Greatest Ever! New Wave Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Head Over Heels
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Head Over Heels (music video) von Tears for Fears
recording of:
Head Over Heels
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Tears for Fears4:17
2I Could Be Happy
recording of:
I Could Be Happy
Texter und Komponist(in):
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone und Jim McKinven
Altered Images53:32
3Go Wild in the Country
Produzent(in):
Brian Tench
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Go Wild in the Country
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow2:44
4Tears Are Not Enough
Techniker(in):
Gary Langan
Produzent(in):
Steve Brown (engineer/music producer) und Trevor Horn
Bassgitarre:
Mark Lickley
Posaune:
Andy Gray (Played Trombone for ABC)
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1981), Phonogram Ltd. (London) (company name, NOT a label!) (in 1981) und Mercury Records Ltd. (London) (for copyrights use only) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 78)
recording of:
Tears Are Not Enough
Verfasser(in):
Anne Dudley (English score composer), Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd. und Virgin Music (Publishers) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC3:31
5You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:16
6Obsession
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion3.353:55
7Love & Pride
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
Verfasser(in):
Paul King (British-Irish singer/musician/VJ) und Mick Roberts
publisher:
EMI Songs Ltd. und King Songs
King43:23
8Real Wild Child
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:35
9I Know What Boys Like
Koproduzent(in):
Chris Butler (US musician, writer and artist, led The Waitresses) und Kurt Munkacsi
Produzent(in):
Chris Butler (US musician, writer and artist, led The Waitresses) und Kurt Munkacsi
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 34)
recording of:
I Know What Boys Like
Texter und Komponist(in):
Chris Butler (US musician, writer and artist, led The Waitresses)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Version von:
Wait Here I’ll Be Right Back…
The Waitresses3:12
10Perfect Skin
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
Musikvideos:
Perfect Skin von Lloyd Cole & the Commotions
recording of:
Perfect Skin
Texter und Komponist(in):
Lloyd Cole
publisher:
CBS Songs Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Lloyd Cole and the Commotions43:14
11Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4:12
12I’m in Love With a German Film Star
Produzent(in):
Peter Wilson (UK Producer)
Bass:
David Agar
Gitarre:
Barbara Gogan und Clive Timperley
Schlagzeug:
Richard Williams (UK drummer for The Passions)
vocals:
Barbara Gogan und Clive Timperley
recording of:
I’m in Love With a German Film Star
Texter:
Barbara Gogan
Komponist(in):
David Agar, Clive Timperley, David Wardill und Richard Williams (UK drummer for The Passions)
publisher:
America Eaton
The Passions43:59
13Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:29
14E=mc²
assistierende(r) Techniker(in):
Renny Hill (engineer) und Johnny Shinas
Techniker(in):
Paul ‘Groucho’ Smykle
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite)
Bass:
Leo Williams (UK bassist aka E-Zee Kill)
Keyboard:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
Schlagzeug:
Greg Roberts (British drummer)
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Don Letts, Greg Roberts (British drummer) und Leo Williams (UK bassist aka E-Zee Kill)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 23)
recording of:
E=mc²
Verfasser(in):
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) und Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.55:51
1599 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:52
16Happy Talk
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:31
17Nellie the Elephant
cover recording of:
Nellie the Elephant
Verfasser(in):
Ralph Butler und Peter Hart (songwriter)
publisher:
Dash Music Co. Ltd.
The Toy Dolls3:00
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