Giulini Remastered: Complete Studio Recordings on Columbia, HMV, Pathé & Electrola

~ Release by Carlo Maria Giulini (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphony no. 6 "Pastoral" / Egmont Overture
2▶CD: Beethoven: Symphony no. 7
3▶CD: Symphony no. 9 "Choral"
4▶CD: Beethoven: Symphony no. 8
5▶CD: Beethoven: Piano Concerto no. 3
6▶CD: Beethoven: Violin Concerto
7▶CD: Beethoven: Mass in C major
8▶CD: Beethoven: Missa Solemnis
9▶CD: Berlioz: Roméo et Juliette
10▶CD: Buccherini: Overture in D major / Symphony no. 41 / Haydn: Symphony no. 94 “Surprise”
11▶CD: Haydn: Cello Concerto no. 2 / Buccherini: Cello Concerto no. 9
12▶CD: Brahms: Symphony no. 1
13▶CD: Brahms: Symphony no. 2
14▶CD: Brahms: Symphony no. 3 / Tragic Overture
15▶CD: Brahms: Symphony no. 4 / Overture from Der Freischütz
16▶CD: Brahms: Symphony no. 4 (CSO)
17▶CD: Brahms: Piano Concerto no. 1
18▶CD: Brahms: Piano Concerto no. 1
19▶CD: Brahms: Piano Concerto no. 2
20▶CD: Brahms: Violin Concerto
21▶CD: Britten: Four Sea Interludes From Peter Grimes / The Young Person's Guide to the Orchestra
22▶CD: Bruckner: Symphony no. 2
23▶CD: Bruckner: Symphony no. 9
24▶CD: Cherubini: Requiem in C minor
25▶CD: Debussy: La Mer / Trois Nocturnes
26▶CD: Dvořák: Symphony no. 7
27▶CD: Dvořák: Symphony no. 8 / Scherzo capriccioso
28▶CD: Dvořák: Symphony no. 9 “From the New World” / Carnival Overture
29▶CD: Dvořák: Cello Concerto / Saint‐Saëns: Cello Concerto No. 1
30▶CD: Falla: El amor brujo / Ravel: Rapsodie espagnole / Pavane pour une infante défunte
31▶CD: Falla: El sombrero de tres picos / Ravel: Alborada del gracioso / Daphnis et Chloé, Suite no. 2
32▶CD: Franck: Symphony in D minor / Psyche and Eros
33▶CD: Gluck: Iphigénie en Tauride (1)
34▶CD: Gluck: Iphigénie en Tauride (2)
35▶CD: Mahler: Symphony no. 1 "Titan"
36▶CD: Mozart: Piano Concertos nos. 9 "Jeunehomme" & 21
37▶CD: Mozart: Requiem
38▶CD: Mozart: Don Giovanni (1)
39▶CD: Mozart: Don Giovanni (2)
40▶CD: Mozart: Le nozze di Figaro (1)
41▶CD: Mozart: Le nozze di Figaro (2)
42▶CD: Pergolesi: La serva padrona
43▶CD: Rossini: Overtures
44▶CD: Rossini, Verdi: Overtures
45▶CD: Rossini: L'italiana in Algeri (1)
46▶CD: Rossini: L'italiana in Algeri (2)
47▶CD: Schumann: Cello Concerto / Saint-Saëns: Cello Concerto no. 1
48▶CD: Schubert: Symphony No. 8 “Unfinished” / Brahms: Variations on a Theme by Haydn
49▶CD: Schumann: Symphony no. 3 “Rhenish” / Manfred: Overture
50▶CD: Stravinsky: Suites from The Firebird, Petrushka
51▶CD: Stravinsky: L'Oiseau de feu / Bizet: Jeux d'enfants / Ravel: Ma Mère l'Oye
52▶CD: Tchaikovsky: Symphony no. 2 in C minor "Little Russian" / Mussorgsky: A Night on the Bare Mountain
53▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
54▶CD: Tchaikovsky: Romeo and Juliet: Fantasy Overture / Francesca da Rimini / Symphony no. 5 working session
55▶CD: Verdi: Quattro Pezzi Sacri
56▶CD: Verdi: Messa da Requiem
57▼CD: Verdi: Don Carlo (1)
#TitleArtistRatingLength
1Don Carlo: Atto I, No. 1. Introduzione - Coro di cacciatori: "Su, cacciator! pronti o la belva" (Coro)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
version of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:26
2Don Carlo: Atto I, No. 2. Scena e romanza: "Fontainebleau! Foresta immensa e solitaria!" (Carlo)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:56
3Don Carlo: Atto I, No. 2. Scena e romanza: "Io la vidi e al suo sorriso" (Carlo)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:26
4Don Carlo: Atto I, No. 3. Scene e duetto: "Il suon del corno alfin nel bosco tace" (Carlo, Tebaldo, Elisabetta)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:37
5Don Carlo: Atto I, No. 3. Scene e duetto: "Al mio pie', perché?" (Elisabetta, Carlo)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:36
6Don Carlo: Atto I, No. 3. Scene e duetto: "Di quale amor, di quanto ardor" (Elisabetta, Carlo)
