Sony Music 100 Years: Soundtrack for a Century

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD: Pop Music: The Early Years 1890–1950, Disc 1
2▶CD: Pop Music: The Early Years 1890–1950, Disc 2
3▶CD: Sony Classical: Great Performances: 1903–1998, Disc 1
4▶CD: Sony Classical: Great Performances: 1903–1998, Disc 2
5▶CD: Sony Classical: Great Performances: 1903–1998, Disc 3
6▶CD: Sony Classical: Great Performances: 1903–1998, Disc 4
7▶CD: Jazz: The Definitive Performances, Disc 1
8▶CD: Jazz: The Definitive Performances, Disc 2
9▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 1
10▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 2
11▶CD: Country: The American Tradition, Disc 1
12▶CD: Country: The American Tradition, Disc 2
13▶CD: Movie Music: The Definitive Performances, Disc 1
14▶CD: Movie Music: The Definitive Performances, Disc 2
15▶CD: Broadway: The Great Original Cast Recordings, Disc 1
16▶CD: Broadway: The Great Original Cast Recordings, Disc 2
17▼CD: Pop Music: The Golden Era: 1951–1975, Disc 1
#TitleArtistRatingLength
1The Birth of the Blues
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1952-06-03)
arranger:
Heine Beau
recording of:
Birth of the Blues (on 1952-06-03)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Frank Sinatra3:28
2Because of You
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Percy Faith
cover recording of:
Because of You (on 1951-04-04)
writer:
Arthur Hammerstein and Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett42:56
3Jezebel
recording of:
Jezebel
lyricist and composer:
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. and Domino Publishing Co. Ltd.
Frankie Laine3:10
4Come On‐A My House
recorded in:
New York, New York, United States (on 1951-06-06)
producer:
Al Ham and Mitch Miller
double bass:
Frank Carroll (US bass player) (on 1951-06-06)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1951-06-06)
guitar:
Mundell Lowe (on 1951-06-06)
harpsichord:
Stan Freeman (on 1951-06-06)
vocals:
Rosemary Clooney (on 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (on 1951-06-06)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Rosemary Clooney41:57
5Cry
recorded in:
New York, New York, United States (on 1951-10-16)
performer:
The Four Lads (on 1951-10-16)
cover recording of:
Cry (on 1951-10-16)
lyricist and composer:
Churchill Kohlman
Johnnie Ray, The Four Lads43:02
6You Belong to Me
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
Jo Stafford43:04
7The Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (on 1955-06-10)
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller3:01
8Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.53:21
9Standing on the Corner
recording of:
Standing on the Corner (The Most Happy Fella)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
The Four Lads2:51
10Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:05
11Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:26
12Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
orchestra:
Ray Conniff and His Orchestra
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame (number: 1998)
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
13Summertime, Summertime
recording of:
Summertime, Summertime
writer:
Sherman Feller (radio DJ, artist manager and songwriter.) and Thomas Earl Jameson
publisher:
Music Sales Shawnee, Templeton Publishing Co., Inc. and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Jamies1:59
14Theme From “A Summer Place”
recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Percy Faith & His Orchestra2:24
15Moon River
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-01-04)
performer:
Andy Williams (US pop/jazz vocalist) (on 1962-01-04)
arranger:
Robert Mersey
cover recording of:
Moon River (on 1962-01-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Andy Williams2:45
16Bless You
recording of:
Bless You
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:07
17(I Left My Heart in) San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:50
18Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
19People
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
Barbra Streisand3:40
20Ruby Baby
recording of:
Ruby Baby
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC and Stoller Music (ASCAP)
Dion2:35
21The Monkey Time
recording of:
The Monkey Time
lyricist and composer:
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Major Lance2:46
22Hey Little Cobra
recording of:
Hey Little Cobra
writer:
Carol Connors and Marshall Howard Connors
The Rip Chords1:59
23Before and After
Chad & Jeremy2:41
24For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer, Yardbirds member) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.552:28
25Down in the Boondocks
recording of:
Down in the Boondocks
lyricist and composer:
Joe South
publisher:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Lowery Music Co. Inc. (in 1965)
Billy Joe Royal2:33
26Kicks
recording of:
Kicks
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere & the Raiders2:27
27Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan4.456:08
18▶CD: Pop Music: The Golden Era: 1951–1975, Disc 2
19▶CD: Rock: The Train Kept a Rollin’, Disc 1
20▶CD: Rock: The Train Kept a Rollin’, Disc 2
21▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 1
22▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 2
23▶CD: International Music: Sony Music Around the World, Disc 1
24▶CD: International Music: Sony Music Around the World, Disc 2
25▶CD: Pop Music: The Modern Era: 1976–1999, Disc 1
26▶CD: Pop Music: The Modern Era: 1976–1999, Disc 2