A Portrait of Fats Waller

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1Ain’t Misbehavin’
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1929-08-02)
Klavier:
Fats Waller (am 1929-08-02)
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten
instrumental recording of:
Ain’t Misbehavin’ (am 1929-08-02)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:05
2Somebody Stole My Gal
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
cover recording of:
Somebody Stole My Gal (am 1935-06-24)
Texter und Komponist(in):
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:32
3It’s a Sin to Tell a Lie
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-05)
Klavier:
Fats Waller (am 1936-06-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-05)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-05)
Schlagzeug:
Arnold Boling (am 1936-06-05)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-05)
vocals:
Fats Waller (am 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (am 1936-06-05)
Texter und Komponist(in):
Billy Mayhew (in 1936)
2:59
4Take It Easy
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Take It Easy (am 1935-06-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
3:13
5Two Sleepy People
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-10-13)
Klavier:
Fats Waller (am 1938-10-13)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-10-13)
Rohrblattinstrumente:
Gene Sedric (am 1938-10-13)
Schlagzeug:
Slick Jones (am 1938-10-13)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-10-13)
vocals:
Fats Waller (am 1938-10-13)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1938-10-13)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:06
6I’m on a See‐Saw
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-20)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-20)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-20)
Klavier:
Fats Waller (am 1935-08-20)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-20)
Schlagzeug:
Arnold Boling (am 1935-08-20)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-20)
vocals:
Fats Waller (am 1935-08-20)
recording of:
I’m on a See-Saw (am 1935-08-20)
Texter:
Desmond Carter
Komponist(in):
Vivian Ellis (composer)
3:03
7Your Feet’s Too Big
recorded in:
New York, New York, Vereinigte Staaten (am 1939-11-03)
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Gene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Fats Waller (am 1939-11-03)
recording of:
Your Feet’s Too Big (am 1939-11-03)
Texter:
Ada Benson
Komponist(in):
Fred Fisher (in 1936)
3:10
8Believe It, Beloved
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klarinette:
Gene Sedric (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Believe it, Beloved (am 1934-11-07)
Texter:
Nat Schwartz (Early 20th century composer?) und George A. Whiting (popular songwriter)
Komponist(in):
J.C. Johnson
2:43
9I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
Interpret(in):
Fats Waller and His Rhythm (am 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1935-05-08)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
3:36
10Baby Brown
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Klavier:
Fats Waller (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
Baby Brown (am 1935-01-05)
Texter und Komponist(in):
Alex Hill (20th century US jazz pianist)
3:15
11Hold Tight (Want Some Sea Food Mama)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-01-19)
Klavier:
Fats Waller (am 1939-01-19)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-01-19)
Rohrblattinstrumente:
Gene Sedric (am 1939-01-19)
Schlagzeug:
Slick Jones (am 1939-01-19)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-01-19)
vocals:
Fats Waller (am 1939-01-19)
recording of:
Hold Tight (am 1939-01-19)
Verfasser(in):
Jerry Brandow, Edward Robinson (songwriter), Lenny Kent, Willie Spotswood (US singer, composer, often credited as "Spotswood") und Leonard Ware (American jazz guitar player and composer)
32:19
12You’ve Been Taking Lessons in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
recording of:
You've Been Taking Lessons in Love (From Somebody New) (am 1935-05-08)
Verfasser(in):
Winston Collins Tharp und Grady Watts
3:10
13The Joint Is Jumpin’
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klarinette, Rohrblattinstrumente und Saxophon:
Gene Sedric (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass und Kontrabass [bass]:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
recording of:
The Joint Is Jumpin’ (am 1937-10-07)
Texter:
J.C. Johnson und Andy Razaf
Verfasser(in):
James C. Johnson (Jim Johnson, James Calvin Johnson // American guitarist, singer and songwriter)
Komponist(in):
Fats Waller
2:50
14Serenade for a Wealthy Widow
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier und Sprecher:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (am 1934-09-28)
Komponist(in):
Reginald Foresythe
2:40
15I Ain’t Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1935-03-06)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-03-06)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-03-06)
Klavier:
Fats Waller (am 1935-03-06)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-03-06)
Schlagzeug:
Harry Dial (am 1935-03-06)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-03-06)
vocals:
Fats Waller (am 1935-03-06)
recording of:
I Ain’t Got Nobody (am 1935-03-06)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:51
16A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (am 1934-05-16)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
3:22
17Sweet Sue, Just You
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Sweet Sue, Just You (am 1935-06-24)
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:56
18Just as Long as the World Goes Round and Round
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-02)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-02)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-02)
Klavier:
Fats Waller (am 1935-08-02)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-02)
Schlagzeug:
Arnold Boling (am 1935-08-02)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-02)
vocals:
Fats Waller (am 1935-08-02)
recording of:
As Long as the World Goes Round and Round (And I Go Around with You) (am 1935-08-02)
Verfasser(in):
Harry M. Woods (American 1920/30s songwriter)
3:08
19Do Me a Favour
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
Do Me a Favor (am 1934-05-16)
Verfasser(in):
Jack Lawrence (US songwriter) und Peter Tinturin
3:14
20Then I’ll Be Tired of You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Then I’ll Be Tired of You (am 1934-08-17)
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
3:10
21I’m Crazy ’Bout My Baby
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-08-07)
Klavier:
Fats Waller (am 1939-08-07)
Rohrblattinstrumente:
Gene Sedric (am 1939-08-07)
Schlagzeug:
Slick Jones (am 1939-08-07)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-08-07)
vocals:
Fats Waller (am 1939-08-07)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1939-08-07)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
2:54
22S’posin’
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-09-09)
Klavier:
Fats Waller (am 1936-09-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-09-09)
Rohrblattinstrumente:
Gene Sedric (am 1936-09-09)
Schlagzeug:
Slick Jones (am 1936-09-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-09-09)
vocals:
Fats Waller (am 1936-09-09)
recording of:
S’posin’ (am 1936-09-09)
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
2:53
23Hey Stop Kissin’ My Sister
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1940-07-16)
Klavier:
Fats Waller (am 1940-07-16)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1940-07-16)
Rohrblattinstrumente:
Gene Sedric (am 1940-07-16)
Schlagzeug:
Slick Jones (am 1940-07-16)
Trompete:
John "Bugs" Hamilton (jazz trumpet player) (am 1940-07-16)
vocals:
Fats Waller (am 1940-07-16)
aufgenommen bei:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1940-07-16)
2:49
24All That Meat and No Potatoes
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-03-20)
Klavier:
Fats Waller (am 1941-03-20)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1941-03-20)
Rohrblattinstrumente:
Eugene Sedric (am 1941-03-20)
Schlagzeug:
Slick Jones (am 1941-03-20)
Trompete:
Al Casey (US jazz/soul guitarist) (am 1941-03-20) und John Hamilton (jazz trumpet player) (am 1941-03-20)
vocals:
Fats Waller (am 1941-03-20)
aufgenommen bei:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1941-03-20)
recording of:
All That Meat and No Potatoes (am 1941-03-20)
Texter und Komponist(in):
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) und Fats Waller
2:46

Nennungen

Veröffentlichung

ASIN:UK: B000024SH5 [Info]