Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 207, 204, 216a (1726-1728)
2CD: Cantatas 198, 201 (1727-1729)
3CD: Cantatas 213, 214 (1733)
4CD: Cantatas 211, 215 (1734)
5CD: Cantatas 206, 30a (1736-1737)
6CD: Cantatas 209, 210, 212 (1730s-1740s)
7CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8CD: Cantatas 56, 82, 4
9CD: Cantatas 31, 104, 57
10CD: Cantatas 199, 173, 74, 151
11CD: Easter Oratorio / Cantata 140
12CD: Cantatas 170, 159, 102
13CD: Cantatas 80, 52, 84, 209
14CD: Cantatas 82, 158, 56
15CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17CD: Cantatas 92, 126, 182 (Easter)
18CD: Cantatas 1, 4, 67, 104 (Easter)
19CD: Cantatas 34, 68, 39 (Whitsun)
20CD: Cantatas 30, 147 (Whitsun)
#TitleRatingLength
1"Freue dich, erlöste Schar", BWV 30: 1. Chorus: "Freue dich, erlöste Schar"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:15
2"Freue dich, erlöste Schar", BWV 30: 2. Recitative: "Wir haben Rast"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:13
3"Freue dich, erlöste Schar", BWV 30: 3. Aria: "Gelobet sei Gott, gelobet sein Name"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:34
4"Freue dich, erlöste Schar", BWV 30: 4. Recitative: "Der Herold kömmt und meldt den König an"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
0:55
5"Freue dich, erlöste Schar", BWV 30: 5. Aria: "Kommt, ihr angefochtnen Sünder"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
8:01
6"Freue dich, erlöste Schar", BWV 30: 6. Chorale: "Eine Stimme lässt sich hören"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören" (in 1975-01)
lyricist:
Johann Olearius
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Breitkopf 389 Choralgesänge (number: 103)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:11
7"Freue dich, erlöste Schar", BWV 30: 7. Recitative: "So bist du denn, mein Heil, bedacht"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:08
8"Freue dich, erlöste Schar", BWV 30: 8. Aria: "Ich will nun hassen"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
6:21
9"Freue dich, erlöste Schar", BWV 30: 9. Recitative: "Und obwohl sonst der Unbestand"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:02
10"Freue dich, erlöste Schar", BWV 30: 10. Aria: "Eilt, ihr Stunden, kommt herbei"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
6:12
11"Freue dich, erlöste Schar", BWV 30: 11. Recitative: "Geduld, der angenehme Tag"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
1:11
12"Freue dich, erlöste Schar", BWV 30: 12. Chorus: "Freue dich, geheilgte Schar"
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
4:22
13"Herz und Mund und Tat und Leben", BWV 147: 1. Chorus: "Herz und Mund und Tat und Leben"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:06
14"Herz und Mund und Tat und Leben", BWV 147: 2. Recitative: "Gebenedeiter Mund!"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:08
15"Herz und Mund und Tat und Leben", BWV 147: 3. Aria: "Schäme dich, o Seele, nicht"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:07
16"Herz und Mund und Tat und Leben", BWV 147: 4. Recitative: "Verstockung kann Gewaltige verblenden"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:15
17"Herz und Mund und Tat und Leben", BWV 147: 5. Aria: "Bereite dir, Jesu, noch itzo die Bahn"
producer:
Prof. Dr. Hans Hickmann
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:28
18"Herz und Mund und Tat und Leben", BWV 147: 6. Chorale: "Wohl mir, dass ich Jesum habe"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:29
19"Herz und Mund und Tat und Leben", BWV 147: 7. Aria: "Hilf, Jesu, hilf"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:35
20"Herz und Mund und Tat und Leben", BWV 147: 8. Recitative: "Der höchsten Allmacht Wunderhand"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:48
21"Herz und Mund und Tat und Leben", BWV 147: 9. Aria: "Ich will von Jesu Wundern singen"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:36
22"Herz und Mund und Tat und Leben", BWV 147: 10. Chorale: "Jesus bleibet meine Freude"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:33
21CD: Cantatas 76, 21 (Trinity)
22CD: Cantatas 135, 10, 45, 105 (Trinity)
23CD: Cantatas 51, 78, 8, 130 (Trinity)
24CD: Cantatas 27, 5, 60, 26 (Trinity)
25CD: St. Matthew Passion (1 Richter)
26CD: St. Matthew Passion (2 Richter)
27CD: St. Matthew Passion (3 Richter)
28CD: Great Singers (1952-1965)
29CD: Great Singers (1967-2011)
30CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]