100 Hits Legends: Nat King Cole

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

1▼CD
Nr.TitelBewertungLänge
1Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
43:13
2Mona Lisa
vocals:
Nat King Cole (in 1950)
Interpret(in):
Les Baxter and His Orchestra (in 1950)
recording of:
Mona Lisa (in 1950)
Texter:
Raymond B. Evans (American songwriter)
Verfasser(in):
Livingston & Evans (songwriting duo)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
3:13
3Too Young
vocals:
Nat King Cole (in 1951)
Interpret(in):
Les Baxter and His Orchestra (in 1951)
recording of:
Too Young (in 1951)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:12
4Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
2:52
5Orange-Colored Sky
Bass und Kontrabass:
Joe Comfort (am 1950-08-16)
Bongos und Conga:
Jack Costanzo (am 1950-08-16)
Gitarre:
Irving Ashby (am 1950-08-16)
Klavier:
Nat King Cole (am 1950-08-16)
vocals:
Nat King Cole (am 1950-08-16)
Orchester:
Stan Kenton and His Orchestra (am 1950-08-16)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-08-16)
recording of:
Orange Colored Sky (am 1950-08-16)
Verfasser(in):
Milton DeLugg und William Stein
publisher:
Amy Dee Music Corp.
3.52:32
6Lush Life
Bongos und Conga:
Jack Costanzo (am 1949-03-29)
Gitarre:
Irving Ashby (am 1949-03-29)
Klavier:
Nat King Cole (am 1949-03-29)
Kontrabass:
Joe Comfort (am 1949-03-29)
vocals:
Nat King Cole (am 1949-03-29)
Orchester:
Pete Rugolo and His Orchestra (am 1949-03-29)
conductor:
Pete Rugolo (am 1949-03-29)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-29)
recording of:
Lush Life (am 1949-03-29)
Texter und Komponist(in):
Billy Strayhorn (von 1933 bis 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und Tempo Music, Inc. (Duke Ellington’s music publishing company) (vom 1949 bis heute)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
7Pretend
Produzent(in):
Lee Gillette
Gitarre:
Irving Ashby (am 1952-12-30)
Klavier:
Nat King Cole (am 1952-12-30)
Kontrabass:
Joe Comfort (am 1952-12-30)
vocals:
Nat King Cole (am 1952-12-30)
Orchester:
Nelson Riddle and His Orchestra (am 1952-12-30)
conductor:
Ralph Carmichael und Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (am 1952-12-30)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:44
8’Deed I Do
Instrumente:
The Nat King Cole Trio (in 1949)
vocals:
Nat King Cole (in 1949)
recording of:
’Deed I Do (in 1949)
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
2:15
9My Baby Just Cares for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-07)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-11-07)
Gitarre:
Irving Ashby (am 1949-11-07)
Klavier:
Nat King Cole (am 1949-11-07)
Kontrabass:
Joe Comfort (am 1949-11-07)
vocals:
Nat King Cole (am 1949-11-07) und Woody Herman (am 1949-11-07)
Interpret(in):
The Nat King Cole Trio (am 1949-11-07)
cover recording of:
My Baby Just Cares for Me (am 1949-11-07)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
2:46
10For All We Know
Gitarre:
Irving Ashby (am 1949-03-22)
Klavier:
Nat King Cole (am 1949-03-22)
Kontrabass:
Joe Comfort (am 1949-03-22)
vocals:
Nat King Cole (am 1949-03-22)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-22)
cover recording of:
For All We Know (1934 song) (am 1949-03-22)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
3:00
11Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1953-01-14)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
12Almost Like Being in Love
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1953)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
1:52
13This Can’t Be Love
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
This Can’t Be Love (in 1953)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:29
14Love Is Here To Stay
vocals:
Nat King Cole (in 1953-01)
Orchester:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
Love Is Here to Stay (in 1953-01)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:48
15Dinner for One Please James
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Dinner for One Please, James (in 1953)
Texter und Komponist(in):
Michael Carr (songwriter)
2:56
16Don’t Let Your Eyes Go Shopping for Your Heart
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-24)
Klavier:
Nat King Cole (am 1952-07-24)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-24)
Posaune:
Keith Butterfield (am 1952-07-24), Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (am 1952-07-24), Walter Shields (am 1952-07-24) und Kenneth Trimble (am 1952-07-24)
Rohrblattinstrumente:
Leo Anthony (am 1952-07-24), Earl Bergman (am 1952-07-24), Jim Schneider (am 1952-07-24), Billy Usselton (am 1952-07-24) und Buddy Wise (am 1952-07-24)
Schlagzeug:
Archie Freeman (am 1952-07-24)
Trompete:
Bruce Bruckert (am 1952-07-24), Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-07-24), Dean Henckle (am 1952-07-24), Jack H. Laubach (trumpeter) (am 1952-07-24) und Martin White (Ray Anthony Orchestra trumpeter) (am 1952-07-24)
vocals:
Nat King Cole (am 1952-07-24)
Orchester:
Ray Anthony Orchestra (am 1952-07-24)
conductor:
Nelson Riddle (am 1952-07-24)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-24)
recording of:
Don’t Let Your Eyes Go Shopping (for Your Heart) (am 1952-07-24)
Verfasser(in):
Billy Austin und Sheldon Smith (jazz songwriter)
2:29
17Exactly Like You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-07-26)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-07-26)
Gitarre:
Irving Ashby (am 1949-07-26)
Instrumente:
The Nat King Cole Trio (in 1949)
Klavier:
Nat King Cole (am 1949-07-26)
Kontrabass:
Joe Comfort (am 1949-07-26)
vocals:
Nat King Cole (am 1949-07-26)
recording of:
Exactly Like You (am 1949-07-26)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
2:40
18’Tis Autumn
Gitarre:
Irving Ashby (am 1949-03-29)
Klavier:
Nat King Cole (am 1949-03-29)
Kontrabass:
Joe Comfort (am 1949-03-29)
vocals:
Nat King Cole (am 1949-03-29)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-29)
cover recording of:
’Tis Autumn (am 1949-03-29)
Texter und Komponist(in):
Henry Nemo
3:07
19What’ll I Do?
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
What’ll I Do? (in 1947)
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:03
20Save the Bones for Henry Jones
Gitarre:
Johnny Moore (US blues guitarist, Three Blazers) (am 1947-08-20) und Oscar Moore (am 1947-08-20)
Klavier:
Nat King Cole (am 1947-08-20)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-20)
vocals:
Nat King Cole (am 1947-08-20) und Johnny Mercer (am 1947-08-20)
Orchester:
The Trio (am 1947-08-20)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1947-08-20)
recording of:
Save the Bones for Henry Jones (’Cause Henry Don’t Eat No Meat) (am 1947-08-20)
Verfasser(in):
Danny Barker und Vernon Lee (Music publisher, songwriter and composer)
2:40
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Nennungen

Veröffentlichung

liner notes:Tony Watts
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2009)
Discogs:https://www.discogs.com/release/11488991 [Info]
ASIN:UK: B002LZUKVQ [Info]

Veröffentlichungsgruppe

Teil von:100 Hits Legends (Nummer: 3) (Reihenfolge: 3)