Cantatas

~ Release by Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 1 available)

Tracklist

1▶CD: Advent un Weihnachten
2▶CD: Advent un Weihnachten
3▶CD: Advent un Weihnachten
4▶CD: Advent un Weihnachten
5▶CD: Ostern
6▶CD: Ostern
7▶CD: Ostern
8▶CD: Ostern
9▶CD: Ostern
10▶CD: Himmelfahrt - Pfingsten - Trinitatis
11▶CD: Himmelfahrt - Pfingsten - Trinitatis
12▶CD: Himmelfahrt - Pfingsten - Trinitatis
13▶CD: Himmelfahrt - Pfingsten - Trinitatis
14▶CD: Himmelfahrt - Pfingsten - Trinitatis
15▶CD: Himmelfahrt - Pfingsten - Trinitatis
16▶CD: Sonntage nach Trinitatis I
17▶CD: Sonntage nach Trinitatis I
18▼CD: Sonntage nach Trinitatis I
#TitleArtistRatingLength
1Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Rezitativ: "Mein Herz schwimmt im Blut"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:50
2Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Arie: "Stumme Scufzer, stille Klagen"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach7:30
3Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Rezitativ: "Doch Gott muß mir gnädig sein"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:27
4Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Arie: "Tief gebückt und voller Reue"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach9:47
5Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Rezitativ: "Auf diese Schmerzensreu"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:21
6Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral con viola obligata: "Ich, dein betrübes Kind"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:09
7Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Rezitativ: "Ich lege mich in diese Wunden"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:09
8Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Arie: "Wie freudig ist mein Herz"
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:37
9Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Chor: "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:27
10Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Rezitativ (Tenor): "Das heutge Christentum"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:28
11Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Arie (Tenor): "Falscher Heuchler Ebenbild"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:46
12Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Rezitativ (Baß): "Wer so von innen wie von außen ist"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:13
13Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Arie (Sopran): "Lieber Gott, erbarme dich"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach4:39
14Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral: "Ich armer Mensch, ich armer Sünder"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais [cor anglais I]:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
cor anglais [cor anglais II]:
Andreas Schwinn (oboist) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Christoph Tietze (in 1663)
part of:
Breitkopf 389 Choralgesänge (number: 371)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:06
15Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Versus I. Chor: "Lobe den Herren, den mächtigen könig der Ehren"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Hans-Jörg Schellenberger (oboist and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
violin:
Kurt Guntner (violinist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": I. Coro "Lobe den Herren, den mächtigen König der Ehren" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:24
16Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Versus II. Arie: (Alt): "Lobe den Herren, der alles so herrlich regieret"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Hans-Jörg Schellenberger (oboist and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
violin:
Kurt Guntner (violinist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:10
17Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Versus III. Duett (Sopran, Baß): "Lobe den Herren, der künstlich und fein dich bereitet"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Hans-Jörg Schellenberger (oboist and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
violin:
Kurt Guntner (violinist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": III. Aria (Sopran, Bass) "Lobe den Herren, den mächtigen König der Ehren" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach4:07
18Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Versus IV. Arie (Tenor): "Lobe den Herren, der deinen Stand sichtbar gesegnet"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Hans-Jörg Schellenberger (oboist and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
violin:
Kurt Guntner (violinist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": IV. Aria (Tenor) "Lobe den Herren, den mächtigen König der Ehren" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach2:45
19Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Versus V. Choral: "Lobe den Herren; was in mir ist, lobe den Namen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Hans-Jörg Schellenberger (oboist and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
violin:
Kurt Guntner (violinist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach1:06
19▶CD: Sonntage nach Trinitatis I
20▶CD: Sonntage nach Trinitatis I
21▶CD: Sonntage nach Trinitatis I
22▶CD: Sonntage nach Trinitatis II
23▶CD: Sonntage nach Trinitatis II
24▶CD: Sonntage nach Trinitatis II
25▶CD: Sonntage nach Trinitatis II
26▶CD: Sonntage nach Trinitatis II