Changes: The Complete 1970s Atlantic Studio Recordings

~ Release by Charles Mingus (see all versions of this release, 3 available)

Tracklist

1▶CD: Mingus Moves
2▶CD: Changes One
3▼CD: Changes Two
#TitleRatingLength
1Free Cell Block F, ’Tis Nazi U.S.A.
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Free Cell Block F, ‘Tis Nazi U.S.A. (on 1974-12-30)
composer:
Charles Mingus
6:53
2Orange Was the Color of Her Dress, Then Silk Blue
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Orange Was the Color of Her Dress, Then Silk Blue (on 1974-12-30)
composer:
Charles Mingus
17:29
3Black Bats and Poles
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Black Bats and Poles (on 1974-12-30)
composer:
Jack Walrath
6:20
4Duke Ellington’s Sound of Love
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Marcus Belgrave (on 1974-12-30) and Jack Walrath (on 1974-12-30)
guest vocals:
Jackie Paris (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
arranger:
Sy Johnson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Duke Ellington's Sound of Love (on 1974-12-30)
lyricist and composer:
Charles Mingus
4:12
5For Harry Carney
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-28)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-28)
piano:
Don Pullen (pianist) (on 1974-12-28)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-28)
trumpet:
Jack Walrath (on 1974-12-28)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-28)
recording of:
For Harry Carney (on 1974-12-28)
composer:
Sy Johnson
8:01
4▶CD: Three or Four Shades of Blues
5▶CD: Cumbia & Jazz Fusion
6▶CD: Me, Myself an Eye
7▶CD: Something Like a Bird

Credits

Release

photography:Guy Le Querrec/Magnum Photos (photographer) (task: cover photos, booklet cover and back photos)
liner notes:Andrew Homzy
miscellaneous support:Brian Priestley (task: additional research, narrative and analytical texts)
Jack Walrath (task: additional research, narrative and analytical texts)
producer:Florence Joelle Halfon (producer) (task: produced for release)
remastering:John Webber (mastering engineer)
design:Bruno Tilley (art director and designer)
remastered at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/27497193 [info]