| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Nutbush City Limits- Produzent(in):
- Ike Turner
- Sologesang:
- Tina Turner
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973) und EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- Texter und Komponist(in):
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:59 |
| 2 | Play That Funky Music | Wild Cherry | 3.5 | 5:04 |
| 3 | Lady Marmelade- recording of:
- Lady Marmalade
- Verfasser(in):
- Bob Crewe und Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
| LaBelle featuring Patti LaBelle | | 3:58 |
| 4 | That’s the Way (I Like It) | KC and the Sunshine Band | 4.3 | 3:06 |
| 5 | Funky Town | Lipps Inc. | | 3:57 |
| 6 | Chain of Fools- recorded in:
- New York, New York, Vereinigte Staaten
- recording engineer und Mix:
- Tom Dowd
- Produzent(in):
- Jerry Wexler
- Bassgitarre:
- Tommy Cogbill (am 1967-06-23)
- Gitarre:
- Jimmy Johnson (am 1967-06-23) und Joe South (am 1967-06-23)
- Hybrid-Piano:
- Spooner Oldham (am 1967-06-23)
- Klavier:
- Aretha Franklin (am 1967-06-23)
- Schlagzeug:
- Roger Hawkins (am 1967-06-23)
- Chorgesang:
- Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
- vocals:
- Aretha Franklin (am 1967-06-23)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. (in 1967) und Atlantic Recording Corporation (in 1968)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
- recording of:
- Chain of Fools (am 1967-06-23)
- Texter und Komponist(in):
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music , Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. und Warner-Tamerlane Publishing Co.
| Aretha Franklin | 4.25 | 2:48 |
| 7 | I Feel for You | Chaka Khan | 3.75 | 5:46 |
| 8 | We Are Family | Sister Sledge | | 3:21 |
| 9 | What a Diff’rence a Day Makes | Esther Phillips | | 4:28 |
| 10 | Don’t Leave Me This Way | Communards with Sarah Jane Morris | 3.4 | 4:32 |
| 11 | Tainted Love- Techniker(in):
- Paul Hardiman
- Produzent(in):
- Mike Thorne
- Mix:
- Harvey Goldberg
- elektronische Instrumente und andere Instrumente:
- Dave Ball
- Hintergrundgesang:
- Vicious Pink
- vocals:
- Marc Almond
- phonographisches Urheberrecht (℗) von:
- Mercury Records Ltd. (London) (in 1981)
- aufgenommen bei:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, Vereinigtes Königreich
- Musikvideos:
- Tainted Love von Soft Cell
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (Nummer: 33) und Billboard: The 500 Best Pop Songs (Nummer: 46)
- cover recording of:
- Tainted Love
- Texter und Komponist(in):
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. und Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.9 | 2:37 |
| 12 | Fade to Grey- Techniker(in):
- John Hudson
- Produzent(in):
- Midge Ure und Visage
- Interpret(in):
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange und Midge Ure
- arranger:
- Visage
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1980) und Universal Records (in 1980)
- aufgenommen bei:
- Genetic Studios in West Berkshire, England, Vereinigtes Königreich
- mixed at:
- Mayfair Sound in London , England, Vereinigtes Königreich
- recording of:
- Fade to Grey
- Verfasser(in):
- Billy Currie, Chris Payne und Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. und Performance Music Ltd
| Visage | 4.1 | 3:50 |
| 13 | Get It On | T. Rex | | 2:29 |
| 14 | Heart of Glass- assistierende(r) Techniker(in):
- Grey Russell
- Techniker(in):
- Peter Coleman
- assistierende(r) Produzent(in):
- Peter Coleman
- Produzent(in):
- Mike Chapman
- Bassgitarre:
- Nigel Harrison
- Gitarre:
- Frank Infante und Chris Stein
- Keyboard:
- Jimmy Destri
- Schlagzeug:
- Clem Burke
- vocals:
- Deborah Harry
- phonographisches Urheberrecht (℗) von:
- Chrysalis (in 1978), Chrysalis Records Ltd. (in 1978) und Chrysalis Records, Inc. (in 1979)
- aufgenommen bei:
- The Record Plant in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
- Teil von:
- TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 255)
- recording of:
- Heart of Glass
- Verfasser(in):
- Deborah Harry und Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- Version von:
- Once I Had a Love
| Blondie | 4.3 | 3:57 |
| 15 | Self Control | Laura Branigan | 4.55 | 4:08 |
| 16 | Carnaval de Paris | Dario G | | 3:51 |