Messiah

~ Release by Handel; Sir Charles Mackerras & The Huddersfield Choral Society, Felicity Lott, Felicity Palmer, Philip Langridge, Robert Lloyd & Royal Philharmonic Orchestra (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Messiah (arr. Mozart, K572): Part II. Chorus: Behold the Lamb of God
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:38
2Messiah (arr. Mozart, K572): Part II. Aria: He was despised (alto)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Felicity Palmer (mezzo-soprano) (from 1998-01-01 until 1998-01-05)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart12:42
3Messiah (arr. Mozart, K572): Part II. Chorus: Surely, He hath borne our griefs
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:59
4Messiah (arr. Mozart, K572): Part II. Chorus: And with his Stripes
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:46
5Messiah (arr. Mozart, K572): Part II. Chorus: All we like sheep have gone astray
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:56
6Messiah (arr. Mozart, K572): Part II. Recitative: All they that see Him (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:43
7Messiah (arr. Mozart, K572): Part II. Chorus: He trusted in God
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:07
8Messiah (arr. Mozart, K572): Part II. Recitative: Thy rebuke hath broken His heart (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:55
9Messiah (arr. Mozart, K572): Part II. Aria: Behold, and see (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:27
10Messiah (arr. Mozart, K572): Part II. Recitative: He was cut off (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:15
11Messiah (arr. Mozart, K572): Part II. Aria: But Thou didst not leave (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:30
12Messiah (arr. Mozart, K572): Part II. Chorus: Lift up your heads
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:56
13Messiah (arr. Mozart, K572): Part II. Chorus: The Lord gave the Word
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:12
14Messiah (arr. Mozart, K572): Part II. Aria: How beautiful are the feet of them (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:17
15Messiah (arr. Mozart, K572): Part II. Aria: Why do the nations (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:47
16Messiah (arr. Mozart, K572): Part II. Chorus: Let us break their bonds asunder
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart1:44
17Messiah (arr. Mozart, K572): Part II. Recitative: He that dwelleth in Heaven (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:13
18Messiah (arr. Mozart, K572): Part II. Aria: Thou shalt break them (tenor)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:09
19Messiah (arr. Mozart, K572): Part II. Chorus: Hallelujah!
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:42
20Messiah (arr. Mozart, K572): Part III. Aria: I know that my Redeemer liveth (soprano)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart7:01
21Messiah (arr. Mozart, K572): Part III. Chorus: Since by man come death
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart2:08
22Messiah (arr. Mozart, K572): Part III. Recitative: Behold, I tell you a mystery (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart0:31
23Messiah (arr. Mozart, K572): Part III. Aria: The trumpet shall sound (bass)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:53
24Messiah (arr. Mozart, K572): Part III. Chorus: Worthy is the Lamb
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:39
25Messiah (arr. Mozart, K572): Part III. Chorus: Amen
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
G.F. Handel arr. W.A. Mozart3:34

Credits

Release group

included in:Great Choral Favourites by Various Artists (add compilations to this artist)