80 From the 90’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1Never Ever
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints3.654:00
2The HorsesDaryl Braithwaite4:13
3...Baby One More Time
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears3.853:32
4Mambo No. 5 (A Little Bit Of…)
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.63:39
5U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:14
6Here Comes the Hotstepper
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
samples:
Heartbeat (club version) by Taana Gardner and Land of 1000 Dances by Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. and Salaam Remi Music
Ini Kamoze34:11
7Sweat (A La La La La Long)
additional producer:
Per Adebratt and Tommy Ekman
producer:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
remixer:
Per Adebratt and Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
lyricist and composer:
Ian Lewis (Inner Circle) and Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:46
8Return of the Mack
additional producer:
Cutfather & Joe
producer:
Phil Chill and Mark Morrison (r&b vocalist)
remixer:
Cutfather & Joe
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison3.53:32
9As Long as You Love Me
assistant engineer:
Tommie Hicks Jr.
engineer:
Joe Smith (US recording/mixing engineer)
producer:
Kristian Lundin and Max Martin (Swedish record producer)
guitar:
Esbjörn Öhrwall
lead vocals:
Nick Carter (US pop singer & Backstreet Boy) and Brian Littrell (from the Backstreet Boys)
vocals:
Howie Dorough (from the Backstreet Boys), AJ McLean (US singer, songwriter, actor, dancer & model) and Kevin Richardson (from the Backstreet Boys)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
edit of:
As Long as You Love Me (album version) by Backstreet Boys
music videos:
As Long as You Love Me by Backstreet Boys
recording of:
As Long as You Love Me
writer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.253:32
10Sweet Like Chocolate
recording of:
Sweet Like Chocolate
writer:
Daniel Langsman and Steven Meade
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Shanks & Bigfoot3:29
11Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro‐dance group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 48), Cachitos Nochevieja 2022 (number: 157) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 220)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:16
12Gonna Make You Sweat (Everybody Dance Now)
assistant producer:
Ricky Crespo and Alan Friedman
producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
additional drums (drum set):
Alan Friedman
drums (drum set) and percussion:
Robert Clivillés (record producer, songwriter, arranger, music video director)
keyboard:
Ricky Crespo and Dave Cole (US musician/producer, member of C+C Music Factory)
vocals:
Martha Wash and Freedom Williams
keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
part of:
Cachitos Nochevieja 2022 (number: 116) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
writer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (from 1990 to ????) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (from 1990 to ????)
C+C Music Factory4.154:05
13It’s Like That
additional producer:
Jason Nevins
producer:
Larry Smith (US hip hop producer) and Russell Simmons
remixer:
Jason Nevins
phonographic copyright (℗) by:
Profile Records Ltd. and Smile Communications
produced for:
Rush Groove Productions
recording of:
It’s Like That
writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. vs. Jason Nevins3.34:12
14Missing
additional producer:
Todd Terry (US house DJ, producer and remixer)
producer:
John Coxon and Everything but the Girl
editor:
Ben Watt
vocals:
Tracey Thorn (of Everything but the Girl) and Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 1995)
edit of:
Missing (Todd Terry club mix) by Everything but the Girl
recording of:
Missing
lyricist:
Tracey Thorn (of Everything but the Girl)
composer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.553:55
15Give It Up
phonographic copyright (℗) by:
EMI‐Medley (Danish division of EMI Music Group) (in 1994)
cover recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
Cut ’n’ Move54:20
16How Do I Live
assistant recording engineer:
Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan and Matt Rollings (American composer, musician and record producer)
lap steel guitar:
Paul Franklin (steel guitarist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
strings:
Nashville String Machine
background vocals [harmony vocals]:
Carrie McDowell and Judson Spence
conductor:
Ronn Huff
strings arranger:
Ronn Huff
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
Trisha Yearwood54:02
17More Than Words
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme44:00
18The Day You Went Away
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1992) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1992)
cover recording of:
The Day You Went Away
writer:
Guy Batson and Johnny Male
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wendy Matthews4:38
19SaltwaterJulian Lennon3.53:46
20My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
a cappella versions:
The music from that movie about the boat by David Thorne (designer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:40
4CD

Credits

Release

manufactured in:Australia
distributed by and marketed by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22)
copyrighted (©) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2011)
Discogs:https://www.discogs.com/release/13178593 [info]