Superstar Seventies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1Thunder in My Heart
engineer:
Howard Steele (US producer, sound engineer)
producer:
Richard Perry (producer)
bass guitar:
Abraham Laboriel
congas:
Lenny Castro
drums (drum set):
Jeff Porcaro
guitar:
Lee Ritenour and Fred Tackett
piano:
Tom Snow (US keyboardist/songwriter)
tambourine:
Bobbye Hall
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
recording of:
Thunder in My Heart
lyricist:
Leo Sayer
composer:
Tom Snow (US keyboardist/songwriter)
Leo Sayer53:36
2Rich Girl
phonographic copyright (℗) by:
BMG Entertainment (in 1976), BMG Music (in 1976) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 14)
recording of:
Rich Girl
lyricist and composer:
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
Daryl Hall & John Oates4.152:24
3Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:41
4Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:37
5Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:18
6Say You Don’t Mind
recording engineer:
Peter Vince (engineer, producer)
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
arranger:
Christopher Gunning (English composer)
recording of:
Say You Don’t Mind
lyricist and composer:
Denny Laine
publisher:
Sparta Florida Music Group
Colin Blunstone33:18
7Free Ride
recording of:
Free Ride
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and Silver Steed Music
The Edgar Winter Group4.653:06
8Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
The Sweet4.64:01
9Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:33
10More, More, More
producer:
Gregg Diamond
mixer:
Tom Moulton
arranger:
Gregg Diamond
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
The Andrea True Connection4.753:00
11Thanks for Saving My Life
recording of:
Thanks for Saving My Life
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
Billy Paul52:57
12When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:57
13Mandy
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 1974)
recording of:
Brandy (more popularly known as Mandy)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Barry Manilow2:51
14Annie’s Song
assistant engineer:
Artie Torgersen
engineer:
Mickey Crofford
additional producer and assistant producer:
Kris O'Connor
producer:
Milton Okun
bass:
Dick Kniss
guitar:
John Denver and Steve Weisberg
mandolin:
John Sommers (country music songwriter and multi- instrumentalist)
percussion:
Jim Gordon (US drummer with Derek and the Dominos)
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (on 1974-03-08)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver3.652:59
15Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:40
16Danny’s Song
recording engineer:
John Fiore (engineer)
mixer:
Alex Kazanegras
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1971, in 1976)
recording of:
Danny’s Song
lyricist and composer:
Kenny Loggins
publisher:
Gnossos Music
Loggins & Messina4.354:15
17Fire
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters3:26
18Come and Get Your LoveRedbone4:56
19All by Myself
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
edit of:
All by Myself by Eric Carmen
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:53
20Every Day Hurts
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Sad Café44:02
21A Glass of Champagne
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Glass of Champagne (in 1975-10)
lyricist and composer:
Georg Kajanus
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner/Chappell Music Ltd. (1996–2019)
Sailor52:42