| # | Title | Artist | Rating | Length |
|---|
| 1 | Missa Solemnis in D major, op. 123: V. Agnus Dei, adagio, “Agnus Dei, qui tollis peccata mundi” | Ludwig van Beethoven | | 6:37 |
| 2 | Missa Solemnis in D major, op. 123: V. Agnus Dei, adagio, “Dona Nobis pacem” | Ludwig van Beethoven | | 8:30 |
| 3 | Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: I. Adagio- piano:
- Rudolf Serkin (on 1962-05-01)
- choir vocals:
- Westminster Choir (on 1962-05-01)
- orchestra:
- New York Philharmonic (on 1962-05-01)
- conductor:
- Leonard Bernstein (on 1962-05-01)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
- recording of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (on 1962-05-01)
- composer:
- Ludwig van Beethoven (in 1808)
- revised by:
- Ludwig van Beethoven (in 1809)
- version of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction
- part of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
- partial recording of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
- composer:
- Ludwig van Beethoven (in 1808)
- revised by:
- Ludwig van Beethoven (in 1809)
- part of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
| Ludwig van Beethoven | | 12:12 |
| 4 | Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: II. Finale. Allegro - Allegretto ma non troppo, quasi Andante con moto- piano:
- Rudolf Serkin (on 1962-05-01)
- choir vocals:
- Westminster Choir (on 1962-05-01)
- orchestra:
- New York Philharmonic (on 1962-05-01)
- conductor:
- Leonard Bernstein (on 1962-05-01)
- recorded at:
- Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
- partial recording of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1962-05-01)
- composer:
- Ludwig van Beethoven (in 1808)
- revised by:
- Ludwig van Beethoven (in 1809)
- part of:
- Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
| Ludwig van Beethoven | | 6:12 |
| 5 | Theresia Mass in B-flat major, Hob. XXII: 12, I. Kyrie, adagio - allegro, “Kyrie elieson” | Joseph Haydn | | 5:10 |
| 6 | Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Gloria in excelsis Deo” | Joseph Haydn | | 2:42 |
| 7 | Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Gratias agimus tibi” | Joseph Haydn | | 6:27 |
| 8 | Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Quoniam tu solus sanctus” | Joseph Haydn | | 3:01 |
| 9 | Theresia Mass in B-flat major, Hob. XXII: 12, III. Credo, allegro - adagio, “Credo in unum Deum” | Joseph Haydn | | 1:58 |
| 10 | Theresia Mass in B-flat major, Hob. XXII: 12, III. Credo, allegro - adagio, “Et incarnatus est” | Joseph Haydn | | 8:55 |
| 11 | Theresia Mass in B-flat major, Hob. XXII: 12, IV. Sanctus, andante, “Sanctus, Sanctus” | Joseph Haydn | | 2:10 |
| 12 | Theresia Mass in B-flat major, Hob. XXII: 12, V. Benedictus, moderato, “Benedictus qui venit” | Joseph Haydn | | 6:16 |
| 13 | Theresia Mass in B-flat major, Hob. XXII: 12, VI. Agnus Dei, adagio - allegro, “Agnus Dei” - “Dona nobis pacem” | Joseph Haydn | | 6:50 |
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