20th Century Masterpieces: 100 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cardboard sleeves in cardboard box.

Annotation last modified on 2016-10-13 17:47 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▼CD
#TitleArtistRatingLength
1Concierto de Aranjuez: I. Allegro con spirito
producer:
Suvi Raj Grubb
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:11
2Concierto de Aranjuez: II. Adagio
producer:
Suvi Raj Grubb
classical guitar:
Ángel Romero (guitarist/conductor)
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: II. Adagio (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:49
3Concierto de Aranjuez: III. Allegro gentile
producer:
Suvi Raj Grubb
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: III. Allegro gentile (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:07
4Sinfonia de Requiem Op. 20: I. Lacrymosa (Andante ben misurato)
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten8:38
5Sinfonia de Requiem Op. 20: II. Dies irae (Allegro con fuoco)
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten5:23
6Sinfonia de Requiem Op. 20: III. Requiem aeternam (Andante molto tranquillo)
producer:
John Willan (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-23 until 1984-05-24)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1984-05-23 until 1984-05-24)
balance engineer:
Michael Sheady (engineer) (from 1984-05-23 until 1984-05-24)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1984-05-23 until 1984-05-24)
recording of:
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo (from 1984-05-23 until 1984-05-24)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Sinfonia da Requiem, op. 20
Benjamin Britten6:36
7Fanfare for the Common Man
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Orquesta Filarmónica de la Ciudad de México (Mexico City Philharmonic Orchestra) (in 1985-03)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-03)
recorded at:
Sala Nezahualcóyotl in Ciudad de México (Mexico City), Mexico (in 1985-03)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1985-03)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:47
8Masquerade: Waltz
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-04-28)
conductor:
Efrem Kurtz (conductor) (on 1961-04-28)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1961-04-28)
recording of:
Masquerade Suite, op. 48a: I. Waltz (on 1961-04-28)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian4:19
9Masquerade: Galop
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1961-04-28)
conductor:
Efrem Kurtz (conductor) (on 1961-04-28)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1961-04-28)
recording of:
Masquerade Suite, op. 48a: V. Galop (on 1961-04-28)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian2:57
10Piano Concerto No. 3 Sz119: I. Allegretto
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (in 1997-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:23
11Piano Concerto No. 3 Sz119: II. Adagio religioso - Poco più mosso - Tempo I
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (in 1997-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók10:45
12Piano Concerto No. 3 Sz119: III. Allegro vivace (Presto)
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (in 1997-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók6:45
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD