Centenary Collection 1958-1967

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Mozart: Arias
2▶CD: Beethoven: Cello Sonatas nos. 3 & 5 / Chopin: Cello Sonata
3▶CD: Schumann: Cello Concerto / Tchaikovsky: Rococo Variations / Rachmaninov: Cello Sonata
4▶CD: Beethoven: Piano Concerto no. 5 "Emperor" / Piano Sonata no. 29 "Hammerklavier"
5▶CD: Beethoven: Symphonies nos. 3 "Eroica" & 8
6▶CD: Strauss: Till Eulenspiegels lustige Streiche / Don Juan / Salome's Dance of the Seven Veils / Mozart: Sinfonia concertante
7▶CD: Bruckner: Symphony no. 7 / Motets, Os justi meditabitur sapientiam, Christus Factus Est
8▼CD: Areas and Lieder
#TitleArtistRatingLength
1Die Zauberflöte, K. 620, Act I: no. 3, Dies Bildnis ist bezaubernd schön
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:39
2Die Entführung aus dem Serail, K. 384 / Act I: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384 / Act II: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:15
4Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor : "Nun schwanden vor dem heiligen Strahle" (Uriel)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:01
5Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ : "Im vollen Glanze steiget jetzt" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:55
6Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli : "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael)
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:02
7Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 24. Arie : "Mit Würd' und Hoheit angetan" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:59
8La traviata / Act 1: "O Freunde, so leeret in vollen Zügen"
baritone vocals [Baron]:
Günter Missenhardt (operatic bass-baritone) (in 1966-09)
bass vocals [Doktor]:
Karl Christian Kohn (operatic bass) (in 1966-09)
bass vocals [Marquis]:
Hans Bruno Ernst (operatic bass) (in 1966-09)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
contralto vocals [Flora]:
Claudia Hellmann (contralto) (in 1966-09)
soprano vocals [Violetta]:
Hilde Güden (soprano) (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
tenor vocals [Gaston]:
Friedrich Lenz (tenor) (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1966-09)
conductor:
Bruno Bartoletti (conductor) (in 1966-09)
recording of:
La Traviata: Akt I. „O Freunde, so leeret in vollen Zügen“ (Alfredo, Chor, Violetta) (in 1966-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi2:20
9La traviata / Act 3: "O, laß uns fliehen aus diesen Mauern"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Violetta]:
Hilde Güden (soprano)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bruno Bartoletti (conductor)
recording of:
La Traviata: Akt III. „O, laß uns fliehen aus diesen Mauern“ (Alfred, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
part of:
La Traviata: Akt III.
Giuseppe Verdi3:47
10Eugene Onegin, op. 24, Act II: Wohin seid ihr entschwunden
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
orchestra:
Orchester Der Staatsoper Munchen (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1966-07)
conductor:
Otto Gerdes (conductor and producer) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" (Lensky) (in 1966-07)
composer:
Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin, op. 24 (German translation)
Pyotr Ilyich Tchaikovsky6:54
11Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing5:02
12Im Abendrot, D. 799
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Im Abendrot, D. 799 (in 1965-11)
lyricist:
Karl Lappe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 799)
Franz Schubert3:27
13An die Laute, op. 81, no. 2, D. 905
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
An die Laute, D. 905 (in 1965-11)
lyricist:
Johann Friedrich Rochlitz (German dramatist)
composer:
Franz Schubert (composer) (in 1827-01)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 905)
Franz Schubert1:56
14Die Forelle, op. 32, D. 550
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1965-11)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:25
15Lied eines Schiffers an die Dioskuren, op. 65, D. 360
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Lied eines Schiffers an die Dioskuren, D. 360 (in 1965-11)
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 360)
Franz Schubert2:46
16Der Musensohn, op. 92, no. 1, D. 764
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (in 1965-11)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1965-11)
recording of:
Der Musensohn, D. 764 (in 1965-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:16
17Der Einsame, op. 14, D.800
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Der Einsame, D. 800 (in 1966-07)
lyricist:
Karl Lappe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 800)
Franz Schubert4:23
18Frühlingsglaube, D. 686
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Frühlingsglaube, D. 686 (in 1966-07)
lyricist:
Ludwig Uhland (German poet)
composer:
Franz Schubert (composer) (in 1820-09)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 686)
is based on:
Frühlingsglaube
Franz Schubert3:17
19An Sylvia, op. 106 no. 4, D. 891
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
An Sylvia, D. 891 (for voice and piano) (from 1966-07-02 until 1966-07-05)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:05
20Heidenröslein, op. 3/3, D.257
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1966) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:46
21Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder"
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1966-07)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:47
22Liebhaber in allen Gestalten, D. 558
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Liebhaber in allen Gestalten, D. 558 (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert1:17
23An die Musik, op. 88, no. 4, D. 547
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:24
9▶CD: Mozart: Piano Concerto no. 14 / Schumann: Davidsbündlertänze / Liszt: Waldesrauschen
10▶CD: Spanish Guitar