100 Hits Mexico

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Data CD
#TitleArtistRatingLength
1MexicoLes Humphries Singers4:03
2Better Do It Salsa
recording of:
Better Do It Salsa!
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Autobahn (publisher), Bleu Blanc Rouge and Zagora (French label and publisher)
Gibson Brothers4:06
3Bamboleo
recording engineer:
Daniel Michel (recording engineer)
producer:
Claude Martinez
mixer:
Claude Wagner (engineer)
bass guitar [guitare basse]:
Gerard Prevost
drums (drum set) [batterie]:
Claude Salmieri (French drummer)
guitar [guitares accompagnement]:
Andre Reyes, Maurice "Diego" Baliardo, Tonino Baliardo, Jahloul "Chico" Bouchikhi, Jacques "Max" Baliardo, Nicolas Reyes and Paul "Pablo" Reyes
handclaps [claps]:
Jahloul "Chico" Bouchikhi and Maurice"Diego" Baliardo
percussion [percussions]:
Marc Chantereau
solo guitar [guitare solo]:
Tonino Baliardo
synthesizer [synthetiseurs]:
Gerard Prevost and Dominique Perrier
background vocals [chorus]:
André Reyes and Nicolas Reyes
lead vocals [chant]:
Nicolas Reyes
arranger:
Dominique Perrier
phonographic copyright (℗) by:
PEM (French label run by Claude Martinez.) (in 1987)
recorded at:
Studio Pathe Marconi EMI Boulogne
music videos:
Bamboleo by Gipsy Kings
recording of:
Bamboleo
lyricist:
Jahloul "Chico" Bouchikhi, Simón Díaz (Venezuelan music legend) and Nicolas Reyes
composer:
Tonino Baliardo, Jahloul "Chico" Bouchikhi and Simón Díaz (Venezuelan music legend)
publisher:
Editions P.E.M, Sony Music Publishing (worldwide except Japan, ended 1995) and Vanessa (Sometimes noted as Vanessa Productions)
version of:
Caballo viejo
Gipsy Kings4.53:14
4Nah Neh Nah
assistant producer:
Marc François
producer:
D. Klein (Belgian singer (Vaya Con Dios)) and D. Schoufs
arranger:
Michael Gielen (Austrian conductor and composer) and Dirk Schoufs
phonographic copyright (℗) by:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) (in 1990)
recording of:
Nah Neh Nah
lyricist:
Una Balfe and Dani Klein (Belgian singer (Vaya Con Dios))
composer:
Dani Klein (Belgian singer (Vaya Con Dios)) and Dirk Schoufs
publisher:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) and Vaya Con Dios Sprl
Vaya Con Dios3.652:53
5Taka-Takata
recording of:
Taka takata
writer:
Francisco Ropero Gómez and Al Verlane (Belgian singer, band leader & drummer)
Paco Paco2:27
6Casinò
Passengers3:33
7Rivers of Babylon
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1978)
cover recording of:
Rivers of Babylon (Boney M. version)
lyricist:
Brent Dowe and Trevor McNaughton
composer:
Brent Dowe, Frank Farian, Trevor McNaughton and George Reyam
publisher:
Blue Mountain Music and FAR Music (publisher for Frank Farian)
is based on:
Rivers of Babylon
Boney M.3.54:00
8Could You Be Loved
producer:
Chris Blackwell (Island Records) and Bob Marley & The Wailers
mixer:
Errol Brown (Jamaican engineer and dub producer) (in 1980) and Alex Sadkin (in 1980)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1980)
recording of:
Could You Be Loved
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
Bob Marley & The Wailers45:26
9My Bonnie
Goombay Dance Band3:52
10Some Guys Have All the Luck
cover recording of:
Some Guys Have All the Luck
lyricist and composer:
Jeff Fortgang
Maxi Priest3:34
11Can't Help Falling in Love
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403.253:26
12Brown Girl in the Ring
recording of:
Brown Girl in the Ring (Boney M.)
