Jazz: The Smithsonian Anthology

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Maple Leaf Rag
solo piano:
Dick Hyman (jazz pianist) (in 1975)
recording of:
Maple Leaf Rag (piano rag) (in 1975)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Dick Hyman2:30
2In Gloryland
baritone horn:
Adolphe "Tats" Alexander Jr. (on 1945-05-18)
bass drum:
Lawrence Marrero (on 1945-05-18)
other instruments:
Joe "Red" Clark (on 1945-05-18)
snare drum:
Warren “Baby” Dodds (on 1945-05-18)
soprano clarinet:
George Lewis (New Orleans jazz clarinetist) (on 1945-05-18)
tenor horn / alto horn:
Isidore Barbarin (on 1945-05-18)
trombone:
Jim Robinson (New Orleans jazz trombonist) (on 1945-05-18)
trumpet:
Bunk Johnson (on 1945-05-18) and Louis "Kid Shots" Madison (on 1945-05-18)
recording of:
Just Over in the Glory Land (on 1945-05-18)
lyricist:
James Warren Acuff
composer:
Emmett Sidney Dean
Bunk's Brass Band3:04
3Livery Stable Blues
recorded in:
New York, New York, United States (on 1917-02-26)
clarinet:
Larry Shields (on 1917-02-26)
cornet:
Nick LaRocca (on 1917-02-26)
drums (drum set):
Tony Sbarbaro (on 1917-02-26)
piano:
Henry Ragas (on 1917-02-26)
trombone:
Eddie Edwards (Jazz trombonist) (on 1917-02-26)
recording of:
Barnyard Blues (on 1917-02-26)
composer:
Nick LaRocca
recording of:
Livery Stable Blues (on 1917-02-26)
composer:
Ray Lopez (New Orleans jazz trumpeter) and Alcide Nunez (American jazz clarinetist)
Original Dixieland Jazz Band3:11
4Dipper Mouth Blues
banjo:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06) and Bud Scott (on 1923-04-06)
clarinet:
Johnny Dodds (on 1923-04-06)
cornet:
Louis Armstrong (on 1923-04-06) and King Oliver (jazz cornetist) (on 1923-04-06)
drums (drum set):
Warren “Baby” Dodds (on 1923-04-06)
piano:
Lil Hardin Armstrong (on 1923-04-06)
trombone:
Honoré Dutrey (on 1923-04-06)
vocals:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06)
recording of:
Dippermouth Blues (on 1923-04-06)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
King Oliver’s Creole Jazz Band2:29
5The Stampede
recorded in:
New York, New York, United States (on 1926-05-14)
alto saxophone and oboe:
Don Redman (on 1926-05-14)
alto saxophone and clarinet:
Buster Bailey (clarinetist) (on 1926-05-14) and Don Redman (on 1926-05-14)
banjo:
Charlie Dixon (Jazz banjoist) (on 1926-05-14)
clarinet:
Buster Bailey (clarinetist) (on 1926-05-14), Coleman Hawkins (on 1926-05-14) and Don Redman (on 1926-05-14)
clarinet and tenor saxophone and tenor saxophone:
Coleman Hawkins (on 1926-05-14)
cornet:
Rex Stewart (on 1926-05-14)
drums (drum set):
Kaiser Marshall (on 1926-05-14)
piano:
Fletcher Henderson (on 1926-05-14)
trombone:
Benny Morton (on 1926-05-14)
trumpet:
Joe Smith (American jazz trumpeter/cornetist) (on 1926-05-14) and Russell Smith (US jazz trumpeter) (on 1926-05-14)
tuba:
Ralph Escudero (on 1926-05-14)
arranger:
Don Redman (on 1926-05-14)
recording of:
The Stampede (on 1926-05-14)
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra3:16
6Black Bottom Stomp
recorded in:
Chicago, Illinois, United States (on 1926-09-15)
banjo and guitar:
Johnny St. Cyr (on 1926-09-15)
bass and double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-09-15)
clarinet:
Omer Simeon (on 1926-09-15)
cornet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-09-15)
drums (drum set) and membranophone:
Andrew Hilaire (on 1926-09-15)
piano:
Jelly Roll Morton (on 1926-09-15)
