Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1▶CD: Bartók: Piano Concertos nos. 1-3
2▶CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3▶CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4▶CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5▶CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6▶CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7▶CD: Beethoven: Symphonies nos. 1 & 8
8▶CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9▶CD: Beethoven: Symphonies nos. 5 & 7
10▶CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11▶CD: Beethoven: Fidelio (Act I)
12▶CD: Beethoven: Fidelio (Act II)
13▶CD: Berlioz / Borodin / Mussorgsky / Gounod
14▶CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15▶CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16▶CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17▶CD: Brahms: Piano Concerto no. 2 / Double Concerto
18▶CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19▶CD: Debussy / Dukas / Ravel
20▶CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22▶CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23▶CD: Egk / Einem / Henze / Fortner / Liebermann
24▶CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25▶CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26▶CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27▶CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28▶CD: Hindemith / Hartmann / Einem / Martin
29▶CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30▶CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33▶CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34▶CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35▶CD: Kodály: Háry János Suite / Symphony in C major
36▶CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37▶CD: Kodály: Psalmus hungaricus (1954 & 1959)
38▶CD: Mendelssohn / Liszt / Sarasate / Hubay
39▶CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40▶CD: Mozart: Symphonies nos. 1, 4-9
41▶CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42▶CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43▶CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44▶CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46▶CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47▶CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48▶CD: Mozart: Piano Concertos nos. 19 & 27
49▶CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50▶CD: Mozart: Requiem
51▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52▼CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Zweiter Akt. »Kein Bassa, keine Konstanze mehr da?« (Blonde, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene V. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:45
2Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 12 Arie: »Welche Wonne, welche Lust« (Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:27
3Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 13 Arie: »Frisch zum Kampfe! Frisch zum Streite!« (Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:46
4Die Entführung aus dem Serail, K. 384: Zweiter Akt. »Hm, geht's hier so lustig zu?« (Osmin, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:57
5Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 14 Duett: »Vivat Bacchus! Bacchus lebe!« (Osmin, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:59
6Die Entführung aus dem Serail, K. 384: Zweiter Akt. »Hm, das ist ein Wein« (Osmin, Pedrillo, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Wahrhaftig, das muß ich gestehen" (Pedrillo, Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:34
7Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 15 Arie: »Wenn der Freude Tränen fließen« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:33
8Die Entführung aus dem Serail, K. 384: Zweiter Akt. Nr. 16 Quartett: »Ach! Belmonte! Ach, mein Leben!« (Konstanze, Belmonte, Pedrillo, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:34
9Die Entführung aus dem Serail, K. 384: Dritter Akt. »So, nun aber schnell, Blondchen« (Pedrillo, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene I. Dialog "Hier, lieber Klaas" (Pedrillo, Klaas) / Akt III, Szene II. Dialog "Ach! — Ich muß Atem holen" (Pedrillo, Belmonte) / Akt III, Szene III. Dialog "O Konstanze, Konstanze! Wie schlägt mir das Herz!" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart0:24
10Die Entführung aus dem Serail, K. 384: Dritter Akt. Nr. 17 Arie: »Ich baue hanz auf deine Stärke« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:51
11Die Entführung aus dem Serail, K. 384: Dritter Akt. »So, gnädiger Herr, jetzt schnell … Im Mohrenland gefangen war« (Pedrillo, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:25
12Die Entführung aus dem Serail, K. 384: Dritter Akt. »Das Fenster geht auf, Herr!« (Pedrillo, Konstanze, Blonde, Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
Wolfgang Amadeus Mozart0:44
13Die Entführung aus dem Serail, K. 384: Dritter Akt. Nr. 19 Arie: »Ha, wie will ich triumphieren« (Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:12
14Die Entführung aus dem Serail, K. 384: Dritter Akt. »Herr, verzeih, dass ich so hereinbreche« (Osmin, Selim, Konstanze, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
Wolfgang Amadeus Mozart1:24
15Die Entführung aus dem Serail, K. 384: Dritter Akt. Nr. 20 Rezitativ & Duett: »Welch ein Geschick! … Ha, du solltest für mich sterben!« (Belmonte, Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart8:05