lyricist:
[traditional] (special purpose artist) and Frank Farian
composer:
[traditional] (special purpose artist)
arranger:
Frank Farian
publisher:
ATV Music Ltd., Far Musikverlag GmbH, Far Musikverlag GmbH und Co., KG and Hansa International
version of:
Brown Girl in the Ring (traditional)
Boney M.53:04
13Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton feat. Ali & Robin Campbell2.653:52
14Everything but Love
Alan Price4:18
15Shubidube Love
Ottawan2:50
16Alicia
Goombay Dance Band3:21
17King of Kings
recording engineer and mixer:
Damian Korner
assistant engineer:
George Evaglio
producer:
Gaz Mayall
assistant mixer:
Elie Devonte
alto saxophone:
Lester Sterling
double bass:
Lloyd Brevett
guitar:
Devon James (guitar, songwriter)
membranophone:
Lloyd Knibb
percussion and background vocals [backing vocals]:
Gaz Mayall
piano:
William Smity (organist/keyboardist)
tenor saxophone:
Roland Alphonso
trombone:
Welford Clark (reggae trombonist)
trumpet:
Nathan Breedlove
other vocals [lion roars]:
Prince Buster
vocals:
Prince Buster
engineered at:
Unique Recording Studios in Manhattan, New York, New York, United States
cover recording of:
King of Kings
lyricist, writer and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Prince Buster & The Skatalites4:38
18Hello Rio
Ottawan4:27
19Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:01
20Baila Me
recording engineer:
François Delabrière (from 1991-02 until 1991-03)
producer:
Nick Patrick
mixer:
François Delabrière (in 1991-04) and Nick Patrick (in 1991-04)
accordion:
Walter De Auraujo (from 1991-02 until 1991-03)
bass:
Gérard Prévost (from 1991-02 until 1991-03)
brass:
Christian Martinez (from 1991-02 until 1991-03) and Philippe Slominski (from 1991-02 until 1991-03)
guitar:
Jacques "Paco" Baliardo (from 1991-02 until 1991-03), Maurice "Diego" Baliardo (from 1991-02 until 1991-03), André Reyes (from 1991-02 until 1991-03), Canut Reyes (from 1991-02 until 1991-03) and Nicolas Reyes (from 1991-02 until 1991-03)
guitar [lead guitar]:
Tonino Baliardo (from 1991-02 until 1991-03)
membranophone:
Jorge "Negrito" Trasante (from 1991-02 until 1991-03)
percussion:
Charles Benarroch (from 1991-02 until 1991-03) and Jorge "Negrito" Trasante (from 1991-02 until 1991-03)
lead vocals:
Nicolas Reyes (from 1991-02 until 1991-03)
vocals:
André Reyes (from 1991-02 until 1991-03) and Canut Reyes (from 1991-02 until 1991-03)
arranger:
Gérard Prévost
recording of:
Baila me (from 1991-02 until 1991-03)
writer:
André Jean Reyes, François Marie Reyes, Jacques Joseph Baliardo, Maurice Victor Baliardo, Nicolas Reyes and Tonino Antoine Baliardo
publisher:
Éditions Productions Claude Martinez and Sony Music Publishing (UK) Limited (2003–2008, 2021–present)
Gipsy Kings4.653:45
21Qué será
José Feliciano53:32
22Malaika
producer:
Frank Farian
background vocals:
Marcia Barrett, Kathy Bartney, Madeleine Davis, Frank Farian and Patricia Shockley
lead vocals:
Frank Farian and Liz Mitchell
arranger:
Frank Farian and George Reyam
recording of:
Malaika (Boney M. version)
lyricist and composer:
Adam Salim
arranger:
Frank Farian and George Reyam
version of:
Malaika
version of:
Malaika (Swahili love song, commonly attributed to Adam Salim)
Boney M.3:28
23One Love / People Get Ready
recording of:
One Love / People Get Ready
lyricist and composer:
Bob Marley (Jamaican reggae artist) and Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (from 1991 to present) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (from 1991 to present)
is based on:
People Get Ready
Bob Marley & The Wailers7:07
24D'yer Mak'er
cover recording of:
D’yer Mak’er
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
No Mercy3:53
25Escucha meGipsy Kings44:03
26My Cherie Amour
producer:
Frank Farian
cover recording of:
My Cherie Amour
