La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
#TitleArtistRatingLength
1Aida: Preludio (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Preludio (standard opening to the opera, ~4min) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:21
2Aida: Act I, Scene 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:41
3Aida: Act I, Scene 1. “Se quel guerriero io fossi!” (Radamès)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:55
4Aida: Act I, Scene 1. “Celeste Aida” (Radamès)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:22
5Aida: Act I, Scene 1. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:11
6Aida: Act I, Scene 1. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:37
7Aida: Act I, Scene 1. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
tenor vocals [Un messaggero]:
Carlos Sagarminaga (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:16
8Aida: Act I, Scene 1. “Su! del Nilo al sacro lido” (Re, Ramfis, Aida, Radamès, Amneris, Messaggero, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
tenor vocals [Un messaggero]:
Carlos Sagarminaga (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:48
9Aida: Act I, Scene 1. “Ritorna vincitor!” (Aida)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:51
10Aida: Act I, Scene 2. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
soprano vocals [Una sacerdotessa]:
Rosa Rodríguez (1950s operatic soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:16
11Aida: Act I, Scene 2. “Immenso Fthà!…Mortal, diletto ai numi” (Ramfis, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:31
12Aida: Act I, Scene 2. “Nume, custode e vindice” (Ramfis, Radamès, Coro)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:52
13Aida: Act II, Scene 1. “Chi mai fra gl'inni e i plausi” (Coro, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:48
14Aida: Act II, Scene 1. Danza degli schiavi mori (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:30
15Aida: Act II, Scene 1. “Vieni, sul crin ti piovano” (Coro, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:34
16Aida: Act II, Scene 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:38
17Aida: Act II, Scene 1. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:51
18Aida: Act II, Scene 1. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:57
19Aida: Act II, Scene 2. “Gloria all'Egitto, ad Iside” (Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:34
20Aida: Act II, Scene 2. Marcia trionfale (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:33
21Aida: Act II, Scene 2. Ballabile (Orchestra)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:33
22Aida: Act II, Scene 2. “Vieni, o guerriero vindice” (Coro)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:21
23Aida: Act II, Scene 2. “Salvator della patria” (Re, Radamès, Ramfis, Coro)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:11
24Aida: Act II, Scene 2. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Re, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:40
25Aida: Act II, Scene 2. “Il dolor che in quel volto favella” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:20
26Aida: Act II, Scene 2. “O Re, pei sacri numi…Gloria all'Egitto” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Il re d'Egitto]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de Bellas Artes, México (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Bellas Artes, México (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:26
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets