| # | Title | Rating | Length |
|---|
| 1 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- performer:
- The Sixteen
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| | 7:55 |
| 2 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. II. Recitativo: "Es begab sich aber zu der Zeit"- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:08 |
| 3 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. III. Recitativo: "Nun wird mein liebster Bräutigam"- alto vocals:
- Catherine Wyn-Rogers
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:55 |
| 4 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. IV. Aria (Alto): "Bereite Dich, Zion"- alto vocals:
- Catherine Wyn-Rogers
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 5:25 |
| 5 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. V. Choral: "Wie soll ich dich empfangen"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Wie soll ich dich empfangen
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:10 |
| 6 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VI. Recitativo: "Und sie gebar ihren ersten Sohn"- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:21 |
| 7 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VII. Choral & Recitativo: "Er ist auf Erden kommen arm"- bass vocals:
- Michael George
- soprano vocals:
- Lynda Russell
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 3:05 |
| 8 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VIII. Aria (Basso): "Großer Herr und starker König"- bass vocals:
- Michael George
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 4:45 |
| 9 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. IX. Choral: "Ach, mein herzliebes Jesulein!"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:31 |
| 10 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. I. Sinfonia: Hirtenmusik- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 4:55 |
| 11 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. II. Recitativo: "Und es waren Hirten in derselben Gegens"- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:31 |
| 12 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. III. Choral: "Brich an, o schönes Morgenlicht"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- librettist:
- Johann von Rist (in 1641)
- part of:
- Breitkopf 389 Choralgesänge (number: 80)
- is based on:
- Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:06 |
| 13 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. IV. Recitativo: "Und der Engel sprach zu ihnen"- soprano vocals [Angelus]:
- Libby Crabtree
- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:45 |
| 14 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. V. Recitativo: "Was Gott dem Abraham verheißen"- bass vocals:
- Michael George
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:45 |
| 15 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VI. Aria (Tenore): "Frohe Hirten, eilt, ach eilet"- tenor vocals:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 3:42 |
| 16 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VII. Recitativo: "Und das habt zum Zeichen"- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:19 |
| 17 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. VIII. Choral: "Schaut hin! dort liegt im finstern Stall"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 323)
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:42 |
| 18 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. IX. Recitativo: "So geht denn hin! ihr Hirten, geht"- bass vocals:
- Michael George
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:49 |
| 19 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. X. Aria (Alto): "Schlafe, mein Liebster,geniesse der Ruh"- alto vocals:
- Catherine Wyn-Rogers
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 9:15 |
| 20 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XI. Recitativo: "Und alsobald war da bei dem Engel"- tenor vocals [Evangelist]:
- Mark Padmore
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:11 |
| 21 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XII. Coro: "Ehre sei Gott in der Höhe"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 2:37 |
| 22 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XIII. Recitativo: "So recht, ihr Engel, jauchzt und singet"- bass vocals:
- Michael George
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:22 |
| 23 | BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XIV. Choral: "Wir singen dir in deinem Heer"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1993-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 1:27 |
| 24 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. I. Coro: "Herrscher des Himmels, erhöre das Lallen"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 2:03 |
| 25 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. II. Recitativo: "Und da die Engel von ihnen gen Himmel führen" | | 0:08 |
| 26 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. III. Coro: "Lasset uns nun gehen gen Bethlehem" | | 0:44 |
| 27 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. IV. Recitativo: "Er hat sein Volk getröst" | | 0:38 |
| 28 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. V. Choral: "Dies hat er alles uns getan" | | 0:54 |
| 29 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VI. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen"- bass vocals:
- Michael George
- soprano vocals:
- Lynda Russell
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 8:00 |
| 30 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VII. Recitativo: "Und sie kamen eilend, und funden beide" | | 1:02 |
| 31 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VIII. Aria (Alto): "Schließe, mein Herze, dies selige Wunder"- alto vocals:
- Catherine Wyn-Rogers
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 4:54 |
| 32 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. IX. Recitativo: "Ja,ja! mein Herz soll es bewahren"- alto vocals:
- Catherine Wyn-Rogers
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 0:29 |
| 33 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. X. Choral: "Ich will dich mit Fleiß bewahren" | | 0:59 |
| 34 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XI. Recitativo: "Und die Hirten kehrten wieder um" | | 0:20 |
| 35 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XII. Choral: "Seid froh, dieweil dass euer Heil" | | 0:45 |
| 36 | BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. XIII. Coro: "Herrscher des Himmels"- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- Rosslyn Hill Unitarian Chapel in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1993-01)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| | 2:14 |
Play on ListenBrainz