Campfire Songs: The Popular, Obscure & Unknown Recordings (Remastered)

~ Release by 10,000 Maniacs (see all versions of this release, 6 available)

Annotation

Tracks 2-1, 2-2, 2-12, 2-13 and 2-14 are previously unissued.

Annotation last modified on 2020-05-11 19:41 UTC.

Tracklist

1▶CD: The Most Popular Recordings
2▼CD: The Obscure & Unknown Recordings
#TitleRatingLength
1Poppy Selling Man
recording of:
Poppy Selling Man
lyricist and composer:
Natalie Merchant
4.353:34
2Can’t Ignore the Train (demo)
recording of:
Can’t Ignore the Train
lyricist:
Natalie Merchant
composer:
John Lombardo
publisher:
Christian Burial Music and Hipgnosis Worldwide
52:53
3Peace Train
recording engineer:
George Massenburg
additional engineer:
Sharon Rice (Los Angeles sound engineer)
assistant engineer:
Duane Seykora and Shep Lonsdale
assistant producer:
Edd Kolakowski
producer:
Peter Asher
mixer:
Frank Wolf (engineer at Skyline Recording) and George Massenburg
drums (drum set) and percussion:
Jerome Augustyniak
electric bass guitar:
Steven Gustafson
guitar, mandolin and pedal steel guitar:
Robert Buck
keyboard:
Dennis Drew
vocals:
Natalie Merchant
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
produced at:
The Complex Studios in Los Angeles, California, United States (from 1987-03 until 1987-04)
music videos:
Peace Train by 10,000 Maniacs
cover recording of:
Peace Train
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., Irving Music, Inc., Island Music (Island Music Ltd.), Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
4.23:28
4Wildwood Flower
producer:
Peter Asher
guest acoustic guitar:
David Bither (guest guitarist for 10,000 Maniacs)
guest violin:
Laura McWilliam
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Criteria Recording Studios in Miami, Florida, United States
cover recording of:
Wildwood Flower (Carter family version)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI)
version of:
I'll Twine 'mid the Ringlets (parlour song, source for Wildwood Flower)
31:53
5Hello in There
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Criteria Recording Studios in Miami, Florida, United States
cover recording of:
Hello in There
lyricist and composer:
John Prine
publisher:
Cotillion Music Inc. (BMI) (ended), Cotillion-Sour Grapes (ended), Sour Grapes Music, Inc., Walden Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
34:27
6To Sir With Love
producer:
John Harris (live recording engineer)
additional guest guitar:
Amanda Kramer (Keyboard player)
performer:
Michael Stipe
live recording of:
To Sir With Love
lyricist:
Don Black (English lyricist)
composer:
Mark London (musical theater)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music Ltd.
34:17
7Everyday Is Like Sunday
engineer:
Armand John Petri
producer:
Gary Smith (producer)
additional guitar:
Amanda Kramer (Keyboard player)
violin:
Mary Ramsey
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Trackmaster Audio in Buffalo, New York, United States
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
cover recording of:
Everyday Is Like Sunday
lyricist:
Morrissey (English singer‐songwriter)
composer:
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
53:15
8These Days
engineer:
Joe Barbaria
producer:
Lenny Kaye
cover recording of:
These Days
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
Open Window Music
43:28
9I Hope That I Don’t Fall in Love With You
vocals:
Natalie Merchant
cover recording of:
I Hope That I Don’t Fall in Love With You
lyricist and composer:
Tom Waits
publisher:
Jalma Music
33:39
10Starman
edit of:
Starman by 10,000 Maniacs
cover recording of:
Starman
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
34:14
11Let the Mystery Be
recording of:
Let the Mystery Be
lyricist and composer:
Iris DeMent
publisher:
Universal Musical Corporation (USA, affiliated with ASCAP), Forerunner Music, Inc. (from 1992 to present) and Songs of Iris (from 1992 to present)
53:10
12Noah’s Dove (demo)
recording of:
Noah’s Dove
lyricist and composer:
Natalie Merchant
publisher:
Christian Burial Music (in 1992)
34:12
13Circle Dream (alternate lyrics demo)
recording of:
Circle Dream
writer:
Jerome Augustyniak, Robert Buck, Dennis Drew, Steven Gustafson and Natalie Merchant
publisher:
Hipgnosis Worldwide and Christian Burial Music (in 1992)
43:25
14Eden (alternate lyrics demo)
recording of:
Eden
lyricist:
Natalie Merchant
composer:
Jerome Augustyniak, Robert Buck, Dennis Drew, Steven Gustafson and Natalie Merchant
publisher:
Hipgnosis Worldwide and Christian Burial Music (in 1992)
33:33