The Complete ’70s Albums Collection

~ Release by Elvis Presley (see all versions of this release, 1 available)

Annotation

℗ «2015 Sony Music Entertainment»

Countries excluded (iTunes)

(As of 2020-10-24).

  • Caribbean: 🇯🇲 Jamaica (jm) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc)
  • South America: 🇺🇾 Uruguay (uy) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Northern Europe: 🇮🇸 Iceland (is)
  • Southern Europe: 🇭🇷 Croatia (hr) 🇲🇰 Macedonia (mk) 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me)
  • Eastern Europe: 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇹🇳 Tunisia (tn) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma)
  • Western Africa: 🇧🇯 Benin (bj) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇨🇮 Cote D’Ivoire (ci)
  • Eastern Africa: 🇲🇬 Madagascar (mg) 🇲🇼 Malawi (mw) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇷🇼 Rwanda (rw) 🇿🇲 Zambia (zm)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇬 Congo (cg) 🇹🇩 Chad (td) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga)
  • Western Asia: 🇰🇼 Kuwait (kw) 🇾🇪 Yemen (ye) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv)
  • Eastern Asia: 🇨🇳 China (cn) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Polynesia: 🇹🇴 Tonga (to)
  • Melanesia: 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)

Countries where available (iTunes)

(As of 2020-10-24).

  • Northern America: 🇺🇸 United States (us) 🇧🇲 Bermuda (bm) 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇩🇴 Dominican Republic (do) 🇬🇩 Grenada (gd) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇹🇹 Trinidad and Tobago (tt) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇪🇬 Egypt (eg)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇼 Guinea-Bissau (gw) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke) 🇲🇺 Mauritius (mu) 🇲🇿 Mozambique (mz) 🇺🇬 Uganda (ug) 🇿🇼 Zimbabwe (zw)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇳🇵 Nepal (np)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm)
Annotation last modified on 2020-10-24 11:56 UTC.

Tracklist

1▶Digital Media: Let’s Be Friends
2▶Digital Media: On Stage (live)
3▶Digital Media: Almost in Love
4▶Digital Media: That’s the Way It Is (live)
5▶Digital Media: Elvis Country
6▶Digital Media: Love Letters From Elvis
7▶Digital Media: C’mon Everybody
8▶Digital Media: I Got Lucky
9▶Digital Media: Elvis Sings the Wonderful World of Christmas
10▶Digital Media: Elvis Now
11▶Digital Media: He Touched Me
12▶Digital Media: As Recorded at Madison Square Garden (live)
13▼Digital Media: Aloha From Hawaii Via Satellite (live)
#TitleRatingLength
1Introduction: Also sprach Zarathustra (Theme From “2001: A Space Odyssey”) (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live recording of:
Also sprach Zarathustra, Introduction (Elvis Presley's 1971-1976 concert intro; from 2001 A Space Odyssey) (on 1973-01-14)
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
1:12
2See See Rider (live)
arranger:
Elvis Presley (“The King of Rock and Roll”)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
See See Rider Blues (on 1973-01-14)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
3:00
3Burning Love (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Burning Love (on 1973-01-14)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
33:11
4Something (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Something (on 1973-01-14)
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
3:32
5You Gave Me a Mountain (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
You Gave Me a Mountain (on 1973-01-14)
lyricist and composer:
Marty Robbins
publisher:
Mariposa Music Inc. (publisher) and Mojave Music Inc.
3:17
6Steamroller Blues (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Steamroller Blues (on 1973-01-14)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) and EMI Blackwood Music Inc.
3:04
7My Way (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
My Way (Frank Sinatra song) (on 1973-01-14)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
54:02
8Love Me (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Love Me (on 1973-01-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
1:55
9Johnny B. Goode (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Johnny B. Goode (on 1973-01-14)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
1:43
10It’s Over (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
It’s Over (on 1973-01-14)
lyricist and composer:
Jimmie Rodgers (1950s pop/country singer, born in 1933; “Honeycomb”, “Kisses Sweeter Than Wine”)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2:10
11Blue Suede Shoes (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Blue Suede Shoes (on 1973-01-14)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
1:17
12I’m So Lonesome I Could Cry (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-12)
live cover recording of:
I’m So Lonesome I Could Cry (on 1973-01-12)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (on 1949-10-31) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 to present)
2:17
13I Can’t Stop Loving You (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
I Can’t Stop Lovin’ You (on 1973-01-14)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
2:27
14Hound Dog (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Hound Dog (on 1973-01-14)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
0:52
15What Now My Love (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
What Now My Love (on 1973-01-14)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
3:17
16Fever (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Fever (on 1973-01-14)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
2:50
17Welcome to My World (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
Welcome to My World (on 1973-01-14)
lyricist and composer:
Johnny Hathcock and Ray Winkler
publisher:
Neillrae Music, Sony/ATV Songs LLC and Sony/ATV Tree Publishing
1:55
18Suspicious Minds (live)
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
4.14:30
19Introductions by Elvis (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
1:40
20I’ll Remember You (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-12, on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
I’ll Remember You (on 1973-01-12)
lyricist and composer:
Kui Lee (Hawaii, 1932–1966)
publisher:
Herb Montei Music
live cover recording of:
I’ll Remember You (on 1973-01-14)
lyricist and composer:
Kui Lee (Hawaii, 1932–1966)
publisher:
Herb Montei Music
2:32
21Medley (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live medley including a cover recording of:
Long Tall Sally (on 1973-01-14)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
live medley including a cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1973-01-14)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
2:05
22An American Trilogy (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
An American Trilogy (on 1973-01-14)
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
4:34
23A Big Hunk o’ Love (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live cover recording of:
A Big Hunk o’ Love (on 1973-01-14)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) and Williamson Music Company
2:09
24Can’t Help Falling in Love (live)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
live recording of:
Can’t Help Falling in Love (on 1973-01-14)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
2:48
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