| # | Title | Artist | Rating | Length |
|---|
| 1 | Cotton‐Eyed Joe | Isaac Payton Sweat | | 9:43 |
| 2 | Round About Way | George Strait | 3.5 | 3:05 |
| 3 | Life Can Turn on a Dime | Rick Treviño | | 2:58 |
| 4 | The Race Is On | Sawyer Brown | | 2:57 |
| 5 | Still Holding On | Clint Black & Martina McBride | | 4:01 |
| 6 | Smokey Places | Ronnie McDowell | | 3:10 |
| 7 | They Ain’t Made Enough Road | Larry Stewart | | 2:33 |
| 8 | Hillbilly Highway | Steve Earle | 3 | 3:40 |
| 9 | Texas Is Bigger Than It Used to Be | Mark Chesnutt | | 4:10 |
| 10 | It’s Too Late Now | George Strait | 3 | 2:34 |
| 11 | Every Cowboy’s Dream | Rhett Akins | | 2:21 |
| 12 | Waltz Across Texas | Ernest Tubb | | 2:42 |
| 13 | The Last Waltz | Rodney Crowell | | 5:13 |
| 14 | Don’t All the Girls Get Prettier at Closing Time | Mickey Gilley | | 3:04 |
| 15 | Little Red Rodeo | Collin Raye | 5 | 3:23 |
| 16 | Why Don’t We Get Drunk and Screw | Jimmy Buffett | | 2:47 |
| 17 | Jole Blon | Isaac Payton Sweat | | 2:37 |
| 18 | Detroit City | Bobby Bare | 4 | 2:50 |
| 19 | Mammas Don’t Let Your Babies Grow Up to Be Cowboys- bass:
- Sherman Hayes (in 1977-11)
- drums (drum set):
- Richie Albright (in 1977-11)
- guitar:
- John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
- guitar [guitar harmony] and harmonica:
- Gordon Payne (in 1977-11)
- keyboard and organ:
- Barny Robertson (in 1977-11)
- steel guitar:
- Sherman Hayes (in 1977-11) and Ralph Mooney (in 1977-11)
- background vocals:
- Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
- lead vocals:
- Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
- vocals:
- Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
- performer:
- Waylon Jennings
- phonographic copyright (℗) by:
- BMG Music (in 1977), RCA Records (in 1978) and Sony Music Entertainment Inc. (in 2003)
- recorded at:
- American Studios in Nashville, Tennessee, United States (in 1977-11)
- cover recording of:
- Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1977-11)
- writer:
- Ed Bruce and Patsy Bruce
- publisher:
- Tree Publishing Inc.
- version of:
- Mama Don't Let Your Cowboys Grow Up to Be Babies
| Waylon Jennings & Willie Nelson | 4 | 2:33 |
| 20 | Okie From Muskogee | Merle Haggard | 3.65 | 2:47 |
| 21 | Where the Sidewalk Ends- additional recording engineer:
- Darren Smith , Russ Martin and Doug Rider
- recording engineer:
- Chuck Ainlay and Steve Tillisch
- additional engineer:
- Bart Stevens
- engineer:
- Ken Hutton, Russ Martin and Paula Montondo
- producer:
- Tony Brown and George Strait
- acoustic guitar:
- Randy Scruggs
- drums (drum set):
- Eddie Bayers
- electric bass guitar:
- David Hungate
- electric guitar:
- Brent Rowan
- fiddle:
- Stuart Duncan
- piano:
- John Barlow Jarvis
- steel guitar:
- Buddy Emmons
- lead vocals:
- George Strait
- additionally recorded at:
- 16th Ave Sound in Nashville, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- recorded at:
- Emerald Studios in Nashville, Tennessee, United States and Soundstage Studios in Nashville, Tennessee, United States
- recording of:
- Where the Sidewalk Ends
- writer:
- Jim Lauderdale and John Leventhal
- publisher:
- Lev-A-Tunes and Mighty Nice Music
| George Strait | 2.5 | 3:08 |
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