Recordings for a History of Western Music, Fourth Edition, Volume 1: Ancient to Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Historia di Jephte: Plorate, plorate colles
choir vocals:
Spandauer Kantorei (Spandau Chorale, choir)
conductor:
Helmuth Rilling (conductor)
partial recording of:
Jephte
composer:
Giacomo Carissimi (until 1650, from 1648 until 1650)
Giacomo Carissimi5:59
2Historia di Jephte: Plorate filli Israel
choir vocals:
Spandauer Kantorei (Spandau Chorale, choir)
conductor:
Helmuth Rilling (conductor)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi3:14
3Symphoniae Sacrae III, Op. 12 No. 18: Saul, was verfolgst du mich?, Part 1
choir vocals:
Kantorei Barmen-Gemarke
conductor:
Helmut Kahlhöfer (German conductor)
partial recording of:
Symphoniæ Sacræ III, op. 12: XVIII. Saul, Saul, was verfolgst du mich, SWV 415
composer:
Heinrich Schütz (composer) (in 1650)
part of:
Schütz-Werke-Verzeichnis (number: SWV 415)
Heinrich Schütz0:40
4Symphoniae Sacrae III, Op. 12 No. 18: Saul, was verfolgst du mich?, Part 2
choir vocals:
Kantorei Barmen-Gemarke
conductor:
Helmut Kahlhöfer (German conductor)
partial recording of:
Symphoniæ Sacræ III, op. 12: XVIII. Saul, Saul, was verfolgst du mich, SWV 415
composer:
Heinrich Schütz (composer) (in 1650)
part of:
Schütz-Werke-Verzeichnis (number: SWV 415)
Heinrich Schütz2:16
5Hear O heav'ns, Part 1
choir vocals:
Deller Consort (UK vocal & instrumental early music ensemble)
conductor:
Alfred Deller (countertenor)
partial recording of:
Hear, O Heav'ns
lyricist:
[anonymous] (special purpose artist)
composer:
Pelham Humfrey (aka 'Humphrey', composer)
Pelham Humfrey1:35
6Hear O heav'ns, Part 2
choir vocals:
Deller Consort (UK vocal & instrumental early music ensemble)
conductor:
Alfred Deller (countertenor)
partial recording of:
Hear, O Heav'ns
lyricist:
[anonymous] (special purpose artist)
composer:
Pelham Humfrey (aka 'Humphrey', composer)
Pelham Humfrey0:29
7Hear O heav'ns, Part 3
choir vocals:
Deller Consort (UK vocal & instrumental early music ensemble)
conductor:
Alfred Deller (countertenor)
partial recording of:
Hear, O Heav'ns
lyricist:
[anonymous] (special purpose artist)
composer:
Pelham Humfrey (aka 'Humphrey', composer)
Pelham Humfrey1:34
8Hear O heav'ns, Part 4
choir vocals:
Deller Consort (UK vocal & instrumental early music ensemble)
conductor:
Alfred Deller (countertenor)
partial recording of:
Hear, O Heav'ns
lyricist:
[anonymous] (special purpose artist)
composer:
Pelham Humfrey (aka 'Humphrey', composer)
Pelham Humfrey1:12
9Jephte: How dark, O Lord, are Thy decrees, Part 1
choir vocals:
Amor Artis Chorale
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
partial recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
Georg Friedrich Händel2:06
10Jephte: How dark, O Lord, are Thy decrees, Part 2
choir vocals:
Amor Artis Chorale
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
partial recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
Georg Friedrich Händel1:38
11Jephte: How dark, O Lord, are Thy decrees, Part 3
choir vocals:
Amor Artis Chorale
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
partial recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
Georg Friedrich Händel0:53
12Jephte: How dark, O Lord, are Thy decrees, Part 4
choir vocals:
Amor Artis Chorale
orchestra:
English Chamber Orchestra
conductor:
Johannes Somary
partial recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
Georg Friedrich Händel2:15
13Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 1
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach2:07
14Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 2
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach1:18
15Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 3
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach0:44
16Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 4
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach0:45
17Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 5
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach0:53
18Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 6
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach2:25
19Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 7
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach3:05
20Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 8
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach1:12
21Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 9
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach4:47
22Cantata, "Nun komm, der Heiden Heiland", BWV 61, Part 10
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Kahlhöfer (German conductor)
recorded at:
