Annotation

Cast:
Serse: Carolyn Watkinson
Arsamene: Paul Esswood
Amastre: Ortun Wenkel
Romilda: Barbara Hendricks
Atalanta: Anne-Marie Rodde
Ariodate: Ulrik Cold
Elviro: Ulrich Studer

Recorded 1979
Copyright 1979 Sony Music Entertainment
Copyright 2017 Sony Music Entertainment


1979 Recording: Notre Dame du Liban
Cover: Original LP Cover M3 36941

Annotation last modified on 2018-07-07 16:01 UTC.

Tracklist

1CD: CD 1
2CD: CD 2
3CD: CD 3
#TitleArtistRatingLength
1Serse, Act III: Sinfonia - Recitativo "Sono vani i pretesti" (Paul Esswood, Barbara Hendricks, Anne-Marie Rodde, Ulrich Studer)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 43. Sinfonia (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Sono vani e pretesti” (Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:14
2Serse, Act III: Arietta "No, no, se tu mi sprezzi" - Recitativo "Ecco in segno di fé" (Anne-Marie Rodde, Barbara Hendricks, Ulrich Studer, Paul Esswood, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 44. Arietta “No, no, se tu mi sprezzi” (Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco in segno di fé” (Romilda, Elviro, Arsamene, Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:21
3Serse, Act III: Aria "Per rendermi beato" - Recitativo "Ubbidirò al mio Re?" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:01
4Serse, Act III: Aria "Amor, tiranno Amor" - Recitativo "Come già vi accennammo" (Paul Esswood, Carolyn Watkinson, Ulrik Cold)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Paul Esswood (countertenor) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:52
5Serse, Act III: Aria "Del Ciel d'amore sorte sì bella" - Recitativo "Il suo serto rifiuto" (Ulrik Cold, Barbara Hendricks, Carolyn Watkinson, Ortrun Wenkel)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel6:22
6Serse, Act III: Aria "Cagion son io del mio dolore" - Recitativo "Romilda infida" (Ortrun Wenkel, Paul Esswood, Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Romilda infida” (Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:47
7Serse, Act III: Duetto "Troppo oltraggi la mia fede" (Barbara Hendricks, Paul Esswood)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel3:51
8Serse, Act III: Coro "Ciò che Giove destinò" - Recitativo "Ecco lo sposo" (Chorus, Ulrik Cold, Paul Esswood, Barbara Hendricks, Carolyn Watkinson)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Paul Esswood (countertenor) (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 50a. Coro “Ciò che Giove destinò” (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco lo sposo” (Ariodate, Arsamene, Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel5:22
9Serse, Act III: Aria "Crude furie degl'orridi abissi" - Recitativo "Perfidi! E ancor" (Carolyn Watkinson, All)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III. Recitativo “Perfidi, e ancora osate” (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel6:17
10Serse, Act III: Aria "Caro voi siete all'alma" (Barbara Hendricks)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Barbara Hendricks (soprano) (from 1979-03 until 1979-04) and Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda) (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel2:04
11Serse, Act III: Coro "Ritorna a noi la calma" (Chorus, All)
recording engineer:
Georges "Youri" Kisselhoff (audio/sound engineer) (from 1979-03 until 1979-04) and Mireille Landmann (from 1979-03 until 1979-04)
producer:
Georges Kadar (from 1979-03 until 1979-04)
vocals:
Ulrik Cold (operatic bass) (from 1979-03 until 1979-04), Ensemble Vocal Jean Bridier (from 1979-03 until 1979-04), Barbara Hendricks (soprano) (from 1979-03 until 1979-04), Anne-Marie Rodde (soprano) (from 1979-03 until 1979-04), Ulrich Studer (Swiss baritone) (from 1979-03 until 1979-04), Carolyn Watkinson (mezzo-soprano and contralto) (from 1979-03 until 1979-04) and Ortrun Wenkel (contralto) (from 1979-03 until 1979-04)
orchestra:
La Grande Écurie et la Chambre du Roy (from 1979-03 until 1979-04)
conductor:
Jean‐Claude Malgoire (conductor and oboist) (from 1979-03 until 1979-04)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1979-03 until 1979-04)
recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (from 1979-03 until 1979-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
Handel1:39