trombone:
Kid Ory (on 1926-09-15)
conductor:
Jelly Roll Morton (on 1926-09-15)
recording of:
Black Bottom Stomp (on 1926-09-15)
composer:
Ferdinand Morton
Jelly Roll Morton’s Red Hot Peppers53:16
7Singin’ the Blues (Til My Daddy Comes Home)
recorded in:
New York, New York, United States (on 1927-02-04)
alto saxophone:
Jimmy Dorsey (on 1927-02-04) and Doc Ryker (on 1927-02-04)
clarinet and reeds:
Jimmy Dorsey (on 1927-02-04)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1927-02-04)
drums (drum set):
Chauncey Morehouse (on 1927-02-04)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1927-02-04)
piano:
Paul Mertz (Paul Madeira Mertz) (on 1927-02-04)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1927-02-04)
trombone:
Miff Mole (on 1927-02-04)
performer:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
arranger:
Fud Livingston
instrumental recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
Frankie Trumbauer and His Orchestra3:05
8Black Water Blues
recorded in:
New York, New York, United States (on 1927-02-17)
piano:
James P. Johnson (on 1927-02-17)
vocals:
Bessie Smith (Tennessee blues singer) (on 1927-02-17)
recording of:
Backwater Blues (on 1927-02-17)
lyricist and composer:
Bessie Smith (Tennessee blues singer) (in 1927)
piano arranger:
James P. Johnson (in 1927)
Bessie Smith and James P. Johnson3:21
9Black and Tan Fantasy
recorded in:
Camden, New Jersey, United States (on 1927-10-26)
alto saxophone:
Harry Carney (on 1927-10-26) and Otto Hardwick (on 1927-10-26)
banjo:
Fred Guy (on 1927-10-26)
baritone saxophone:
Harry Carney (on 1927-10-26)
clarinet:
Harry Carney (on 1927-10-26), Otto Hardwick (on 1927-10-26) and Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
double bass:
Wellman Braud (on 1927-10-26)
drums (drum set):
Sonny Greer (on 1927-10-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1927-10-26)
reeds:
Harry Carney (on 1927-10-26) and Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
saxophone:
Otto Hardwick (on 1927-10-26)
tenor saxophone:
Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
trombone:
Tricky Sam Nanton (on 1927-10-26)
trumpet:
Louis Metcalf (on 1927-10-26), Bubber Miley (on 1927-10-26) and unidentified ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1927-10-26)
recording of:
Black and Tan Fantasy (on 1927-10-26)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
Duke Ellington and His Orchestra3:10
10From Monday On
alto saxophone:
Rube Crozier (on 1928-02-13), Chester Hazlett (on 1928-02-13), Roy "Red" Maier (on 1928-02-13), Red Mayer (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Nye Mayhew (on 1928-02-13)
banjo:
Mike Pingitore (on 1928-02-13)
baritone saxophone:
Nye Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
bass saxophone:
Min Leibrook (on 1928-02-13)
clarinet:
Jimmy Dorsey (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-02-13) and Jimmy Dorsey (on 1928-02-13)
cornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-02-13)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-02-13)
piano:
Harry Barris (on 1928-02-13)
saxophone:
Rube Crozier (on 1928-02-13), Chester Hazlett (on 1928-02-13), Red Mayer (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-13)
tenor saxophone:
Charles Strickfaden (on 1928-02-13)
trombone:
Boyce Cullen (trombonist) (on 1928-02-13), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-13), Wilbur Hall (on 1928-02-13) and Bill Rank (on 1928-02-13)