Immanuelskirche (Wuppertal) in Wuppertal, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
partial recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland” (in 1966-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
premiered at:
[premiere of Nun komm, der Heiden Heiland, BWV 61] (1714-12-02)
part of:
Bach Compendium (number: BC A 1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 61) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 61)
Johann Sebastian Bach0:53
23Mass in B minor, BWV 232: Et in Spiritum sanctum Dominum, Part 1
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:03
24Mass in B minor, BWV 232: Et in Spiritum sanctum Dominum, Part 2
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18
25Mass in B minor, BWV 232: Confiteor, Part 1
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:59
26Mass in B minor, BWV 232: Confiteor, Part 2
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:23
27Mass in B minor, BWV 232: Confiteor, Part 3
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
28Mass in B minor, BWV 232: Et expecto resurrectionem, Part 1
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach0:54
29Mass in B minor, BWV 232: Et expecto resurrectionem, Part 2
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
partial recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:32
30Trio Sonata in G major "La Raspona", Part 1
harpsichord:
Richard Rephann
viola da gamba:
Grace Feldman
violin [baroque violin]:
Stephen Hefling and Stephen Marvin
Giovanni Legrenzi1:34
31Trio Sonata in G major "La Raspona", Part 2
harpsichord:
Richard Rephann
viola da gamba:
Grace Feldman
violin [baroque violin]:
Stephen Hefling and Stephen Marvin
Giovanni Legrenzi1:49
32Sonate da chiesa à tre in D minor, Op. 3 No. 2, Part 1
cello:
Kenneth Slowik (cellist)
organ:
James Weaver (American harpsichordist, pianist, fortepianist)
theorbo:
Konrad Junghänel (lutenist and conductor)
violin:
Marilyn McDonald and Jaap Schröder (Dutch violinist and conductor)
partial recording of:
Sonate da chiesa a trè in D major, op. 3 no. 2
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1689)
part of:
12 sonate da chiesa, op. 3
Arcangelo Corelli1:53
33Sonate da chiesa à tre in D minor, Op. 3 No. 2, Part 2
cello:
Kenneth Slowik (cellist)
organ:
James Weaver (American harpsichordist, pianist, fortepianist)
theorbo:
Konrad Junghänel (lutenist and conductor)
violin:
Marilyn McDonald and Jaap Schröder (Dutch violinist and conductor)
partial recording of:
Sonate da chiesa a trè in D major, op. 3 no. 2
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1689)
part of:
12 sonate da chiesa, op. 3
Arcangelo Corelli1:04
34Sonate da chiesa à tre in D minor, Op. 3 No. 2, Part 3
cello:
Kenneth Slowik (cellist)
organ:
James Weaver (American harpsichordist, pianist, fortepianist)
theorbo:
Konrad Junghänel (lutenist and conductor)
violin:
Marilyn McDonald and Jaap Schröder (Dutch violinist and conductor)
partial recording of:
Sonate da chiesa a trè in D major, op. 3 no. 2
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1689)
part of:
12 sonate da chiesa, op. 3
Arcangelo Corelli2:04
35Sonate da chiesa à tre in D minor, Op. 3 No. 2, Part 4
cello:
Kenneth Slowik (cellist)
organ:
James Weaver (American harpsichordist, pianist, fortepianist)
theorbo:
Konrad Junghänel (lutenist and conductor)
violin:
Marilyn McDonald and Jaap Schröder (Dutch violinist and conductor)
partial recording of:
Sonate da chiesa a trè in D major, op. 3 no. 2
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1689)
part of:
12 sonate da chiesa, op. 3
Arcangelo Corelli0:50
36Sonate da chiesa à tre in D minor, Op. 3 No. 2, Part 5
cello:
Kenneth Slowik (cellist)
organ:
James Weaver (American harpsichordist, pianist, fortepianist)
theorbo:
Konrad Junghänel (lutenist and conductor)
violin:
Marilyn McDonald and Jaap Schröder (Dutch violinist and conductor)
partial recording of:
Sonate da chiesa a trè in D major, op. 3 no. 2
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1689)
part of:
12 sonate da chiesa, op. 3
Arcangelo Corelli1:11
37Concerto grosso in C minor, Op. 8 No. 8: III. Finale: Allegro, Part 1
violin:
Steven Staryk (Canadian violinist)
Giuseppe Torelli0:39
38Concerto grosso in C minor, Op. 8 No. 8: III. Finale: Allegro, Part 2
violin:
Steven Staryk (Canadian violinist)
Giuseppe Torelli0:21
39Concerto grosso in C minor, Op. 8 No. 8: III. Finale: Allegro, Part 3
violin:
Steven Staryk (Canadian violinist)
Giuseppe Torelli0:19
40Concerto grosso in C minor, Op. 8 No. 8: III. Finale: Allegro, Part 4
violin:
Steven Staryk (Canadian violinist)
Giuseppe Torelli0:37
41Concerto grosso in C minor, Op. 8 No. 8: III. Finale: Allegro, Part 5
violin:
Steven Staryk (Canadian violinist)
Giuseppe Torelli0:38
7▶CD