Annotation

French-language release under "Collection du millenaire" series

Annotation last modified on 2026-02-04 18:31 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1La Création : Première Partie : Le Premier Jour: 1. Die Vorstellung des Chaos (Largo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn7:05
2La Création : Première Partie : Le Premier Jour: Récitatif avec chœur : « Im Anfange schuf Gott Himmel und Erde »
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:58
3La Création : Première Partie : Le Premier Jour: 2. Air avec chœur (Andante – Allegro moderato) : « Nun schwanden vor dem heiligen Strahle »
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:05
4La Création : Première Partie : Le Troisième Jour: 6. Air (Allegro assai) « Rollend in schäumenden Wellen »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:17
5La Création : Première Partie : Le Troisième Jour: 8. Air (Andante) : « Nun beut die Flur das frische Grün »
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:41
6La Création : Première Partie : Le Quatrième Jour: 12. Récitatif (Andante allegro) : « In vollem Glanze steiget jetzt »
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:56
7La Création : Première Partie : Le Quatrième Jour: 13. Chœur avec soliste (Allegro) : « Die Himmel erzählen die Ehre Gottes »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:06
8La Création : Deuxième Partie : Le Cinquième Jour: 18. Trio (Moderato): « In holder Anmut stehn » / 19. Chœur avec solistes (Vivace): « Der Herr ist gross in seiner Macht »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
choir vocals:
Wiener Singverein
contralto vocals [Gabriel]:
Gundula Janowitz (soprano)
tenor vocals [Uriel]:
Werner Krenn (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
compilation of:
Die Schöpfung: Zweiter Teil. Der Fünfte Tag. 18. Rezitativ "In holder Anmut stehn" (Gabriel, Uriel, Raphael) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn7:41
9La Création : Deuxième Partie : Le Sixième Jour: 21. Récitatif (Presto – Andante – Adagio) « Gleich öffnet sich der Erde Schoss »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:02
10La Création : Deuxième Partie : Le Sixième Jour: 22. Air (Maestoso): « Nun scheint in vollen Glanze der Himmel »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:49
11La Création : Deuxième Partie : Le Sixième Jour: 24. Air (Andante): « Mit Würd und Hoheit angetan »
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn4:02
12La Création : Deuxième Partie : Le Sixième Jour: 26. Chœur (Vivace): « Vollendet ist das grosse Werk » / 27. Trio (Poco adagio): « Zu Dir o Herr, blickt alles auf » / 28. Chœur: « Vollendet ist das grosse Werke »
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
choir vocals:
Wiener Singverein
contralto vocals [Gabriel]:
Gundula Janowitz (soprano)
tenor vocals [Uriel]:
Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn9:10
13La Création : Troisième Partie: 32. Duo (Adagio – Allegro) : « Holde Gattin, dir zur Seite »
producer:
Hans Weber (producer/engineer)
baritone vocals [Adam]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Eva]:
Gundula Janowitz (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn7:11
14La Création : Troisième Partie: 34. Chœur final avec solistes (Andante) : « Singt dem Herren alle Stimmen! »
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
solo contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn4:02