Giuseppe Verdi5:16
7Don Carlo: Atto I, No. 3. Scene e duetto: "Al fedel ch'ora viene, o signora" (Tebaldo, Elisabetta, Carlo)
Giuseppe Verdi1:28
8Don Carlo: Atto I, No. 3. Scene e duetto: "L'ora fatale è suonata!" (Elisabetta, Carlo)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi0:54
9Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Inni di festa lieti echeggiate" (Coro, Elisabetta, Carlo)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
tenor vocals [Lerma]:
Ryland Davies (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:27
10Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Il glorioso Re di Francia" (Lerma, Coro, Elisabetta)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
tenor vocals [Lerma]:
Ryland Davies (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:37
11Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Vi benedica, Iddio dal ciel!" (Coro, Elisabetta, Carlo)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Vi benedica, Iddio dal ciel!” (Coro, Elisabetta, Carlo) (from 1970-08-18 until 1970-08-31)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi3:51
12Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: Preludio
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III. Preludio (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:05
13Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Carlo il sommo Imperatore" (Coro, Un frate)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:33
14Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Al chiostro di San Giusto" (Carlo, Un frate)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:58
15Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "È lui! desso! l'Infante!" (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:01
16Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Questo arcano dal Re non fu sorpreso ancora?" (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:27
17Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Dio, che nell'alma infondere amor" (Carlo, Rodrigo, Coro, Un frate)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:00
18Don Carlo: Atto II, Scena II, No. 2. Coro e scena (Canzona del velo): "Sotto ai folti, immensi abeti" (Coro di donne, Tebaldo)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:53
19Don Carlo: Atto II, Scena II, No. 2. Coro e scena (Canzona del velo): "Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:56
20Don Carlo: Atto II, Scena II, No. 2. Coro e scena (Canzona del velo): "Nei giardin del bello saracin ostello" (Eboli, Tebaldo, Coro di donne)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:56
21Don Carlo: Atto II, Scena II, No. 3. Scena, terzetto et dialogato (Romanza di Rodrigo): "La Regina!" - "Un'arcana mestizia" (Coro di donne, Eboli, Elisabetta, Tebaldo, Rodrigo)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Tebaldo]:
Delia Wallis (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:10
22Don Carlo: Atto II, Scena II, No. 3. Scena, terzetto et dialogato (Romanza di Rodrigo): "Che mai si fa nel suol francese" (Eboli, Rodrigo, Elisabetta)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
23Don Carlo: Atto II, Scena II, No. 3. Scena, terzetto et dialogato (Romanza di Rodrigo): "Carlo ch'è sol il nostro amore" (Eboli, Rodrigo, Elisabetta)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:55
24Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Io vengo a domandar" (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:54
25Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Perduto ben, mio sol tesor" (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:33
26Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Oh! Carlo! Oh! Carlo!" (Elisabetta, Carlo)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:17
58▶CD: Verdi: Don Carlo (2)
59▶CD: Verdi: Don Carlo (3)
60▶CD: Vivaldi: The Four Seasons