School Disco.com: Summer Holiday

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: 1st Period
2CD: 2nd Period
Nr.TitelKünstlerBewertungLänge
1Summer Holiday
Produzent(in):
Norrie Paramor
vocals:
Cliff Richard
Interpret(in):
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
Summer Holiday
Verfasser(in):
Brian Bennett (Shadows drummer) und Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music und EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard52:09
2The Grease Mega Mix
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-Mixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-Mix von und Mashup von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ von John Travolta (American actor and singer) und Summer Nights von John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
Verfasser(in):
Warren Casey, John Farrar und Jim Jacobs
Medley von:
You’re the One That I Want (Grease, 1978 film)
Medley von:
Greased Lightnin’ (Grease, 1971 musical)
Medley von:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
3...Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.853:32
4Summertime
Produzent(in):
Hula & K. Fingers
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1991)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Soundtrack Studios in New York, New York, Vereinigte Staaten
recording of:
Summertime
Texter:
Will Smith (US actor aka The Fresh Prince)
Verfasser(in):
Hula & K. Fingers
Komponist(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith (US actor aka The Fresh Prince), Alton Taylor, Dennis “D.T.” Thomas (Kool & The Gang) und Ricky West (Kool & The Gang member)
basiert auf:
Summer Madness
DJ Jazzy Jeff & the Fresh Prince3.53:58
5Dizzy
Produzent(in) und Mix:
Mick Glossop (producer & engineer)
cover recording of:
Dizzy
Texter und Komponist(in):
Tommy Roe und Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Vic Reeves & The Wonder Stuff3.653:19
6Teenage Kicks
Techniker(in):
Roger Bechirian
Produzent(in):
Roger Bechirian und The Undertones (Northern Irish punk rock band)
aufgenommen bei:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, Vereinigtes Königreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 59)
recording of:
Teenage Kicks
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:27
7Ready or Not
Produzent(in):
David Bascombe, Ian Broudie und Simon Rogers
Mix:
David Bascombe
Bassgitarre:
Martyn Campbell
Gitarre:
Ian Broudie
Keyboard und Sampler:
Simon Rogers
membranophone:
Chris Sharrock
Hintergrundgesang:
Carl Brown (vocalist on 1990s Lightning Seeds releases), Martyn Campbell und Terry Hall
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Ready or Not
Verfasser(in):
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds3:50
8Mr. Blue Sky
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1977)
Gitarre, Synthesizer und Sologesang:
Jeff Lynne (in 1977)
Keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
Schlagzeug, andere Instrumente [fire extinguisher] und Perkussion:
Bev Bevan (English rock drummer) (in 1977)
Hintergrundgesang:
Bev Bevan (English rock drummer) (in 1977) und Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 17) und Q50 – December 2005 (Nummer: 33)
recording of:
Mr. Blue Sky (in 1977)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Concerto for a Rainy Day
Electric Light Orchestra4.555:07
9Love Really Hurts Without You
vocals:
Billy Ocean
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
Texter und Komponist(in):
Ben Findon (songwriter and producer) und Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:03
10(Love Is Like a) Heat Wave
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Diana Ross & The Supremes2:41
11Dance Little Sister
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Bass:
Cass Lewis
Clavinet, Perkussion und Klavier und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gitarre:
Pete Glenister, Christian Marsac und Blast Murray
Hammond-Orgel:
Nick Plytas
Keyboard:
Andy Whitmore
Saxophon:
Mel Collins
Schlagzeug:
Clive Mngaza
zusätzlich Hintergrundgesang:
Phil Legg, Misty Oldland und Martyn Ware
Interpret(in):
The Bojangles (Terence Trent D'Arby's backing band)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Dance Little Sister
Texter und Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby23:56
12Copacabana (At the Copa)
assistierende(r) Techniker(in):
Derek Dunan
Techniker(in):
Michael DeLugg
Produzent(in):
Ron Dante und Barry Manilow
Bassgitarre:
Will Lee (US jazz/rock bassist) (von 1977-07 bis 1977-11)
Gitarre:
Mitch Holder (guitarist) (von 1977-07 bis 1977-11)
Keyboard:
Bill Mays (von 1977-07 bis 1977-11)
Perkussion:
Allan Estes (von 1977-07 bis 1977-11)
Schlagzeug:
Ronnie Zito (von 1977-07 bis 1977-11)
Hintergrundgesang:
Ginger Blake (von 1977-07 bis 1977-11), Laura Creamer (von 1977-07 bis 1977-11) und Linda Dillard (von 1977-07 bis 1977-11)
Sologesang:
Barry Manilow (von 1977-07 bis 1977-11)
Orchestrator(in):
Artie Butler
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1978) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-07 bis 1977-11)
Bearbeitung von:
Copacabana von Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song) (von 1977-07 bis 1977-11)
Texter:
Jack Feldman und Bruce Sussman
Komponist(in):
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music und Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Copacabana (1985 TV film soundtrack)
Teil von:
Foul Play (1978 film soundtrack)
Barry Manilow4:01
13Y Viva España
recording of:
Y viva Espana (English version)
Komponist(in):
Leo Caerts (Leo Caerts Sr; Belgian songwriter, producer)
Übersetzer:
Edward Seago
Arrangement von:
Eviva España (1971 song)
Sylvia Vrethammar3:29
14In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:30
15Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:26
16I Don't Wanna Dance
recording of:
I Don’t Wanna Dance
Texter und Komponist(in):
Eddy Grant
Eddy Grant3:22
17Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:59
18Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:12
19Baby I Love Your Way/Freebird
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:09
20Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:54

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