I’m Old Kentucky Bound

~ Release by Charlie Monroe (see all versions of this release, 1 available)

Annotation

4 CDs in individual jewel cases packaged in an LP-sized box with booklet.

Annotation last modified on 2020-11-02 01:31 UTC.

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Gonna Shake Hands With Mother Over There (alt. take)
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Gonna Shake Hands With Mother Over There (on 1950-03-25)
writer:
Charlie Louvin and Ira Louvin
2:18
2Gonna Shake Hands With Mother Over There
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Gonna Shake Hands With Mother Over There (on 1950-03-25)
writer:
Charlie Louvin and Ira Louvin
2:22
3Springtime in Glory
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Springtime in Glory (on 1950-03-25)
lyricist and composer:
Luther G. Presley
2:16
4So Blue
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:42
5Sugar Cane Mama
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:16
6Down in Caroline
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Down in Caroline (on 1950-03-25)
lyricist and composer:
Charlie Monroe
3:03
7I Know He’s Been Dealing With Me
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:31
8I Know He’s Been Dealing With Me (alt. take)
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:30
9You’d Better Be Somewhere Praying
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:25
10You’ll Find Me There
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:16
11’Neath a Cold Gray Tomb of Stone (alt. take)
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
’Neath a Cold Gray Tomb of Stone (on 1950-10-20)
lyricist and composer:
Mel Foree and Hank Williams (country music legend)
2:30
12’Neath a Cold Gray Tomb of Stone
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
’Neath a Cold Gray Tomb of Stone (on 1950-10-20)
lyricist and composer:
Mel Foree and Hank Williams (country music legend)
2:32
13Good Morning to You
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
Good Morning to You (on 1950-10-20)
lyricist and composer:
Charlie Monroe
2:29
14I’m Gonna Sing, Sing, Sing (alt. take)
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
(I’m Gonna) Sing, Sing, Sing (on 1950-10-20)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1951-01-24)
2:23
15I’m Gonna Sing, Sing, Sing
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
(I’m Gonna) Sing, Sing, Sing (on 1950-10-20)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1951-01-24)
2:24
16Gold Star Mother
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
2:37
17Jesus Is Calling (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
Jesus Is Calling (on 1951-05-06)
writer:
Charlie Monroe and Hank Williams (country music legend)
2:26
18Jesus Is Calling
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
Jesus Is Calling (on 1951-05-06)
writer:
Charlie Monroe and Hank Williams (country music legend)
2:25
19My Lord’s Gonna Move This Wicked Race (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
arranger:
Charlie Monroe
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
My Lord's Gonna Move This Wicked Race (on 1951-05-06)
writer:
[traditional] (special purpose artist)
2:07
20My Lord’s Gonna Move This Wicked Race
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
arranger:
Charlie Monroe
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
My Lord's Gonna Move This Wicked Race (on 1951-05-06)
writer:
[traditional] (special purpose artist)
2:07
21That Wild Black Engine
producer:
Stephen H. Sholes
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
harmonica:
Slim Martin (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
2:38
22You’ll Find Her Name Written There (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Charlie Monroe (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
You'll Find Her Name Written There (on 1951-05-06)
lyricist and composer:
Harold Hensley
3:07
23You’ll Find Her Name Written There
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Charlie Monroe (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
You'll Find Her Name Written There (on 1951-05-06)
lyricist and composer:
Harold Hensley
2:45
24An Angel in Disguise
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20), Joe Medford (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
2:35
25Find ’Em, Fool ’Em and Leave ’Em Alone
producer:
Paul Cohen (Nashville country producer)
banjo:
Joe Medford (on 1952-01-20)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
recording of:
Find 'em, Fool 'em and Leave 'em Alone (on 1952-01-20)
lyricist and composer:
Charlie Monroe
2:09
26I’m Old Kentucky Bound
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20), Joe Medford (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
recording of:
I'm Old Kentucky Bound (on 1952-01-20)
lyricist and composer:
Charlie Monroe
2:39
27These Triflin’ Women
producer:
Paul Cohen (Nashville country producer)
banjo:
Joe Medford (on 1952-01-20)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
2:21
28Why Did You Say Good‐Bye?
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
recording of:
Why Did You Say Goodbye (on 1956-08-03)
writer:
Charlie Monroe
publisher:
Unichappell Music, Inc.
2:30
29I’m Weary of Heartaches
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
recording of:
I'm Weary of Heartaches (on 1956-08-03)
lyricist and composer:
Charlie Monroe
2:43
30That’s What I Like About You
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
2:27
31Weep and Cry
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
2:42
4▶CD