trumpet:
Jimmy Dorsey (on 1928-02-13) and Charlie Margulis (on 1928-02-13)
tuba:
Min Leibrook (on 1928-02-13) and Mike Trafficante (on 1928-02-13)
tuba [brass bass]:
Mike Trafficante (on 1928-02-13)
viola and violin:
Matty Malneck (on 1928-02-13)
violin:
Kurt Dieterle (on 1928-02-13), Charles Gaylord (on 1928-02-13), Matty Malneck (on 1928-02-13) and Mischa Russell (violinist) (on 1928-02-13)
baritone vocals:
Bing Crosby (on 1928-02-13)
tenor vocals:
Al Rinker (on 1928-02-13) and Austin “Skin” Young (on 1928-02-13)
vocals:
Bing Crosby (on 1928-02-13), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-13), Charles Gaylord (on 1928-02-13), Al Rinker (on 1928-02-13) and Austin “Skin” Young (on 1928-02-13)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-13)
conductor:
Paul Whiteman (on 1928-02-13)
arranger:
Matty Malneck
recording of:
From Monday On (on 1928-02-13)
writer:
Harry Barris and Bing Crosby
Bix Beiderbecke & Paul Whiteman and His Orchestra3:03
11West End Blues
recorded in:
Chicago, Illinois, United States (on 1928-06-28)
banjo:
Mancy Cara (on 1928-06-28)
clarinet:
Jimmy Strong (on 1928-06-28)
cymbal:
Zutty Singleton (on 1928-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-28)
trombone:
Fred Robinson (American trombonist) (on 1928-06-28)
trumpet:
Louis Armstrong (on 1928-06-28)
vocals:
Louis Armstrong (on 1928-06-28)
recording of:
West End Blues (Armstrong recording) (on 1928-06-28)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong and His Hot Five33:21
12Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
Louis Armstrong and Earl Hines2:46
13That’s a Serious Thing
banjo:
Eddie Condon (on 1929-02-08)
drums (drum set):
George Stafford (on 1929-02-08)
piano:
Joe Sullivan (piano, USA) (on 1929-02-08)
tenor saxophone:
Happy Caldwell (American jazz reed player) (on 1929-02-08) and Mezz Mezzrow (on 1929-02-08)
trombone:
Jack Teagarden (on 1929-02-08)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-02-08)
vocals:
Jack Teagarden (on 1929-02-08)
recording of:
That’s a Serious Thing (on 1929-02-08)
writer:
Eddie Condon, Mezz Mezzrow, Joe Sullivan (piano, USA) and Jack Teagarden
Eddie Condon's Hot Shots3:33
14Handfull of Riffs
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1929-05-09) and Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1929-05-09)
recording of:
A Handful of Riffs (on 1929-05-09)
writer:
Lonnie Johnson (American blues and jazz musician) and Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn)
Eddie Lang & Lonnie Johnson3:08
15You’ve Got to Be Modernistic
piano:
James P. Johnson (on 1930-01-21)
recording of:
You've Got to Be Modernistic (on 1930-01-21)
composer:
James P. Johnson
James P. Johnson3:14
16Moten Swing
acoustic guitar and guitar:
Leroy "Buster" Berry (on 1932-12-13)
alto saxophone and baritone saxophone:
Jack Washington (on 1932-12-13)
alto saxophone and clarinet:
Eddie Barefield (on 1932-12-13)
double bass:
Walter Page (on 1932-12-13)
drums (drum set):
Willie McWashington (on 1932-12-13)
guitar and trombone:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1932-12-13)
piano:
Count Basie (pianist) (on 1932-12-13) and Ira E. "Buster" Moten (on 1932-12-13)
saxophone:
Eddie Barefield (on 1932-12-13), Harlan Leonard (on 1932-12-13), Buster Smith (saxophone) (on 1932-12-13) and Ben Webster (on 1932-12-13)
tenor saxophone:
Ben Webster (on 1932-12-13)
trombone:
