The Classical Album 2001

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmen: Habanera
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas (soprano)
vocals:
Maria Callas (soprano)
orchestra:
Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:25
2Devil’s Trill
violin:
Vanessa‐Mae
partial recording of:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
composer:
Giuseppe Tartini (Italian composer) (in 1740)
part of:
Thematic catalogue of Giuseppe Tartini's works "GT" (number: 2.g05) and Die Violinsonaten Giuseppe Tartinis (Brainard [B.]) (number: B. g5)
recording of:
Violin Sonata in G minor, op. 1 no. 6 "The Devil's Trill" (arr. Vanessa-Mae & Pamela Nicholson)
composer:
Giuseppe Tartini (Italian composer)
arranger:
Pamela Nicholson and Vanessa‐Mae
arrangement of:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini33:45
3Misa Criolla: Kyrie
percussion:
Domingo Cura (in 1987-07) and Jorge Padin (in 1987-07)
choir vocals:
Coral Salvé de Laredo (in 1987-07) and Sociedad Coral de Bilbao (Bilbao Choral Society) (in 1987-07)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-07)
orchestra:
Huancara (in 1987-07)
conductor:
José Luis Ocejo
chorus master:
José Luis Ocejo (in 1987-07)
recorded at:
Santuario de la Bien Aparecida in Ampuero, Cantabria, Spain (in 1987-07)
recording of:
Misa criolla: I. Kyrie (in 1987-07)
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez3:50
4Jackie’s Song
producer:
Jean‐Marie Geijsen and Erdo Groot (sound engineer for recordings of classical music)
cello:
Julian Lloyd Webber (cellist) (in 1998-11)
orchestra:
BBC Concert Orchestra (in 1998-11)
conductor:
Barry Wordsworth (conductor) (in 1998-11)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-11)
recording of:
Jackie's Song (in 1998-11)
composer:
Julian Lloyd Webber (cellist) (in 1998)
Julian Lloyd Webber3:45
5Ave Maria
soprano vocals:
Lesley Garrett (soprano)
orchestra:
Britten Sinfonia
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert45:41
6La Traviata: Libiamo
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Jørn Pedersen
choir vocals:
London Voices (in 1998-02)
soprano vocals [Violetta]:
Angela Gheorghiu (Romanian soprano) (in 1998-02)
tenor vocals [Alfredo]:
Roberto Alagna (tenor) (in 1998-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-02)
conductor:
Claudio Abbado (conductor) (in 1998-02)
chorus master:
Terry Edwards (British choir director) (in 1998-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1998-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1998-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:58
7Victory
recording engineer and mixer:
Pete Lewis (engineer)
additional programming:
Rick Featherstone
programming and producer:
Magnus Fiennes
assistant engineer:
Jay Reynolds (hard rock guitarist)
accordion:
Kim Wood
alto saxophone:
Finn Peters
baritone saxophone:
Howard McGill
double bass:
Gay-Yee Westerhoff
guitar:
Mark Wood (guitarist)
percussion:
Michele Drees and Chucho Merchán
string quartet:
BOND (female neo-classical quartet)
trombone:
Joseph de Jesus
trumpet:
Steve Dawson (trumpet / flugel)
orchestra:
The London Session Orchestra
conductor:
Brian Gascoigne
recording of:
Victory
composer:
Tonči Huljić
is based on:
Aureliano in Palmira: Sinfonia
Tonči Huljić4:49
8Tosca: Vissi d’arte
producer:
Celso Valli
violin [first violin]:
Gavin Wright (UK violinist, conductor)
vocals:
Filippa Giordano (classic crossover singer)
orchestra:
The London Session Orchestra
conductor:
Celso Valli
arranger and orchestrator:
Celso Valli
recorded at and mixed at:
Fonoprint in Bologna, Emilia-Romagna, Italy
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:59
9Requiem: In Paradisum
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:31
10Molly (from Wonderland)
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Molly (Wonderland) (from 1999-03-15 until 1999-03-17)
composer:
Michael Nyman (composer)
part of:
Wonderland
Michael Nyman2:58
11Serse: Ombra mai fu
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:06
12Violin Concerto no. 1 in G minor, op. 26: Adagio (opening)
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
13Lugebat David (after ‘Pavane’)
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Lugebat David
is based on:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:01
14Aida: Celeste Aida
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:27
15Hymn to the Fallen (from Saving Private Ryan)
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger:
Paul Bateman (conductor)
phonographic copyright (℗) by:
BMG Music, Cherry Lane and Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999)
cover recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
recording of:
Hymn to the Fallen (Saving Private Ryan)
composer:
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. and Universal Music Publishing MGB
part of:
Saving Private Ryan (1998 film score)
John Williams6:14
16Laudate Dominum
producer:
Peter Wadland (producer)
choir vocals:
Choir Of Winchester Cathedral (in 1990-11) and Winchester College Quiristers (in 1990-11)
soprano vocals:
Emma Kirkby (soprano) (in 1990-11)
orchestra:
Academy of Ancient Music (in 1990-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-11)
balance engineer:
John Dunkerley (engineer) (in 1990-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1990-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:36
17Cats: Memory
tenor vocals:
The Three Tenors
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber2:39

Credits

Release

ASIN:UK: B000053F4B [info]