The Complete Albums Collection: 1945-1957

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

1▶CD: Coleman Hawkins on Asch Records (1945) / Classics in Jazz (1952) / Tenor Sax Stylings, Vol. 1 (1952 Comp)
2▼CD: King of the Tenor Sax (1952 Comp) / The Hawk Returns (1955)
#TitleRatingLength
1I Surrender Dear
4:41
2Smack
2:41
3My Ideal
3:10
4Esquire Bounce
3:16
5Dedication
3:12
6Mop Mop
3:06
7Esquire Blues
3:12
8I Can't Believe That You're in Love With Me
4:15
9Goin' Down Home
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
2:45
10I'll Follow My Secret Heart
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart (in 1953)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
part of:
Conversation Piece: Act One
3:07
11On My Way
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
3:13
12I'll Tell You Later
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
3:01
13What a Difference a Day Made
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
What a Diff’rence a Day Made (in 1953)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
3:15
14Last Stop
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
guitar:
Leo Blevins (from 1953-08 until 1953-09)
organ:
Les Strand (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
2:56
15Should I
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Should I (in 1953)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
3:12
16Flight Eleven
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
2:57
17Modern Fantasy
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
3:01
18Confessin'
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
I’m Confessin’ (That I Love You) (in 1953)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:02
19September Song
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
Knickerbocker Holiday: September Song (in 1953)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
3:28
20They Can't Take That Away From Me
recorded in:
Chicago, Illinois, United States (from 1953-08 until 1953-09)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1953-08 until 1953-09)
piano:
Sun Ra (from 1953-08 until 1953-09)
tenor saxophone:
Coleman Hawkins (from 1953-08 until 1953-09)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1953)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:59
3▶CD: The "Hawk" Talks (1955) / The Gilded Hawk (1957)
4▶CD: The Hawk in Hi Fi (1956) / The Hawk Flies High (1957)