Bach Celebration

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Orchestral Music
2▶CD: Keyboard Music
3▶CD: Choral & Vocal Music
4▼CD: Chamber & Solo Music
#TitleRatingLength
1Musikalisches Opfer, BWV 1079: Canon à 2 quaerendo invenietis
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:54
2Musikalisches Opfer, BWV 1079: Canon à 4
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10), Roger Garland (violinist) (from 1978-05-23 until 1978-06-10) and Malcolm Latchem (violinist) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
4:05
3Musikalisches Opfer, BWV 1079: Canon à perpetuus
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:10
4Musikalisches Opfer, BWV 1079: Canon 4 à 2 per augmentationem, contrario moto
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:57
5Musikalisches Opfer, BWV 1079: Fuga canonica in epidiapente
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:10
6Musikalisches Opfer, BWV 1079: Ricercar 2 à 6
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10), Roger Garland (violinist) (from 1978-05-23 until 1978-06-10) and Malcolm Latchem (violinist) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
7:33
7Partita in D minor for Solo Violin, BWV 1004: I. Allemande
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
3:50
8Partita in D minor for Solo Violin, BWV 1004: II. Corrente
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: II. Courante (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
2:24
9Partita in D minor for Solo Violin, BWV 1004: III. Sarabande
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
3:39
10Partita in D minor for Solo Violin, BWV 1004: IV. Gigue
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
3:51
11Partita in D minor for Solo Violin, BWV 1004: V. Chaconne
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03) and London (Greater London), England, United Kingdom (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
12:54
12Sonata in E major for Flute and Continuo, BWV 1035: I. Adagio ma non tanto
flute:
Maxence Larrieu (flautist)
harpsichord:
Rafael Puyana (harpsichordist)
viola da gamba:
Wieland Kuijken (Belgian cellist)
recording of:
Flute Sonata in E major, BWV 1035: I. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E major, BWV 1035
2:34
13Sonata in E major for Flute and Continuo, BWV 1035: II. Allegro
flute:
Maxence Larrieu (flautist)
harpsichord:
Rafael Puyana (harpsichordist)
viola da gamba:
Wieland Kuijken (Belgian cellist)
recording of:
Flute Sonata in E major, BWV 1035: II. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E major, BWV 1035
2:04
14Sonata in E major for Flute and Continuo, BWV 1035: III. Siciliano
flute:
Maxence Larrieu (flautist)
harpsichord:
Rafael Puyana (harpsichordist)
viola da gamba:
Wieland Kuijken (Belgian cellist)
recording of:
Flute Sonata in E major, BWV 1035: III. Siciliana
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E major, BWV 1035
3:50
15Sonata in E major for Flute and Continuo, BWV 1035: IV. Allegro assai
flute:
Maxence Larrieu (flautist)
harpsichord:
Rafael Puyana (harpsichordist)
viola da gamba:
Wieland Kuijken (Belgian cellist)
recording of:
Flute Sonata in E major, BWV 1035: IV. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E major, BWV 1035
3:04
16Die Kunst der Fuge, BWV 1080: Contrapunctus 1
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:13
17Die Kunst der Fuge, BWV 1080: Contrapunctus 4
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
3:39
18Die Kunst der Fuge, BWV 1080: Contrapunctus 5
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:39
19Die Kunst der Fuge, BWV 1080: Contrapunctus 7
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:28
20Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus 14)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
6:46

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