Vespro della Beata Vergine, 1610

~ Release by Monteverdi; Monteverdi Choir and Orchestra, John Eliot Gardiner (see all versions of this release, 4 available)

Tracklist

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2▼CD
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1Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1974-01)
bass vocals:
Michael Rippon (operatic bass) (in 1974-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01) and Salisbury Cathedral Boys' Choir (in 1974-01)
countertenor vocals:
James Bowman (UK countertenor) (in 1974-01)
soprano vocals:
Jill Gomez (soprano) (in 1974-01) and Felicity Palmer (mezzo-soprano) (in 1974-01)
tenor vocals:
Philip Langridge (tenor) (in 1974-01) and Robert Tear (tenor) (in 1974-01)
orchestra:
David Munrow Recorder Ensemble (in 1974-01), Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XII. Hymnus "Ave maris stella" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi10:18
2Vespro della Beata Vergine, SV 206: XIV. Magnificat
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
soprano vocals:
Jill Gomez (soprano) (in 1974-01)
orchestra:
Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:58
3Vespro della Beata Vergine, SV 206: XV. Et exultavit
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
tenor vocals:
Philip Langridge (tenor) (in 1974-01) and Robert Tear (tenor) (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat (I): "Et exsultavit" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:31
4Vespro della Beata Vergine, SV 206: XVI. Quia respexit
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
David Munrow Recorder Ensemble (in 1974-01), Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat (I): "Quia respexit" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:56
5Vespro della Beata Vergine, SV 206: XVII. Quia fecit mihi magna
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1974-01)
bass vocals:
Michael Rippon (operatic bass) (in 1974-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
orchestra:
Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIId. Magnificat (I): "Quia fecit mihi magna" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:05
6Vespro della Beata Vergine, SV 206: XVIII. Et misericordia eius
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIe. Magnificat (I): "Et misericordia" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:35
7Vespro della Beata Vergine, SV 206: XIX. Fecit potentiam
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
countertenor vocals:
James Bowman (UK countertenor) (in 1974-01)
orchestra:
Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat (I): "Fecit potentiam" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:00
8Vespro della Beata Vergine, SV 206: XX. Deposuit potentes
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Robert Tear (tenor) (in 1974-01)
orchestra:
Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIg. Magnificat (I): "Deposuit potentes de sede" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:33
9Vespro della Beata Vergine, SV 206: XXI. Esurientes implevit bonis
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Salisbury Cathedral Boys' Choir (in 1974-01)
orchestra:
Philip Jones Brass Ensemble (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat (I): "Esurientes implevit bonis" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:28
10Vespro della Beata Vergine, SV 206: XXII. Suscepit Israel
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
soprano vocals:
Jill Gomez (soprano) (in 1974-01) and Felicity Palmer (mezzo-soprano) (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIi. Magnificat (I): "Suscepit Israel" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:27
11Vespro della Beata Vergine, SV 206: XXIII. Sicut locutus est
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
orchestra:
Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat (I): "Sicut locutus est" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:54
12Vespro della Beata Vergine, SV 206: XXIV. Gloria Patri
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Salisbury Cathedral Boys' Choir (in 1974-01)
tenor vocals:
Philip Langridge (tenor) (in 1974-01) and Robert Tear (tenor) (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:44
13Vespro della Beata Vergine, SV 206: XXV. Sicut erat in principio
sound engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1974-01)
orchestra:
David Munrow Recorder Ensemble (in 1974-01), Philip Jones Brass Ensemble (in 1974-01) and Monteverdi Orchestra (in 1974-01)
conductor:
John Eliot Gardiner (in 1974-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1974-01)
recording of:
Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio" (in 1974-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:48
14Audite principes
producer:
Michael Woolcock (producer)
brass:
Philip Jones Brass Ensemble (in 1972-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Audite principes à 16, Ch. 123 (in 1972-04)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 123)
Giovanni Gabrieli7:11
15Hodie Christus natus est
producer:
Michael Woolcock (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Hodie Christus natus est (in 1972-04)
composer:
Giovanni Bassano (Italian Renaissance / Baroque composer & cornettist)
Giovanni Bassano2:36
16Angelus ad pastores
producer:
Michael Woolcock (producer)
wind instruments:
Philip Jones Wind Ensemble (in 1972-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Angelus ad pastores ait a 12 (in 1972-04)
composer:
Giovanni Gabrieli (composer)
part of:
Concerti di Andrea et di Giovanni Gabrieli
Giovanni Gabrieli2:16
17Quem vidistis, pastores?
producer:
Michael Woolcock (producer)
brass:
Philip Jones Brass Ensemble (in 1972-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1972-04)
tenor vocals:
Martyn Hill (tenor) (in 1972-04) and Philip Langridge (tenor) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Quem vidistis pastores? à 14, Ch. 77 (Sacrae symphoniae, Liber 2) (in 1972-04)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 77)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli10:27
18Salvator noster
producer:
Michael Woolcock (producer)
brass:
Philip Jones Brass Ensemble (in 1972-04)
wind instruments:
Philip Jones Wind Ensemble (in 1972-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
countertenor vocals:
John Angelo Messana (counter-tenor) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Salvator noster à 15, Ch. 80 (Sacrae symphoniae, Liber 2) (in 1972-04)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 80)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli6:11
19O magnum mysterium
producer:
Michael Woolcock (producer)
brass:
Philip Jones Brass Ensemble (in 1972-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
O magnum mysterium à 8, Ch. 3 (in 1972-04)
lyricist and composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 3)
part of:
Concerti di Andrea et di Giovanni Gabrieli
Giovanni Gabrieli4:47
20Exultent Caeli et Gaudeant Angeli, SV 304
producer:
Michael Woolcock (producer)
brass:
Philip Jones Brass Ensemble (in 1972-04)
cello:
Jennifer Ward Clarke (cellist) (in 1972-04)
organ:
Malcolm Hicks (in 1972-04) and Richard Seal (conductor) (in 1972-04)
other instruments [chitarrone]:
James Tyler (in 1972-04)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1972-04)
countertenor vocals:
John Angelo Messana (counter-tenor) (in 1972-04)
tenor vocals:
Martyn Hill (tenor) (in 1972-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1972-04)
balance engineer:
James Lock (James Locke, engineer) (in 1972-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Exultent Caeli et Gaudeant Angeli, SV 304 (in 1972-04)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 304)
Claudio Monteverdi7:48