Dan Minor (on 1932-12-13)
trumpet:
Joe Keyes (on 1932-12-13), Hot Lips Page (on 1932-12-13) and Prince "Dee" Stewart (on 1932-12-13)
conductor:
Bennie Moten (jazz pianist) (on 1932-12-13)
recording of:
Moten Swing (on 1932-12-13)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Bennie Moten and His Kansas City Orchestra3:26
17Everybody Loves My Baby
alto saxophone and clarinet:
Jimmy Dorsey (on 1932-02-24)
double bass:
Joe Tarto (on 1932-02-24)
drums (drum set):
Stan King (Big band-era drummer) (on 1932-02-24)
guitar:
Dick McDonough (on 1932-02-24)
piano:
Martha Boswell (on 1932-02-24)
trombone:
Tommy Dorsey (swing trombone player & band leader) (on 1932-02-24)
trumpet:
Bunny Berigan (on 1932-02-24)
violin:
Harry Hoffman (violinist) (on 1932-02-24)
vocals:
Connee Boswell (jazz-pop vocalist) (on 1932-02-24), Martha Boswell (on 1932-02-24) and Vet Boswell (on 1932-02-24)
orchestra:
The Dorsey Brothers Orchestra (on 1932-02-24)
recording of:
Everybody Loves My Baby (on 1932-02-24)
composer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
publisher:
Pickwick Music Corp. and Salabert
The Boswell Sisters2:24
18Maple Leaf Rag
clarinet and soprano saxophone:
Sidney Bechet (on 1932-09-15)
double bass and double bass [bass]:
Wilson Myers (on 1932-09-15)
drums (drum set):
Morris Morand (on 1932-09-15)
piano:
Hank Duncan (on 1932-09-15)
trombone:
Teddy Nixon (on 1932-09-15)
trumpet:
Tommy Ladnier (American jazz trumpeter) (on 1932-09-15)
recording of:
Maple Leaf Rag (catch-all for arrangements) (on 1932-09-15)
composer:
Scott Joplin (composer and pianist) (in 1901)
arrangement of:
Maple Leaf Rag (piano rag)
Sidney Bechet2:59
19Dinah
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Dinah (on 1935-06-24)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Fats Waller and His Rhythm3:10
20Swing That Music
alto saxophone:
Henry Jones (swing era reeds) (on 1936-05-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18) and Greely Walton (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
Louis Armstrong and His Orchestra2:54
21Honky Tonk Train Blues
piano:
Meade Lux Lewis (on 1936-05-07)
recording of:
Honky Tonk Train Blues (on 1936-05-07)
composer:
Meade Lux Lewis
sub-publisher:
Multitone AB (in 1982)
Meade "Lux" Lewis3:00
22Mean to Me
recorded in:
New York, New York, United States (on 1937-05-11)
alto saxophone:
Johnny Hodges (on 1937-05-11)
clarinet:
Buster Bailey (clarinetist) (on 1937-05-11)
double bass:
Artie Bernstein (on 1937-05-11)
drums (drum set):
Cozy Cole (on 1937-05-11)
guitar:
Allan Reuss (on 1937-05-11)
piano:
Teddy Wilson (on 1937-05-11)
tenor saxophone:
Lester Young (saxophonist) (on 1937-05-11)
trumpet:
Buck Clayton (on 1937-05-11)
vocals:
Billie Holiday (on 1937-05-11)
orchestra:
Teddy Wilson and His Orchestra (on 1937-05-11)
recording of:
Mean to Me (on 1937-05-11)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Billie Holiday with Teddy Wilson and His Orchestra3:11
23For Dancers Only
alto saxophone:
Ed Brown (1930s sax player) (on 1937-06-15), Dan Grissom (on 1937-06-15) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1937-06-15)
baritone saxophone:
Earl Carruthers (on 1937-06-15) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1937-06-15)
clarinet:
Ed Brown (1930s sax player) (on 1937-06-15), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1937-06-15) and Joe Thomas (US jazz tenor saxophone player) (on 1937-06-15)