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Boney M.3:59
27Don’t You Worry ’bout a ThingStevie Wonder44:44
28If You Wanna Be HappyBill Wyman2:48
29Everything I Own
Culture Club3:56
30Two of Us
cover recording of:
Two of Us
written in:
United Kingdom (from 1968 until 1969-01-31)
writer:
Paul McCartney (The Beatles) (from 1968 until 1969-01-31) and John Lennon (The Beatles) (from 1969-01-02 until 1969-01-31)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
Boney M.3:16
31Dear Yoko
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
recording of:
Dear Yoko
lyricist and composer:
John Lennon (The Beatles)
dedicated to:
Yoko Ono (Japanese‐American musician and artist)
publisher:
Lenono Music
John Lennon32:33
32The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:42
33Caution
Maxi Priest & Caution4:52
34Waiting in Vain
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Waiting in Vain (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
Bob Marley & The Wailers3.353:59
35Love Is the Seventh Wave
engineer and mixer:
Jim Scott (US recording engineer and producer) and Pete Smith (UK producer)
producer:
Pete Smith (UK producer) and Sting (singer, songwriter & member of The Police)
additional synclavier:
Danny Quatrochi
bass guitar [bass]:
Darryl Jones (bassist for The Rolling Stones)
drums (drum set):
Omar Hakim
guitar and lead vocals:
Sting (singer, songwriter & member of The Police)
keyboard:
Kenny Kirkland
saxophone:
Branford Marsalis (saxophonist)
trombone:
Frank Opolko
background vocals:
Dolette McDonald and Janice Pendarvis
phonographic copyright (℗) by:
A&M Records (in 1985) and A&M Records, Inc. (in 1985)
recorded at:
Blue Wave Recording Studios in Barbados
recording of:
Love Is the Seventh Wave
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.), Illegal Songs Inc., Magnetic Publishing Ltd., Reggatta Music (publisher) and Virgin Music Publishers Ltd.
Sting4.53:32
36Ooh! What a Life
recording of:
Ooh! What a Life
writer:
Alex Francfort (Alex Gibson of the Gibson Brothers) and Daniel Vangarde
Gibson Brothers3:38
37Volare (Nel blu di pinto di blu)Gipsy Kings4.53:40
38Samba pa ti
José Feliciano3:52
39Starship 109
Mistral2:59
40I Love You Much Too Much
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Richard Baker (US keyboardist for Santana) and Alan Pasqua
organ and piano:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
timbales:
Orestes Vilató
background vocals and lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
instrumental cover recording of:
I Love You Much Too Much
lyricist:
Chaim Tauber
composer:
Alexander Olshanetsky
translator:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Santana34:42
41Cuba
producer:
Daniel Vangarde
recording of:
Cuba
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Ed. Intro (German publisher), Les Éditions Bleu Blanc Rouge, Roba Music Verlag GmbH and Zagora (French label and publisher)
Gibson Brothers5:58
42Englishman in New York
producer:
Neil Dorfsman and Sting (singer, songwriter & member of The Police)
assistant mixer:
Mark McKenna (engineer) and Bob Vogt
mixer:
Neil Dorfsman and Hugh Padgham
lead vocals:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1997)
music videos:
Englishman in New York by Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
lyricist and writer:
Gordon Matthew Sumner (singer, songwriter & member of The Police)
publisher:
Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:25
43Kingston Town
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
lyricist and composer:
Kenrick Patrick
UB404.53:50
44In the Springtime
Maxi Priest & Caution4:08
45Got a Man on My Mind
producer:
Frank Farian
background vocals:
Frank Farian
lead vocals:
Marcia Barrett and Liz Mitchell
recording of:
Got a Man on My Mind
lyricist:
Fred Jay
composer:
Frank Farian
Boney M.3:25
46Comme aux U.S.A.
