The Satchmo Era

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

1▶CD: 1923
2▶CD: 1923-1924
3▶CD: 1924
4▶CD: 1924-1925
5▶CD: 1925-1926
6▶CD: 1926-1927
7▶CD: 1927-1928
8▶CD: 1928-1929
9▶CD: 1930-1931
10▼CD: 1931-1932
#TitleRatingLength
1Shine
recorded in:
Los Angeles, California, United States (on 1931-03-09)
alto saxophone [alto sax]:
Les Hite (on 1931-03-09) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1931-03-09)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
clarinet and tenor saxophone [tenor sax]:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass [bass] and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set):
Lionel Hampton (on 1931-03-09)
piano:
Henry Prince (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McLure "Red Mac" Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
recording of:
Shine (on 1931-03-09)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
3:27
2Walkin' My Baby Back Home
recorded in:
Chicago, Illinois, United States (on 1931-04-20)
alto saxophone:
Lester Boone (on 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (on 1931-04-20)
drums (drum set):
Tubby Hall (on 1931-04-20)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-20)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-20)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-20)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-20)
trumpet:
Louis Armstrong (on 1931-04-20)
vocals:
Louis Armstrong (on 1931-04-20)
recording of:
Walkin’ My Baby Back Home (on 1931-04-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:12
3I Surrender, Dear
recorded in:
Chicago, Illinois, United States (on 1931-04-20)
alto saxophone:
Lester Boone (on 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (on 1931-04-20)
drums (drum set):
Tubby Hall (on 1931-04-20)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-20)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-20)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-20)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-20)
trumpet:
Louis Armstrong (on 1931-04-20)
vocals:
Louis Armstrong (on 1931-04-20)
recording of:
I Surrender Dear (on 1931-04-20)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:14
4When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:29
5Blues Again
recording of:
Blue Again
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:18
6Little Joe
recorded in:
Chicago, Illinois, United States (on 1931-04-28)
alto saxophone and clarinet:
Lester Boone (on 1931-04-28) and George James (US jazz saxophonist) (on 1931-04-28)
double bass:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1931-04-28)
drums (drum set):
Tubby Hall (on 1931-04-28)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-28)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-28)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-28)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-28)
trumpet:
Louis Armstrong (on 1931-04-28)
vocals:
Louis Armstrong (on 1931-04-28)
3:18
7I'll Be Glad When You're Dead, You Rascal You
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:19
8Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
3:12
9When You Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:14
10Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:10
11Chinatown, My Chinatown
recording of:
Chinatown, My Chinatown
lyricist:
William Jerome (in 1910)
composer:
Jean Schwartz (in 1910)
publisher:
Beuscher and Sim (Related to Éditions Sim)
3:23
12Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04)
clarinet:
George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (on 1931-11-04)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
43:44
13Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:36
14You Can Depend on Me
recording of:
You Can Depend on Me
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:25
15Georgia on My Mind
recorded in:
Chicago, Illinois, United States (on 1931-11-05)
alto saxophone:
Lester Boone (on 1931-11-05) and George James (US jazz saxophonist) (on 1931-11-05)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-05)
drums (drum set):
Tubby Hall (on 1931-11-05)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-05)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-05)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-05)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-05)
trumpet:
Louis Armstrong (on 1931-11-05) and Zilner Randolph (on 1931-11-05)
baritone vocals:
Louis Armstrong
vocals:
Louis Armstrong (on 1931-11-05)
orchestra:
Louis Armstrong and His Orchestra (in 1931)
recording of:
Georgia on My Mind (on 1931-11-05)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:26
16The Lonesome Road
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06) and George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
wood block:
Joe Lindsay (US early jazz drummer) (on 1931-11-06)
spoken vocals:
Joe Lindsay (US early jazz drummer) (on 1931-11-06), Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
Lonesome Road (on 1931-11-06)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
3:39
17I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:11
18Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:07
19Kickin' the Gong Around
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Kickin’ the Gong Around (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
3:18
20Home
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (US jazz saxophonist) (on 1932-01-27)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-27)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-27)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-27)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
Home (When Shadows Fall) (on 1932-01-27)
writer:
Geoffrey Clarkson and Harry Clarkson
3:07
11▶CD: 1932-1933
12▶CD: 1933-1935
13▶CD: 1935-1936
14▶CD: 1936-1937
15▶CD: 1937-1938
16▶CD: 1938-1939
17▶CD: 1939-1940
18▶CD: 1940-1941
19▶CD: 1941-1946
20▶CD: 1946-1947