La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
#TitleArtistRatingLength
1Andrea Chénier: Act I. “Questo azzurro sofà là collochiam” (Maestro di casa)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:41
2Andrea Chénier: Act I. “Compiacente a' colloqui” (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:19
3Andrea Chénier: Act I. “Son sessant'anni, o vecchio” (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:55
4Andrea Chénier: Act I. “Il giorno intorno già s'insera lentamente!” (Maddalena, Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:58
5Andrea Chénier: Act I. “Via, v'affrette” (Contessa, Gérard, Maddalena, Bersi)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:04
6Andrea Chénier: Act I. “Soffoco, moro tutta chiusa” (Maddalena, Bersi, Contessa)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:58
7Andrea Chénier: Act I. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:00
8Andrea Chénier: Act I. “Debole è il Re” (L'Abate, Fléville, Contessa, Coro)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate, Fléville, Contessa, Coro) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:13
9Andrea Chénier: Act I. “Passiamo la sera allegramente!” (Fléville, Coro, L'Abate)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:58
10Andrea Chénier: Act I. “O pastorelle, addio!” (Coro di pastori e pastorelle)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:24
11Andrea Chénier: Act I. “Signor Chénier - Madama la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Signor Chénier” … “Madame la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:48
12Andrea Chénier: Act I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:02
13Andrea Chénier: Act I. “Colpito qui m'avete, ov'io geloso celo” (Chénier)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano0:35
14Andrea Chénier: Act I. “Un dì all'azzurro spazio” (Chénier, Maddalena)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:41
15Andrea Chénier: Act I. “Ma udite! È un gaio suon della gavotta” (Contessa, Coro, Gérard, Maestro di casa)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:19
16Andrea Chénier: Act II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:11
17Andrea Chénier: Act II. “Temer? Perché?” (Bersi)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:51
18Andrea Chénier: Act II. “No, non m'inganno!” (L'Incredibile, Chénier, Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “No, non m'inganno!” (L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:22
19Andrea Chénier: Act II. “Credo a una possanza arcana … Io non ho amato ancor!” (Chénier, Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:14
20Andrea Chénier: Act II. “Calligrafia invero femminil!” (Roucher, Chénier, Coro, Mathieu, L'Incredibile, Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:11
21Andrea Chénier: Act II. “Eccole! Strani tempi!” (Roucher, Chénier, Bersi, L'Incredibile, Mathieu)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:57
22Andrea Chénier: Act II. “Ecco l'altare” (Maddalena, Chénier, L'Incredibile)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:12
23Andrea Chénier: Act II. “Eravate possente” (Maddalena)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:39
24Andrea Chénier: Act II. “Udite! Son sola! … Ora soave, sublime ora d'amore!” (Maddalena, Chénier)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:31
25Andrea Chénier: Act II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, Coro)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:14
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Data DVD-R: Libretti, Texts, Interviews, Recording sheets