Ottawan4:52
47Djobi, Djoba
recording engineer and mixer:
Daniel Michel (recording engineer)
producer:
Claude Martinez
bass guitar [guitare basse]:
Gerard Prevost
drums (drum set) [batterie]:
Claude Salmieri (French drummer)
guitar [guitares accompagnement]:
Andre Reyes, Maurice "Diego" Baliardo, Tonino Baliardo, Jahloul "Chico" Bouchikhi, Jacques "Max" Baliardo, Nicolas Reyes and Paul "Pablo" Reyes
handclaps [claps]:
Jahloul "Chico" Bouchikhi and Maurice"Diego" Baliardo
percussion [percussions]:
Marc Chantereau
solo guitar [guitare solo]:
Tonino Baliardo
synthesizer [synthetiseurs]:
Gerard Prevost and Dominique Perrier
background vocals [chorus]:
André Reyes and Nicolas Reyes
lead vocals [chant]:
Nicolas Reyes
arranger:
Gerard Prevost dit "La Pliure"
phonographic copyright (℗) by:
PEM (French label run by Claude Martinez.) (in 1987)
recorded at:
Studio Pathe Marconi EMI Boulogne
recording of:
Djobi Djoba
writer:
Gipsy Kings and Los Reyes
publisher:
Ediciones Musicales Clipper’s S.L. (Grupo Clippers) and Editions Sara Music
Gipsy Kings4.653:24
48El cóndor pasa
Los Incas3:48
49María Isabel
Los Payos3:20
50Eso es el amor
Chakachas2:58
51The Mosquito
engineer:
Henry Lewy
producer:
The Doors and Paul A. Rothchild
bass guitar:
Leland Sklar (bassist, session musician)
drums (drum set):
John Densmore
guitar and lead vocals:
Robby Krieger (American guitarist, member of The Doors)
keyboard:
Ray Manzarek
recording of:
The Mosquito
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors) and Ray Manzarek
The Doors3.755:17
52Borriquito
recording of:
Borriquito
lyricist and composer:
Peret (Catalan Spanish Romaní singer, guitar player and composer)
Peret3:59
53Mamy Blue
Pop Tops3:38
54Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
The Champs4.32:09
55La felicidad
Grupo 152:35
56Porque te vas?
lead vocals:
Jeanette (Spanish singer) (in 1974)
conductor:
Juan Márquez (Spanish composer and singer) (in 1974)
arranger:
Juan Márquez (Spanish composer and singer)
recording of:
Porque te vas (in 1974)
lyricist and composer:
José Luis Perales
Jeanette53:22
57Besame Mucho
recorded at:
Star‐Club in Hamburg, Germany (in 1962-12)
live cover recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (in 1962-12)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
The Beatles32:37
58La Bamba
Trini Lopez4:15
59Guantanamera
recording of:
Guantanamera
additional lyricist and additional composer:
Julián Orbón (Cuban composer)
lyricist:
José Martí (cuban poet)
composer:
Joseíto Fernández (Cuban singer and songwriter)
arranger:
Héctor Angulo (Cuban composer) and Pete Seeger
part of:
Roud Folk Song Index (number: 36102)
version of:
Guajira guantanamera
The Sandpipers23:14
60Un rayo de sol
arranger:
Amado Jaén
recording of:
Un rayo de sol
lyricist:
Amado Jaén
writer:
Claude Carrère and Daniel Vangarde
translated version of:
Fernando
Los Diablos3:28
61Sucu sucu
Ping Ping1:30
62La hora del crepusculo (Twilight Time)
recorded in:
Encino, California, United States (in 1963)
lead vocals:
Sonny Turner (member of The Platters) (in 1963)
recording of:
La hora del crepúsculo (in 1963)
lyricist:
Ben Molar
writer:
Morton Nevins, Al Nevins and Buck Ram
translated version of:
Twilight Time
The Platters2:13
63Maria Elena
Los Índios Tabajaras3:11
