Classical Chillout

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1My Heart Will Go On
violin:
David Abel (violinist/violist)
orchestra:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
James Horner4:25
2Perpetuum Mobile
orchestra and performer:
Penguin Cafe Orchestra
conductor:
Simon Jeffes
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1996)
recording of:
Perpetuum mobile
composer:
Simon Jeffes
Simon Jeffes4:34
3Concerto for Violin and Oboe in D minor
oboe:
Léon Goossens (oboist)
violin:
Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Léon Goossens (oboist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:59
4Symphony No. 3 (Symphony of Sorrowful Songs)
soprano vocals:
Zofia Kilanowicz (Polish soprano) (in 1993)
orchestra:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (Polish conductor) (in 1993)
recorded at:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:34
5The Lark Ascending
violin:
Hugh Bean (violinist)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:27
6Gnossienne No. 1
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:30
7Nagoya Marimbas
marimba:
Colin Currie (percussionist) and Sam Walton (percussionist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Nagoya Marimbas
composer:
Steve Reich (American composer) (in 1994)
Steve Reich4:55
8Violin Concerto No. 1 in G minor, Op. 26
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
9Song for Athene
choir vocals:
Winchester Cathedral Choir
conductor and chorus master:
David Hill (British organist and conductor)
phonographic copyright (℗) by:
Floating Earth Ltd. (in 1998) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener6:15
10Gabriel's Oboe
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:17
11Weather Storm
producer:
Craig Armstrong (Scottish score composer)
keyboard [keyboards] and piano:
Craig Armstrong (Scottish score composer)
orchestra:
London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Melankolic (in 1997) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Weather Storm
composer:
Craig Armstrong (Scottish score composer), Robert Del Naja, Curtis Harmon, Nellee Hooper, James Lloyd (jazz keyboard/piano), Grant Marshall, C.C. Murray, Cedric A. Napoleon and Andrew Vowles
Craig Armstrong6:08
12Chi Mai
orchestra:
Ennio Morricone & His Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Chi mai (no lyrics)
composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
is based on:
Chi mai (with lyrics by Carlo Nistri)
Ennio Morricone45:11
13In Paradisum (Requiem)
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:31
14Ebben? ne andro Iontana
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:55
15Winter
producer:
David Groves (classical music producer at EMI)
cello:
Antonio Bocaterra (cellist) (from 1993-12-14 until 1993-12-18)
harpsichord:
Robert Kettelson (pianist) (from 1993-12-14 until 1993-12-18)
solo violin and violin:
Giulio Franzetti (violinist) (from 1993-12-14 until 1993-12-18)
orchestra:
I Solisti dell’Orchestra Filarmonica della Scala (from 1993-12-14 until 1993-12-18) and Soloists of the Philharmonic Orchestra of La Scala (from 1993-12-14 until 1993-12-18)
conductor:
Riccardo Muti (conductor) (from 1993-12-14 until 1993-12-18)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recorded at:
Chiesa di San Marco in Milano (Milan), Milano, Lombardia, Italy (from 1993-12-14 until 1993-12-18)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1993-12-14 until 1993-12-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:36
16Piano Concerto No. 5
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:29
17Ave verum corpus
producer:
James Mallinson (producer)
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:23

Credits

Release group

part of:Classical Chillout (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/297545 [info]