Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▼CD: Handel: Acis and Galatea (Act II)
#TitleArtistRatingLength
1Acis and Galatea, HWV 49a: Act Two. 10. Chorus: “Wretched lovers! Fate has past”
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Willard White (bass-baritone) (in 1978-02)
soprano vocals:
Norma Burrowes (soprano) (in 1978-02)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1978-02), Martyn Hill (tenor) (in 1978-02) and Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:06
2Acis and Galatea, HWV 49a: Act Two. 11. Accompagnato: “I rage - I melt - I burn” (Polyphemus)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Polyphemus]:
Willard White (bass-baritone) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:24
3Acis and Galatea, HWV 49a: Act Two. 12. Air: “O ruddier than the cherry” (Polyphemus)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Polyphemus]:
Willard White (bass-baritone) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:08
4Acis and Galatea, HWV 49a: Act Two. 12. Recitative: “Whither, fairest, art thou running” (Polyphemus, Galatea)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Polyphemus]:
Willard White (bass-baritone) (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:06
5Acis and Galatea, HWV 49a: Act Two. 13. Air: “Cease to beauty to be suing” (Polyphemus)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Polyphemus]:
Willard White (bass-baritone) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:39
6Acis and Galatea, HWV 49a: Act Two. 14. Air: “Would you gain the tender creature” (Damon)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Damon]:
Martyn Hill (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:43
7Acis and Galatea, HWV 49a: Act Two. 14. Recitative: “His hideous love provokes my rage” (Acis)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:27
8Acis and Galatea, HWV 49a: Act Two. 15. Air: “Love sounds th'alarm” (Acis)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49 (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 49)
George Frideric Handel5:26
9Acis and Galatea, HWV 49a: Act Two. 16. Air: “Consider, fond shepherd” (Damon)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Damon]:
Martyn Hill (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:34
10Acis and Galatea, HWV 49a: Act Two. 16. Recitative: “Cease, O cease, thou gentle youth” (Galatea)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:32
11Acis and Galatea, HWV 49a: Act Two. 17. Trio: “The flocks shall leave the mountains” (Galatea, Acis, Polyphemus)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Polyphemus]:
Willard White (bass-baritone) (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel2:31
12Acis and Galatea, HWV 49a: Act Two. 18. Accompagnato: “Help, Galatea! help, ye parent gods!” (Acis)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49 (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 49)
George Frideric Handel1:05
13Acis and Galatea, HWV 49a: Act Two. 19. Chorus: “Mourn, all ye muses! weep, all ye swains”
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Willard White (bass-baritone) (in 1978-02)
soprano vocals:
Norma Burrowes (soprano) (in 1978-02)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1978-02), Martyn Hill (tenor) (in 1978-02) and Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:16
14Acis and Galatea, HWV 49a: Act Two. 20. Air with Chorus: “Must I my Acis still bemoan” (Galatea)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Willard White (bass-baritone) (in 1978-02)
soprano vocals and soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1978-02), Martyn Hill (tenor) (in 1978-02) and Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:56
15Acis and Galatea, HWV 49a: Act Two. 20. Recitative: “'Tis done: Thus I exert my pow'r divine” (Galatea)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49 (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 49)
George Frideric Handel0:24
16Acis and Galatea, HWV 49a: Act Two. 21. Air: “Heart, the seat of soft delight” (Galatea)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Galatea]:
Norma Burrowes (soprano) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea) (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:09
17Acis and Galatea, HWV 49a: Act Two. 22. Chorus: “Galatea, dry thy tears”
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals:
Willard White (bass-baritone) (in 1978-02)
soprano vocals:
Norma Burrowes (soprano) (in 1978-02)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1978-02), Martyn Hill (tenor) (in 1978-02) and Anthony Rolfe Johnson (tenor) (in 1978-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1978-02)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1978-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" (in 1978-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:12
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]