64Love Is Strange
assistant recording engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK) (from 1971-07-24 until 1971-10-03)
recording engineer:
Tony Clark (engineer, Abbey Road) (from 1971-07-24 until 1971-10-03)
producer:
Linda McCartney and Paul McCartney (The Beatles)
assistant mixer:
Alan Parsons (of The Alan Parsons Project) (on 1971-10-05)
mixer:
Tony Clark (engineer, Abbey Road) (on 1971-10-05)
bass:
Paul McCartney (The Beatles) (from 1971-07-24 until 1971-10-03)
drums (drum set):
Denny Seiwell (US drummer) (from 1971-07-24 until 1971-10-03)
electric guitar:
Denny Laine (from 1971-07-24 until 1971-10-03) and Paul McCartney (The Beatles) (from 1971-07-24 until 1971-10-03)
background vocals:
Linda McCartney (from 1971-07-24 until 1971-10-03)
lead vocals:
Linda McCartney (from 1971-07-24 until 1971-10-03) and Paul McCartney (The Beatles) (from 1971-07-24 until 1971-10-03)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2010) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2010)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-07-24, on 1971-10-03)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-10-05)
cover recording of:
Love Is Strange (from 1971-07-24 until 1971-10-03)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
recording of:
Love Is Strange
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
Paul McCartney24:51
65Let It Be
cover recording of:
Let It Be
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Rita Marley & The Soulettes3:33
66Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana44:17
67Talk of the Town
Glen Adams & The Hippy Boys2:31
68Help Me Make It Through the NightJohn Holt3:09
69Sweet SensationThe Melodians3:14
70Hold Me Tight
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Nash2:42
71Tears on My Pillow
Johnny Clarke3:10
72My Jamaican Girl
The Gaylads2:34
73Don't Let Me Down
cover recording of:
Don’t Let Me Down
writer:
Paul McCartney (The Beatles) and John Lennon (The Beatles) (from 1968 to present)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Marcia Griffiths3:26
74Mystic Mood
Earl “Wya” Lindo3:39
75Knockin' on Heaven's Door
producer:
Tom Dowd and Albhy Galuten
bass guitar:
Carl Radle (on 1975-06-16)
drums (drum set):
Jamie Oldaker (on 1975-06-16)
electronic organ:
Dick Sims (on 1975-06-16)
guitar:
Eric Clapton (on 1975-06-16) and George Terry (guitar player with Clapton in 70's) (on 1975-06-16)
additional vocals:
Yvonne Elliman (on 1975-06-16) and Marcy Levy (on 1975-06-16)
lead vocals:
Eric Clapton (on 1975-06-16)
vocals:
Marcy Levy (on 1975-06-16)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1975-06-16)
cover recording of:
Knockin’ on Heaven’s Door (on 1975-06-16)
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
Eric Clapton3.254:20
76All This Time
producer:
Hugh Padgham and Sting (singer, songwriter & member of The Police)
assistant mixer:
Efren Herrera, Yves Jajaget, Bruce Keene, Simon Osborne (engineer/producer), Brian Scheuble and Al Stone (UK engineer)
mixer:
Hugh Padgham
lead vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1991)
music videos:
All This Time by Sting (singer, songwriter & member of The Police)
recording of:
All This Time
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magnetic Publishing Ltd.
