The Vocal Works: Cantatas / Passions / Oratorios / Masses / Motets

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD: The Sacred Cantatas disc 1
2▶Hybrid SACD: The Sacred Cantatas disc 2
3▶Hybrid SACD: The Sacred Cantatas disc 3
4▶Hybrid SACD: The Sacred Cantatas disc 4
5▶Hybrid SACD: The Sacred Cantatas disc 5
6▶Hybrid SACD: The Sacred Cantatas disc 6
7▶Hybrid SACD: The Sacred Cantatas disc 7
8▶Hybrid SACD: The Sacred Cantatas disc 8
9▶Hybrid SACD: The Sacred Cantatas disc 9
10▶Hybrid SACD: The Sacred Cantatas disc 10
11▶Hybrid SACD: The Sacred Cantatas disc 11
12▶Hybrid SACD: The Sacred Cantatas disc 12
13▶Hybrid SACD: The Sacred Cantatas disc 13
14▶Hybrid SACD: The Sacred Cantatas disc 14
15▶Hybrid SACD: The Sacred Cantatas disc 15
16▶Hybrid SACD: The Sacred Cantatas disc 16
17▶Hybrid SACD: The Sacred Cantatas disc 17
18▶Hybrid SACD: The Sacred Cantatas disc 18
19▶Hybrid SACD: The Sacred Cantatas disc 19
20▶Hybrid SACD: The Sacred Cantatas disc 20
21▶Hybrid SACD: The Sacred Cantatas disc 21
22▶Hybrid SACD: The Sacred Cantatas disc 22
23▶Hybrid SACD: The Sacred Cantatas disc 23
24▶Hybrid SACD: The Sacred Cantatas disc 24
25▶Hybrid SACD: The Sacred Cantatas disc 25
26▶Hybrid SACD: The Sacred Cantatas disc 26
27▶Hybrid SACD: The Sacred Cantatas disc 27
28▶Hybrid SACD: The Sacred Cantatas disc 28
29▶Hybrid SACD: The Sacred Cantatas disc 29
30▶Hybrid SACD: The Sacred Cantatas disc 30
31▶Hybrid SACD: The Sacred Cantatas disc 31
32▶Hybrid SACD: The Sacred Cantatas disc 32
33▶Hybrid SACD: The Sacred Cantatas disc 33
34▶Hybrid SACD: The Sacred Cantatas disc 34
35▶Hybrid SACD: The Sacred Cantatas disc 35
36▶Hybrid SACD: The Sacred Cantatas disc 36
37▶Hybrid SACD: The Sacred Cantatas disc 37
38▶Hybrid SACD: The Sacred Cantatas disc 38
39▶Hybrid SACD: The Sacred Cantatas disc 39
40▶Hybrid SACD: The Sacred Cantatas disc 40
41▶Hybrid SACD: The Sacred Cantatas disc 41
42▶Hybrid SACD: The Sacred Cantatas disc 42
43▶Hybrid SACD: The Sacred Cantatas disc 43
44▶Hybrid SACD: The Sacred Cantatas disc 44
45▶Hybrid SACD: The Sacred Cantatas disc 45
46▶Hybrid SACD: The Sacred Cantatas disc 46
47▶Hybrid SACD: The Sacred Cantatas disc 47
48▶Hybrid SACD: The Sacred Cantatas disc 48
49▶Hybrid SACD: The Sacred Cantatas disc 49
50▶Hybrid SACD: The Sacred Cantatas disc 50
51▶Hybrid SACD: The Sacred Cantatas disc 51
52▶Hybrid SACD: The Sacred Cantatas disc 52
53▶Hybrid SACD: The Sacred Cantatas disc 53
54▶Hybrid SACD: The Sacred Cantatas disc 54
55▶Hybrid SACD: The Sacred Cantatas disc 55
56▶Hybrid SACD: The Secular Cantatas disc 1
57▶Hybrid SACD: The Secular Cantatas disc 2
58▶Hybrid SACD: The Secular Cantatas disc 3
59▶Hybrid SACD: The Secular Cantatas disc 4
60▶Hybrid SACD: The Secular Cantatas disc 5
61▶Hybrid SACD: The Secular Cantatas disc 6
62▶Hybrid SACD: The Secular Cantatas disc 7
63▶Hybrid SACD: The Secular Cantatas disc 8
64▶Hybrid SACD: The Secular Cantatas disc 9
65▶Hybrid SACD: The Secular Cantatas disc 10
66▶Hybrid SACD: St. John Passion
67▶Hybrid SACD: St. John Passion
68▶Hybrid SACD: St. Matthew Passion
69▶Hybrid SACD: St. Matthew Passion
70▼Hybrid SACD: Weihnachts-Oratorium
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:41
2Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo "Es begab sich aber zu der Zeit" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
3Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
4Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:06
5Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
6Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo "Und sie gebar ihren ersten Sohn" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
7Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Soprano, Basso) "Er ist auf Erden kommen arm"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:45
8Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:33
9Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
10Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:53
11Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo "Und es waren Hirten in derselben Gegend" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
12Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
13Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo "Und der Engel sprach zu ihnen" (Evangelista, Angelus)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
14Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) "Was Gott dem Abraham verheissen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:39
15Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
16Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo "Und das habt zum Zeichen" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
17Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
18Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) "So geht denn hin"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
19Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:36
20Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo "Und alsobald war da bei dem Engel" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
21Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro "Ehre sei Gott in der Höhe"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
22Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) "So recht, ihr Engel"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
23Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral "Wir singen dir in deinem Heer"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:23
24Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:54
25Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo "Und da die Engel" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
26Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro "Lasset uns nun gehen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
27Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) "Er hat sein Volk getröst"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
28Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
29Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:32
30Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo "Und sie kamen eilend" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:14
31Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:53
32Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
33Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral "Ich will dich mit Fleiß bewahren"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
34Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
35Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
36Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro da capo "Herrscher des Himmels, erhöre das Lallen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
寺神戸亮 (Ryo Terakado, violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
71▶Hybrid SACD: Weihnachts-Oratorium
72▶Hybrid SACD: Mass in B minor
73▶Hybrid SACD: Mass in B minor
74▶Hybrid SACD: Lutheran Masses I
75▶Hybrid SACD: Lutheran Masses II
76▶Hybrid SACD: Easter Oratorio / Ascension Oratorio
77▶Hybrid SACD: Motets
78▶Hybrid SACD: Various Vocal Works

Credits