The History of Classical Music in 24 Hours

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Music of the Middle Ages
2▶CD: Music of the Renaissance
3▼CD: Baroque Vocal
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1Easter Oratorio, BWV 249: I. Sinfonia
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:10
2Easter Oratorio, BWV 249: II. Adagio
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:26
3Easter Oratorio, BWV 249: III. Chorus: Kommt, eilet und laufet
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:01
4Easter Oratorio, BWV 249: IV. Recitativo: O kalter Männer Sinn (Alto, Soprano, Tenor, Bass)
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
soprano vocals:
Kimberly McCord (American soprano)
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:52
5Easter Oratorio, BWV 249: V. Aria: Seele, deine Spezereien (Soprano)
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach10:13
6Easter Oratorio, BWV 249: VI. Recitativo: Hier ist die Gruft (Tenor, Bass, Alto)
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor) and Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:44
7Easter Oratorio, BWV 249: VII. Aria: Sanfte soll mein Todeskummer (Tenor)
tenor vocals:
Paul Agnew (tenor and conductor)
vocals:
Paul Agnew (tenor and conductor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach7:39
8Easter Oratorio, BWV 249: VIII. Recitativo: Indessen seufzen wir (Soprano, Alto)
alto vocals:
Robin Blaze (countertenor)
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Robin Blaze (countertenor) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:02
9Easter Oratorio, BWV 249: IX. Aria: Saget, saget mir geschwinde (Alto)
alto vocals:
Robin Blaze (countertenor)
vocals:
Robin Blaze (countertenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 2000-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:36
10Easter Oratorio, BWV 249: X. Recitativo: Wir sind erfreut (Bass)
bass vocals:
Neal Davies (operatic bass)
vocals:
Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:33
11Easter Oratorio, BWV 249: XI. Chorus: Preis und Dank
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor and conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 2000-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:21
12Messiah, HWV 56: Symphony
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:19
13Messiah, HWV 56: “Ev’ry Valley Shall Be Exalted”
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:05
14Messiah, HWV 56: “And the Glory of the Lord”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:50
15Messiah, HWV 56: “And He Shall Purify the Sons of Levi”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:22
16Messiah, HWV 56: “For Unto Us a Child Is Born”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:36
17Messiah, HWV 56: “He Shall Feed His Flock”
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:20
18Messiah, HWV 56: “Lift Up Your Heads”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:48
19Messiah, HWV 56: “Hallelujah”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:36
20Messiah, HWV 56: “Worthy Is the Lamb… Amen”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:34
4▶CD: Baroque Instrumental
5▶CD: The Classical Symphony
6▶CD: The Classical Concerto
7▶CD: A Trip to France
8▶CD: The Romantic Symphony
9▶CD: Cycles and Songs
10▶CD: The Virtuoso I
11▶CD: The Virtuoso II
12▶CD: The Romantic Cello
13▶CD: The Virtuoso III
14▶CD: Big Voice, Big Orchestra
15▶CD: Get Your Programme!
16▶CD: New Currents
17▶CD: A World Re‐Arranged
18▶CD: ¡Viva España!
19▶CD: Lasting Impressions
20▶CD: Points of View
21▶CD: Minimalism
22▶CD: Opera – Overtures
23▶CD: Opera – Arias
24▶CD: Opera – Duets & Choruses