Sting34:54
77Stir It Up
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Robert “Robbie” Shakespeare (in 1972-10)
drums (drum set):
Sparrow Martin (in 1972-10)
guitar:
Cat Coore (in 1972-10), Roger Lewis (founder and member of Inner Circle) (in 1972-10) and Wayne Perkins (in 1972-10)
organ:
Tyrone Downie (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Stir It Up (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
Bob Marley & The Wailers4.45:31
78No Woman No Cry
producer:
Frank Farian
background vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
lead vocals:
Liz Mitchell
arranger:
Steven Hammer
phonographic copyright (℗) by:
Hansa (in 1976)
cover recording of:
No Woman, No Cry (in 1976)
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
Boney M.4:59
79Wild World
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Maxi Priest3.53:35
80Too Many People
assistant recording engineer:
Ted Brosnan (from 1970-11-10 until 1971-04) and Dixon Van Winkle (from 1970-11-10 until 1971-04)
recording engineer:
Tim Geelan (from 1970-11-10 until 1971-04), Jim Guercio (from 1970-11-10 until 1971-04), Phil Ramone (from 1970-11-10 until 1971-04) and Armin Steiner (from 1970-11-10 until 1971-04)
producer:
Linda McCartney and Paul McCartney (The Beatles)
mixer:
Eirik “The Norwegian” Wangberg (from 1971-03 until 1971-04)
acoustic guitar and electric guitar:
Paul McCartney (The Beatles) (from 1970-11-10 until 1971-04) and Hugh McCracken (from 1970-11-10 until 1971-04)
bass and lead vocals:
Paul McCartney (The Beatles) (from 1970-11-10 until 1971-04)
cowbell, drums (drum set), percussion and shakers:
Denny Seiwell (US drummer) (from 1970-11-10 until 1971-04)
background vocals:
Linda McCartney (from 1970-11-10 until 1971-04) and Paul McCartney (The Beatles) (from 1970-11-10 until 1971-04)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1971, in 2012) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1970-11-10), A&R Recording Studios (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, United States (in 1971-01) and Sunset Sound in Hollywood, Los Angeles, California, United States (from 1971-03 until 1971-04)
mixed at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (from 1971-03 until 1971-04)
recording of:
Too Many People (from 1970-11-10 until 1971-04)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Paul & Linda McCartney3.354:12
81Got to Love
mixer:
Andy Lunn (engineer)
recording of:
Got to Love
lyricist:
Doreen Hauenstein
composer:
Kurt Hauenstein
Supermax3:55
82I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Chrissie Hynde & UB402.753:07
83I'll Be Your Baby Tonight
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
performer:
UB40
cover recording of:
I’ll Be Your Baby Tonight
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Dwarf Music (in 1968)
Robert Palmer & UB404.653:23
84I Shot the Sheriff
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
background vocals:
Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
cover recording of:
I Shot the Sheriff (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:21
85Vanz Kant Danz
additional engineer:
Mark Slagle
engineer:
Jeffrey Norman
producer:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 2017)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States
recording of:
Vanz Kant Danz
lyricist and composer:
John Fogerty
publisher:
Wenaha Music Company (in 1984)
revision of:
Zanz Kant Danz
John Fogerty5:28
86Let's Get Started
Mungo Jerry3:34
87Let Me Be Your Leader
recording of:
Let Me Be Your Leader
lyricist and composer:
Manny Charlton
Nazareth3:50
88Everything We Know
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
EMI France (in 1993) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Everything We Know (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde3.53:41
89Love Is for All Time
Eric Burdon3:39
90Master Blaster (Jammin')
assistant engineer:
Bob Harlan
engineer and mixer:
Gary Olazabal
producer:
Stevie Wonder
bass:
Nathan Watts
clavinet and Rhodes piano:
Stevie Wonder
drums (drum set):
Dennis Davis (drummer)
guitar:
Ben Bridges and Rick Zunigar
organ:
Isaiah Sanders
percussion:
Earl DeRouen (percussionist, composer)
saxophone:
Hank Redd
trumpet:
Larry Gittens
background vocals:
Shirley Brewer, Alex Brown (US soul vocalist, member of Raelets), Marva Holcolm and Angela Winbush
arranger:
Stevie Wonder
recorded at and mixed at:
Wonderland Studios in Los Angeles, California, United States
recording of:
Master Blaster (Jammin’)
composer:
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and Jobete Music Co., Inc.
