Tracklist

1CD: 1. Missa (Kyrie, Gloria)
2CD: 2. Symbolum Nicenum (Credo)
#TitleRatingLength
1Credo In Unum Deum Coro A 5
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:52
2(Credo In Unum Deum) Patrem Omnipotentem Coro A 4
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:48
3Et In Unum Dominum Duetto (Soprano 1, Alto)
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:15
4Et Incarnatus Est Coro A 5
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:03
5Crucifixus Coro A 4
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:07
6Et Resurrexit Coro A 5
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:54
7Et In Spiritum Sanctum Aria (Basso)
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:00
8Confiteor Unum Baptisma Coro A 5
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:58
9Et Expecto Resurrectionem Coro A 5
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:15
10Sanctus Coro A 6
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:44
11Osanna In Excelsis Coro A 8
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:30
12Benedictus Aria (Tenore)
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:09
13Osanna In Excelsis Coro A 8 Da Capo
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:30
14Agnus Dei Aria (Alto)
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:13
15Dona Nobis Pacem Coro A 4
orchestra:
Orchestra of the Eighteenth Century (in 2009-03)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 2009-03)
recorded at:
Lutoslawski Radio Studio (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2009-03)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2009-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:03