100 Hits: Rock Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Some Like It Hot (7″ edit)
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
performer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Tony Thompson (drummer, best known for his work in CHIC)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at and engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music and Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:07
2Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:44
3Hot in the City
assistant engineer:
Steve Bates (engineer)
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) and Rare Blue Music Inc
Billy Idol4.53:39
4Beck’s Bolero
engineer:
Ken Scott (UK record producer & engineer) (on 1966-05-16)
producer:
Mickie Most (English record producer) (on 1966-05-16)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1966-05-16)
drums (drum set):
Keith Moon (drummer) (on 1966-05-16)
electric guitar:
Jeff Beck (English rock guitarist) (on 1966-05-16) and Jimmy Page (on 1966-05-16)
piano:
Nick Hopkins (pianist and organist) (on 1966-05-16)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
engineered at:
IBC Studios in London (Greater London), England, United Kingdom (on 1966-05-16)
recording of:
Beck’s Bolero (on 1966-05-16)
composer:
Jimmy Page
Jeff Beck32:54
5All the Things She Said
assistant engineer:
Martin White (engineer)
engineer:
Moira Marquis and Mark McKenna (engineer)
producer:
Bob Clearmountain, Jimmy Iovine and Steve Lillywhite
additional guest percussion:
Sue Hadjopoulos
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
All the Things She Said
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing and EMI Publishing Ltd.
Simple Minds4.254:18
6Simply Irresistible (7″ version)
Robert Palmer5:14
7The Stroke
Billy Squier3:39
8Freeze-Frame
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981)
recording of:
Freeze-Frame
writer:
Seth Justman and Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band53:59
9The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:53
10Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:51
11Still Got the Blues (For You) (single version)Gary Moore4:09
12We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:40
13Lavender (single version)
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin, Germany (in 1985-03)
recording of:
Lavender (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
is based on:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:41
14Is It Love?
recording of:
Is It Love
lyricist and composer:
Andy Gill (guitarist and record producer)
publisher:
Bug Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Gang of Four5:50
15Get Me Out
additional recording engineer:
Pat Collier
recording engineer:
John Cornfield
engineer:
Jessica Corcoran
producer:
Pat Collier and New Model Army (80s punk/goth rock)
mixer:
Pat Collier
drums (drum set):
Robert Heaton (in 1990)
electric bass guitar and spoons:
Nelson (aka Peter Nice of New Model Army) (in 1990)
electric guitar:
Robert Heaton (in 1990), Nelson (aka Peter Nice of New Model Army) (in 1990) and Justin Sullivan (in 1990)
electric violin:
Ed Alleyne‐Johnson (in 1990)
keyboard:
Nelson (aka Peter Nice of New Model Army) (in 1990) and Justin Sullivan (in 1990)
background vocals:
Robert Heaton (in 1990) and Nelson (aka Peter Nice of New Model Army) (in 1990)
lead vocals:
Justin Sullivan (in 1990)
additionally recorded at:
Greenhouse Studio (London) in London (Greater London), England, United Kingdom (in 1990)
recorded at:
Sawmill Studios in Cornwall, England, United Kingdom (in 1990)
recording of:
Get Me Out (in 1990)
writer:
Robert Heaton (in 1989) and Justin Sullivan (in 1989)
New Model Army43:18
16A Better Man
engineer:
Ken Lomas
producer:
Luke Morley and Andy Taylor (of Duran Duran)
mixer:
David Bascombe
recording of:
A Better Man
lyricist and composer:
Luke Morley
publisher:
Rondor Music (London) Ltd.
Thunder3:41
17Your Mama Don’t Dance
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Poison43:02
18No More Mr Nice Guy
recording engineer and mixer:
Sir Arthur Payson
assistant engineer:
Allen Abrahamson
co-producer:
Dave Mustaine
producer:
Desmond Child
additional guitar:
Sport Thompson
drums (drum set):
Nick Menza
electric bass guitar:
Dave “Jr.” Ellefson
electric guitar, electric guitar [lead guitar] and lead vocals:
Dave Mustaine
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Gary Falcone and Nick Menza
remixer:
Casey McMackin
music videos:
No More Mr. Nice Guy by Megadeth
cover recording of:
No More Mr. Nice Guy
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Megadeth3:03
19Armed and Ready
Michael Schenker Group3:57
20I Am I
recording of:
I Am I
writer:
Chris DeGarmo and Geoff Tate
Queensrÿche4:07
5CD

Credits

Release group

part of:100 Hits (UK Demon Music Group) (order: 8)