Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1CD: Bartók: Piano Concertos nos. 1-3
2CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7CD: Beethoven: Symphonies nos. 1 & 8
8CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9CD: Beethoven: Symphonies nos. 5 & 7
10CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11CD: Beethoven: Fidelio (Act I)
#TitleArtistRatingLength
1Fidelio, op. 72: Ouvertüre
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:26
2Fidelio, op. 72: Erster Akt. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:26
3Fidelio, op. 72: Erster Akt. »Jaquino, Jaquino!« (Rocco, Marzelline, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Jaquino]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:22
4Fidelio, op. 72: Erster Akt. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:44
5Fidelio, op. 72: Erster Akt. »Guten Tag, Marzelline. Ist Fidelio noch night zurück?« (Rocco, Marzelline, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:36
6Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:23
7Fidelio, op. 72: Erster Akt. »Höre, Fidelio« (Rocco, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:19
8Fidelio, op. 72: Erster Akt. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:45
9Fidelio, op. 72: Erster Akt. »Ihr könnt das leicht sagen, Meister Rocco« (Leonore, Rocco, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1957-05 until 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:14
10Fidelio, op. 72: Erster Akt. Nr. 5 Terzett: »Gut, Söhnchen, gut hab immer Mut« (Rocco, Leonore, Marzelline)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals [Rocco]:
Gottlob Frick (operatic bass)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:29
11Fidelio, op. 72: Erster Akt. Nr. 6 Marsch
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:01
12Fidelio, op. 72: Erster Akt. »Hauptmann! Drei Mann Schildwachen auf den Wall« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:46
13Fidelio, op. 72: Erster Akt. Nr. 7 Arie & Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:55
14Fidelio, op. 72: Erster Akt. »Hauptmann! Hören Sie!« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:17
15Fidelio, op. 72: Erster Akt. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Elle!« (Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:49
16Fidelio, op. 72: Erster Akt. Nr. 9 Rezitativ & Arie: »Abscheulicher! Wo eilst dur hin? … Komm, Hoffnung, lass den letzten Stern« (Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:05
17Fidelio, op. 72: Erster Akt. »Aber Marzelline! Früher, da war ich der gute« (Jaquino, Marzelline, Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Jaquino]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Marzelline]:
Ruth Hellberg (actress and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:36
18Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
solo bass vocals [Second Prisoner]:
Walter Franck
solo tenor vocals [First Prisoner]:
Siegmar Schneider (actor, voice actor and dubbing speaker)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:40
19Fidelio, op. 72: Erster Akt. Nr. 10 Finale: [Rezitativ:] »Nun sprecht, wie ging's?« / [Duett:] »Noch heute, noch heute!« (Leonore, Rocco) / [Szene:] »Ach Vater, Vater, eilt!« (Marzelline, Rocco, Pizarro, Jaquino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:34
20Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07, in 1957-09)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-09)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:51
12CD: Beethoven: Fidelio (Act II)
13CD: Berlioz / Borodin / Mussorgsky / Gounod
14CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17CD: Brahms: Piano Concerto no. 2 / Double Concerto
18CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19CD: Debussy / Dukas / Ravel
20CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23CD: Egk / Einem / Henze / Fortner / Liebermann
24CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28CD: Hindemith / Hartmann / Einem / Martin
29CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35CD: Kodály: Háry János Suite / Symphony in C major
36CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37CD: Kodály: Psalmus hungaricus (1954 & 1959)
38CD: Mendelssohn / Liszt / Sarasate / Hubay
39CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40CD: Mozart: Symphonies nos. 1, 4-9
41CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48CD: Mozart: Piano Concertos nos. 19 & 27
49CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50CD: Mozart: Requiem
51CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53CD: Mozart: Die Zauberflöte (Act I)
54CD: Mozart: Die Zauberflöte (Act II)
55CD: Mozart: Don Giovanni (Act I beg.)
56CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57CD: Mozart: Don Giovanni (Act II cont.)
58CD: Mozart: Idemeneo (Acts I & II beg.)
59CD: Mozart: Idemeneo (Acts II cont. & III)
60CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62CD: Mozart: Le nozze di Figaro (Acts III & IV)
63CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64CD: Rossini: Stabat Mater
65CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68CD: J. Strauss II: Die Fledermaus (Act I)
69CD: J. Strauss II: Die Fledermaus (Acts II & III)
70CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73CD: Stravinsky: Oedipus rex / Symphony of Psalms
74CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79CD: Verdi: Messa da Requiem
80CD: Verdi: Messa da Requiem (beg.)
81CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85CD: Rehearsal and Performance: Smetana: The Moldau
86CD: Fricsay: Erzähltes Leben (A Life Retold)
87DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]