double bass:
Moses Allen (on 1937-06-15)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1937-06-15)
guitar:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-06-15) and Al Norris (on 1937-06-15)
piano:
Edwin Wilcox (on 1937-06-15)
tenor saxophone:
Joe Thomas (US jazz tenor saxophone player) (on 1937-06-15)
trombone:
Russell Bowles (on 1937-06-15), Elmer Crumbley (on 1937-06-15) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-06-15)
trumpet:
Sy Oliver (on 1937-06-15), Eddie Tompkins (on 1937-06-15) and Paul Webster (trumpet, jazz musician) (on 1937-06-15)
conductor:
Jimmie Lunceford (US jazz saxophonist and bandleader) (on 1937-06-15)
arranger:
Sy Oliver (on 1937-06-15)
recording of:
For Dancers Only (on 1937-06-15)
writer:
Sy Oliver, Don Raye and Vic Schoen
Jimmie Lunceford and His Orchestra2:41
24One O’Clock Jump
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone and baritone saxophone:
Earle Warren (on 1937-07-07) and Jack Washington (on 1937-07-07)
clarinet:
Herschel Evans (on 1937-07-07), Earle Warren (on 1937-07-07) and Lester Young (saxophonist) (on 1937-07-07)
double bass and double bass [bass]:
Walter Page (on 1937-07-07)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-07-07)
electric guitar:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07)
guitar:
Freddie Green (on 1937-07-07)
piano:
Count Basie (pianist) (on 1937-07-07)
tenor saxophone:
Herschel Evans (on 1937-07-07) and Lester Young (saxophonist) (on 1937-07-07)
trombone:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07), George Hunt (on 1937-07-07) and Dan Minor (on 1937-07-07)
trumpet:
Buck Clayton (on 1937-07-07), Ed Lewis (jazz trumpeter) (on 1937-07-07) and Bobby Moore (jazz musician) (on 1937-07-07)
arranger:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1937-07-07) and Buster Smith (saxophone) (on 1937-07-07)
recording of:
One O’Clock Jump (on 1937-07-07)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie and His Orchestra3:05
25Harlem Congo
recorded in:
New York, New York, United States (on 1937-11-01)
alto saxophone:
Chauncey Haughton (on 1937-11-01) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1937-11-01, on 1937-11-10)
alto saxophone and clarinet and clarinet:
Chauncey Haughton (on 1937-11-01)
double bass:
Beverly Peer (on 1937-11-01)
double bass [bass]:
Beverly Peer (on 1937-11-10)
drums (drum set):
Chick Webb (on 1937-11-01, on 1937-11-10)
guitar:
Bobby Johnson (US guitarist) (on 1937-11-01, on 1937-11-10)
piano:
Tommy Fulford (on 1937-11-01, on 1937-11-10)
reeds:
Chauncey Haughton (on 1937-11-01, on 1937-11-10) and Teddy McRae (on 1937-11-10)
tenor saxophone:
Wayman Carver (on 1937-11-01), Teddy McRae (on 1937-11-01) and Elmer Williams (on 1937-11-01)
trombone:
Nat Story (on 1937-11-01, on 1937-11-10) and Sandy Williams (American jazz trombonist) (on 1937-11-01, on 1937-11-10)
trumpet:
Mario Bauzá (on 1937-11-01, on 1937-11-10), Taft Jordan (on 1937-11-01, on 1937-11-10) and Bobby Stark (on 1937-11-01, on 1937-11-10)
woodwind:
Wayman Carver (on 1937-11-01, on 1937-11-10)
conductor:
Chick Webb (on 1937-11-01)
arranger:
Charlie Dixon (Jazz banjoist) (on 1937-11-01)
recording of:
Harlem Congo (on 1937-11-01)
composer:
Harry White (jazz trombonist)
recording of:
Harlem Congo (on 1937-11-10)
composer:
Harry White (jazz trombonist)
Chick Webb and His Orchestra3:16
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