
| 21 | Rhinestone Cowboy | Glen Campbell | 4 | 3:15 |
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