16Die Entführung aus dem Serail, K. 384: Dritter Akt. »Steht auf! Der Bassa kommt!« (Osmin, Selim, Belmonte, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
Wolfgang Amadeus Mozart0:43
17Die Entführung aus dem Serail, K. 384: Dritter Akt. Nr. 21a Vaudeville: »Nie werde ich deine Huld verkennen« (Belmonte, Konstanze, Pedrillo, Blonde, Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:41
18Die Entführung aus dem Serail, K. 384: Dritter Akt. Nr. 21b Chor der Janitscharen: »Bassa Selim lebe lange«
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart1:42
19Exsultate, jubilate, K. 165 (158a): Aria: “Exsultate, jubilate”
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (in 1954-01)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1954-01)
conductor:
Ferenc Fricsay (conductor) (in 1954-01)
balance engineer:
Alfred Steinke (in 1954-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1954-01)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (in 1954-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart4:49
20Exsultate, jubilate, K. 165 (158a): Recitativo: “Fulget amica dies”
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (in 1954-01)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1954-01)
conductor:
Ferenc Fricsay (conductor) (in 1954-01)
balance engineer:
Alfred Steinke (in 1954-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1954-01)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (in 1954-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart0:49
21Exsultate, jubilate, K. 165 (158a): Aria: “Tu virginum corona”
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (in 1954-01)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1954-01)
conductor:
Ferenc Fricsay (conductor) (in 1954-01)
balance engineer:
Alfred Steinke (in 1954-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1954-01)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (in 1954-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart5:56
22Exsultate, jubilate, K. 165 (158a): “Alleluia”
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (in 1954-01)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1954-01)
conductor:
Ferenc Fricsay (conductor) (in 1954-01)
balance engineer:
Alfred Steinke (in 1954-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1954-01)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (in 1954-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:42
23Die Hochzeit des Figaro (Le nozze di Figaro): Rezitativ & Arie: »Endlich naht sich die Stunde« … »O säume länger nicht« (Susanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Die Hochzeit des Figaro: Akt IV. Rezitativ und Arie „Endlich naht sich die Stunde“ – „O säume länger nicht“ (Susanna) (from 1957-01-18 until 1957-01-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
part of:
Die Hochzeit des Figaro: Akt IV (German translation)
Wolfgang Amadeus Mozart4:46
24Don Giovanni: Arie: »Schmäle, tobe, lieber Junge« (Zerlina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Don Giovanni: Arie: »Schmäle, tobe, lieber Junge« (Zerlina) (from 1957-01-18 until 1957-01-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni, K. 527 (German translation)
Wolfgang Amadeus Mozart3:45
25Don Giovanni: Arie: »Wenn du fein fromm bist« (Zerlina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals:
Maria Stader (soprano) (from 1957-01-18 until 1957-01-22)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1957-01-18 until 1957-01-22)
conductor:
Ferenc Fricsay (conductor) (from 1957-01-18 until 1957-01-22)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-01-18 until 1957-01-22)
recording of:
Don Giovanni: Arie: »Wenn du fein fromm bist« (Zerlina) (from 1957-01-18 until 1957-01-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni, K. 527 (German translation)
Wolfgang Amadeus Mozart3:12
53▶CD: Mozart: Die Zauberflöte (Act I)
54▶CD: Mozart: Die Zauberflöte (Act II)
55▶CD: Mozart: Don Giovanni (Act I beg.)
56▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57▶CD: Mozart: Don Giovanni (Act II cont.)
58▶CD: Mozart: Idemeneo (Acts I & II beg.)
59▶CD: Mozart: Idemeneo (Acts II cont. & III)
60▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62▶CD: Mozart: Le nozze di Figaro (Acts III & IV)
63▶CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64▶CD: Rossini: Stabat Mater
65▶CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66▶CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67▶CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68▶CD: J. Strauss II: Die Fledermaus (Act I)
69▶CD: J. Strauss II: Die Fledermaus (Acts II & III)
70▶CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71▶CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72▶CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73▶CD: Stravinsky: Oedipus rex / Symphony of Psalms
74▶CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75▶CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77▶CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78▶CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79▶CD: Verdi: Messa da Requiem
80▶CD: Verdi: Messa da Requiem (beg.)
81▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82▶CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83▶CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84▶CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85▶CD: Rehearsal and Performance: Smetana: The Moldau
86▶CD: Fricsay: Erzähltes Leben (A Life Retold)
87▶DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]