Private Dancer (40th Anniversary Edition)

~ Release by Tina Turner (see all versions of this release, 29 available)

Annotation

List of subparts
CD2 track 1: Unreleased
CD2 tracks 2 to 8: B-Sides
CD2 tracks 9 to 12: Single Edits
CD2 tracks 13 to 16: Extended Versions

Hype sticker reads -
2CD PRIVATE DANCER
40TH ANNIVERSARY EDITION
INCLUDES REMASTERED ORIGINAL ALBUM,
B-SIDES, SINGLE EDITS AND
EXTENDED VERSIONS PLUS
A BRAND NEW TRACK FROM THE VAULTS
'HOT FOR YOU BABY'
5021732386069

Made Germany

Other Identifiers
Rights Society: GEMA/MCPS
Matrix / Runout (CD1): 0825646170425-01 AF93450-01 manufactured by optimal media GmbH
Mastering SID Code (CD1): IFPI L578
Mould SID Code (CD1): IFPI 9733
Matrix / Runout (CD2): 5021732386069-02 AO30223-02 manufactured by optimal media GmbH
Mastering SID Code (CD2): IFPI L578
Mould SID Code (CD2): IFPI 9733

Annotation last modified on 2025-04-13 23:24 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Hot for You Baby
4:47
2I Wrote a Letter
cover recording of:
I Wrote a Letter
lyricist and composer:
Inga Rumpf
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:26
3Rock ’n’ Roll Widow
recording of:
Rock and Roll Widow
writer:
Tom Snow (US keyboardist/songwriter)
4:42
4Don’t Rush the Good Things
recording of:
Don’t Rush the Good Things
writer:
Neil Gammack
3:46
5When I Was Young
cover recording of:
When I Was Young
writer:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch and John Weider
3:09
6Keep Your Hands Off My Baby
recording of:
Keep Your Hands Off My Baby
writer:
Tom Kelly (songwriter) and Billy Steinberg
3:30
7Nutbush City Limits (live)
mixer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Mark Woods (engineer, recorder and live sound mixer)
live recording of:
Nutbush City Limits (on 1984-08-02)
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
3:05
8Let’s Pretend We’re Married (live)
mixer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Mark Woods (engineer, recorder and live sound mixer)
produced for:
Westwood One
recorded at:
Park West in Chicago, Illinois, United States (on 1984-08-02)
live cover recording of:
Let’s Pretend We’re Married (on 1984-08-02)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
4:19
9Let’s Stay Together (single edit)
engineer:
Walter Samuel (engineer) and Greg Walsh (producer and engineer)
producer:
Greg Walsh (producer and engineer) and Martyn Ware
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
33:42
10Help (single edit)
cover recording of:
Help!
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
3:46
11Better Be Good to Me (single edit)
producer:
Rupert Hine
recording of:
Better Be Good to Me
writer:
Mike Chapman (Australian producer and songwriter), Nicky Chinn and Holly Knight
publisher:
Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
2.653:42
12Private Dancer (single edit)
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
3.54:02
13What’s Love Got to Do With It (extended 12″ remix)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
5:44
14Better Be Good to Me (extended 12″ remix)
recording of:
Better Be Good to Me
writer:
Mike Chapman (Australian producer and songwriter), Nicky Chinn and Holly Knight
publisher:
Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
7:46
15I Can’t Stand the Rain (extended 12″ remix)
producer:
Terry Britten
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
5:42
16Show Some Respect (extended mix)
recording of:
Show Some Respect
writer:
Terry Britten and Sue Shifrin
publisher:
Warner/Chappell Music Ltd. (1996–2019)
5:44

Credits

Release

art direction:Roy Kohara
photography:Brian Aris (photographer)
Peter Ashworth (photographer)
Paul Cox (photographer)
liner notes:Jason Draper (liner notes related)
miscellaneous support:Erwin Bach (executive at EMI Electrola) (task: management)
mastering:John Webber (mastering engineer)
remastering:Geoff Pesche (mastering engineer)
vocal:Tina Turner
design:John O'Brien (Graphic Artist)
manufactured by:Optimal Media GmbH (manufacturer; do NOT use as release label)
copyrighted (©) by and phonographic copyright (℗) by:Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
mastered at:Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/33489638 [info]
ASIN:US: B0DTKJDL5W [info]