Stevie Wonder4.755:07
91Is This Love
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
acoustic guitar [1972 Guild F-112 12-string], electric guitar [1973 Gibson Les Paul Special] and lead vocals:
Bob Marley (Jamaican reggae artist)
bass guitar [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
drums (drum set) [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
electric guitar [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond organ [B-3], mellotron [1970s ARP PE-IV Solina String-Ensemble] and piano [Hamburg Steinway Piano]:
Tyrone Downie
percussion:
Alvin “Seeco” Patterson
tenor saxophone:
Glen DaCosta
trombone:
Vin Gordon
trumpet:
David Madden (Jamaican trumpeter)
background vocals:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley and Judy Mowatt
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) and Island Records, Inc. (US, Island holding) (in 1978)
recorded at and mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Is This Love
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
Bob Marley & The Wailers4.13:51
92Watcha Gonna Do About It
Dan McCafferty3:58
93Crackin' Up
recording engineer:
Peter Henderson (English sound engineer) (on 1987-07-21)
producer:
Paul McCartney (The Beatles)
bass:
Nick Garvey (on 1987-07-21)
drums (drum set):
Henry Spinetti (on 1987-07-21)
guitar and lead vocals:
Paul McCartney (The Beatles) (on 1987-07-21)
piano:
Mick Gallagher (UK hammond organ player) (on 1987-07-21)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-21)
cover recording of:
Crackin’ Up (on 1987-07-21)
lyricist and composer:
Bo Diddley (American singer, guitarist, songwriter and music producer)
Paul McCartney3:54
94The Harder They Come (live)
recorded at:
Finsbury Park in Haringey, London (Greater London), England, United Kingdom (from 1992-08-08 until 1992-08-09)
live cover recording of:
The Harder They Come (from 1992-08-08 until 1992-08-09)
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Madness5:47
95Give It to MeThe J. Geils Band3:40
96Barefootin'
assistant engineer:
Bob Wayne (US outlaw country rock singer/guitarist)
Dan I & Jump With Joey3:11
97Magic StarThe Skatalites5:02
98Another Star
producer:
Stevie Wonder
alto saxophone:
Hank Redd
bass guitar:
Nathan Watts
drums (drum set), piano, background vocals and lead vocals and lead vocals:
Stevie Wonder
flute and guest flute:
Bobbi Humphrey
guest guitar, guitar and guest background vocals:
George Benson (jazz guitarist/singer)
percussion:
Nathan Alford, Jr.
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
timbales:
Carmelo Garcia and Hungaria "Carmelo" Garcia
trumpet:
Steve Madaio and Raymond Maldonado
background vocals:
George Benson (jazz guitarist/singer), Josie James and Stevie Wonder
performer:
Stevie Wonder
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
Another Star
lyricist and composer:
Stevie Wonder
publisher:
Arabella Éditions Musicales SARL, Black Bull Music, Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
Stevie Wonder8:28
99Que será mi vida
recording of:
Que será mi vida
lyricist:
Nelly Byl (Belgian lyricist) and Daniel Vangarde
composer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Bleu Blanc Rouge and Zagora (French label and publisher)
Gibson Brothers55:57
100The House of the Rising SunSanta Esmeralda10:51

Credits

Release

Discogs:https://www.discogs.com/release/4552738 [info]
purchase for mail-order:OZON.ru [info]

Release group

part of:100 Hits (Russian series of mp3 CDs) (order: 15)