Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1▶CD: Water Music
2▶CD: Music for the Royal Fireworks; Sinfonias
3▶CD: Concerti grossi Op. 3
4▶CD: Concerti grossi Op. 6 Nos. 1-4
5▶CD: Concerti grossi Op. 6 Nos. 5-8
6▶CD: Concerti grossi Op. 6 Nos. 9-12
7▶CD: Concerti a due cori
8▶CD: Organ Concertos I
9▶CD: Organ Concertos II; Harp Concerto
10▶CD: Organ Concertos III
11▶CD: Organ Concertos IV
12▶CD: Organ Concertos V
13▶CD: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
14▶CD: Flute Sonatas
15▶CD: Violin and Oboe Sonatas
16▶CD: Trio Sonatas I - Op. 2
17▶CD: Trio Sonatas II - Op. 5
18▶CD: Trio Sonatas III
19▶CD: Recorder Sonatas
20▶CD: Suites de pièces pour le clavecin I
21▶CD: Suites de pièces pour le clavecin II
22▶CD: Suites de pièces pour le clavecin III
23▶CD: Suites de pièces pour le clavecin IV
24▶CD: Harpsichord Music I
25▶CD: Harpsichord Music II
26▶CD: Harpsichord Music III
27▶CD: Harpsichord Music IV
28▶CD: Romantic Organ Transcriptions
29▶CD: Nine German Arias
30▶CD: Cantatas for soprano solo I
31▶CD: Cantatas for soprano solo II
32▶CD: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
33▶CD: Cantatas for soprano solo IV
34▶CD: Cantatas for soprano solo V
35▶CD: Italian Duets
36▶CD: The Alchemist; Apollo e Dafne
37▶CD: Aci, Galatea e Polifemo (beginning)
38▶CD: Aci, Galatea e Polifemo (conclusion)
39▶CD: Alexander's Feast (beginning)
40▶CD: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
41▶CD: Coronation Anthems
42▶CD: Dettingen Te Deum
43▶CD: Friedensode; Utrechter Te Deum
44▶CD: Ode for St. Cecilia's Day
45▶CD: Messiah (beginning)
46▶CD: Messiah (conclusion)
47▶CD: La Resurrezione (beginning)
48▶CD: La Resurrezione (conclusion)
49▶CD: Jephtha (beginning)
50▶CD: Jephtha (continuation)
51▶CD: Jephtha (conclusion)
52▶CD: Israel in Egypt (beginning)
53▶CD: Israel in Egypt (conclusion)
54▶CD: Judas Maccabaeus (beginning)
55▶CD: Judas Maccabaeus (conclusion)
56▼CD: Samson (beginning)
#TitleRatingLength
1Samson, HWV 57: 1. Act 1 Sinfonia
harpsichord and organ:
Dr. Alexander Schreiner
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Samson, HWV 57: Overture
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57
7:25
2Samson, HWV 57: 2. Act 1 "This day, a solemn feast to Dagon held" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. This day, a Solemn Feast to Dagon Held (Samson). Chorus. Awake the Trumpet’s Lofty Sound!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
2:22
3Samson, HWV 57: 3. Act 1 "Ye men of Gaza, hither bring the merry pipe and pleasing string" [Dalila]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Air. Ye Men of Gaza, hither bring (Philistine Woman) Chorus. Awake the trumpet's lofty sound!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
3:39
4Samson, HWV 57: 4. Act 1 "Awake the trumpet's lofty sound" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. This day, a Solemn Feast to Dagon Held (Samson). Chorus. Awake the Trumpet’s Lofty Sound!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
0:29
5Samson, HWV 57: 5. Act 1 "Loud as the thunder's awful voice" [Philistine]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Air. Loud as the Thunder’s Awful Voice (Philistine Man)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
3:30
6Samson, HWV 57: 6. Act 1 "Why by an angel was my birth foretold" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. Why by an Angel Was My Birth Foretold (Samson). Air. Torments, Alas! Are Not Confin’d (Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
5:54
7Samson, HWV 57: 7. Act 1 "Oh change beyond report, thought or belief!" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. Oh, Change Beyond Report, Thought or Belief! (Micah). Air. Oh, Mirror of Our Fickle State! (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
2:09
8Samson, HWV 57: 8. Act 1 "Total eclipse! no sun, no moon, all dark amidst the blaze of noon!" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
partial recording of:
Samson, HWV 57: Act I. Recitative. Whom have I to complain of but myself (Samson, Micah). Air. Total Eclipse! No sun, no moon! (Samson)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
3:42
9Samson, HWV 57: 9. Act 1 "Oh first created beam!" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Chorus. Oh First Created Beam!
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
3:24
10Samson, HWV 57: 10. Act 1 "Brethren and men of Dan, say, where is my son" [Manoah, Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
partial recording of:
Samson, HWV 57: Act I. Recitative. Ye see, my friends (Samson/Micah). Brethren and men of Dan (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
1:19
11Samson, HWV 57: 11. Act 1 "Thy glorious deeds inspir'd my tongue" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Air. Thy Glorious Deeds Inspired My Tongue (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
4:25
12Samson, HWV 57: 12. Act 1 "Justly these evils have befall'n thy son" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. Justly these evils have befalI'n thy son (Samson/Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
6:14
13Samson, HWV 57: 13. Act 1 "There lies our hope!" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. There Lies Our Hope! (Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
2:38
14Samson, HWV 57: 14. Act 1 "For thee, my dearest son" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Recitative. For thee, my dearest son (Manoah/Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
1:39
15Samson, HWV 57: 15. Act 1 "Then round about the starry throne" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act I. Chorus. Then Round About the Starry Throne
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
2:40
16Samson, HWV 57: 16. Act 2 "My evils hopeless are!" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Recitative: My Evils Hopeless Are! (Samson/Micah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
4:56
17Samson, HWV 57: 17. Act 2 "To dust his glory they would tread" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
partial recording of:
Samson, HWV 57: Act II. Air: Return, O God of Hosts! (Micah). Chorus: To Dust His Glory They Would Tread
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
3:37
18Samson, HWV 57: 18. Act 2 "But who is this?" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Recitative: But who is this ? (Micah/Samson/Dalila)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
2:13
19Samson, HWV 57: 19. Act 2 "With plaintive notes and am'rous moan" [Dalila, Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Air: With plaintive notes (Delila)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
6:50
20Samson, HWV 57: 20. Act 2 "Did Love constrain thee?" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Recitative: Alas! Th'event was worse than I foresaw (Dalila). Did love constrain thee? (Samson)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
1:11
21Samson, HWV 57: 21. Act 2 "My - Her faith and truth, oh Samson, prove Dalila" [Dalila, Virgin]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II. Duet: My/Her faith and truth (Delilah/Virgin). Chorus: Her faith and truth
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
6:35
57▶CD: Samson (conclusion)
58▶CD: Theodora (beginning)
59▶CD: Theodora (conclusion)
60▶CD: Saul (beginning)
61▶CD: Saul (conclusion)
62▶CD: Solomon (beginning)
63▶CD: Solomon (conclusion)
64▶CD: Semele (beginning)
65▶CD: Semele (conclusion)